Smartorhypo Highly Overrated But Still Good

Acensbart Excellent but underrated film

Catangro After playing with our expectations, this turns out to be a very different sort of film.

Joanna Mccarty Amazing worth wacthing. So good. Biased but well made with many good points.

Scott LeBrun Enjoyable German crime thriller stars Gert "Goldfinger" Frobe as police commissioner Lohmann, faced with a series of crimes perpetrated by convicts. These convicts have been turned into obedient slaves by the nefarious, mysterious mastermind Dr. Mabuse, and are able to escape prison and return there once their deeds are done. Giving Lohmann an assist is American FBI agent Joe Como (Lex Barker); also involved is a sexy female reporter, Maria Sabrehm (the delectable Daliah Lavi).Capably directed by Harald Reinl ("The Torture Chamber of Dr. Sadism"), this is good, zesty entertainment that gets by due to effective lighting schemes, a swift pace, and a snappy script. The movie rarely stops moving, presumably to keep us focused on the story and prevent us from thinking about it too much. It's a delight to see heavyset, jovial Frobe as a hero, and Barker (just one of many Tarzan performers over the years) is solid as a character about whom you're never quite sure; whose side is he really on? Lavi is appealing while also functioning as major eye candy. The strong supporting cast includes Fausto Tozzi as the sleazy looking Warden Wolf, Werner Peters as his associate Bohmler, Wolfgang Preiss as the slippery Mabuse, Rudolf Forster as a disgraced chemist, Rudolf Fernau as a priest, and Joachim Mock as Detective Voss.Sometimes startlingly violent (one victim is turned into a human torch), but pretty stylish throughout, "The Return of Dr. Mabuse" is just plain fun for any lover of this film series.Seven out of 10.

Vigilante-407 This was another good entry in the Dr. Mabuse series, and a good German mystery movie in general. Gert Frobe is excellent as Lohmann, and Lex Barker is a welcome addition with his character, who keeps us on our toes by never really letting us know his true allegiances until late in the film. Once again though, a lot of traps and salient plot points are recycled from some of the previous Mabuse movies. The addition of the "Chicago Syndicate" element looks to have been added to make the movie more reachable to US audiences, but the film does manage to keep the unique verve that most German cinema had back in the fifties and sixties.

evilskip This film has had more titles than some folks have shorts.No matter what the title we do have a nifty follow up to the classic 1000 Eyes Of Dr Mabuse. A man is murdered on a train which brings in Inspector Lohmann.In a rather gruesome scene a woman representing the Chicago Mafia is roasted alive by a flame thrower in a truck.This brings in Joe Como,FBI agent.Or is he really Nick Scapio from the Chicago mob? Dr Mabuse wants to make a deal with the Chicago gangsters for some undisclosed reason.He has a chemical which makes a person a slave to the will of Dr Mabuse.Mabuse intends to take over and destroy a nuclear power plant in the city as a show of good faith.Cleverly using prisoners from the local prison Mabuse intends to create mass havoc & terror. This film is never dull and will keep you guessing right until the end.It also has one of the more paranoid endings in the Dr Mabuse series.If you can find it enjoy it!

dottorepaulo One of the better Mabuse-films of post-war West-Germany. Of course, none of these films came even close to the famous Mabuse original from the 20-ies. Dr. Mabuse is a mad scientist who uses his power to control and manipulate other minds. He is difficult to track and has the unpleasant feature of killing someone or lancing a coup in the most unexpected places and times. Usually, he uses devices as electronic mind-manipulators or hypnosis and has a gang of criminals at his disposal who carry out his orders and usually don't even know that their leader is the feared Mabuse. In the Dr.-Mabuse-sequels he was killed or hunted down several times but only to escape with mad genius and to appear another time. What makes this film interesting is the style and the scenic decoration with which the dark emotion and the mysteriousness are displayed that Dr. Mabuse implies. Supporting the mysterious atmosphere is that the film is made in black-and-white and the use of light has more effect on the atmosphere, although it is sometimes to theatralic. Some creepy details are remarkable for example masks or busts standing in a psychiatrist's office that contribute to the morbide background. Mabuse should be perceived like an unstoppable ghost - a task that has been very well accomplished. It has some kind of psycho-atmosphere - you can trust no one (maybe Mabuse has just manipulated your girlfriend's mind or a bling beggar is killing you on the street). The actors of this film are fairly unimpressive especially the unbearable Lex Barker who doesn't fit in this movie at all. The sole exception is the grummy Gert Froebe who plays the commissar once again and (for native-germans) can work with his saxonian dialect as well as putting his large body in police-like behaviour that is fun for anyone to watch as he is the only serious actor in this movie. Measured with international standards this film is a mediocre and unimpressive work and certainly not remarkable. But for german cinema it has a traditional connection with the Edgar-Wallace-movies that appeared at the same time. The Doktor-Mabuse-films use the same methods to create mystery, crime and psychological fear. Almost all of them are made in black-and-white and share the same pool of german actors that emerged in the 50-ies and 60-ies. This film is more interesting for someone who likes these pseudo-thrillers (as me) as for someone who wants to watch a serious movie. This film distinguishes itself as it is one of the more serious of the Mabuse-series with the plot being more conclusive and the solution of the case being more believable. And Gert Froebe's acting is noteworthy as it enriches this more or less pale movie.