The Rose

1979 "She gave and gave, until she had nothing left to give"
6.9| 2h5m| R| en
Details

Rock-and-roll singer Mary Rose Foster's romantic relationships and mental health are continuously imperilled by the demands of life on the road.

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Reviews

Breakinger A Brilliant Conflict
Motompa Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.
Billie Morin This movie feels like it was made purely to piss off people who want good shows
Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
Lechuguilla As a pumped-up, neurotic 1960s rock star named Rose, Bette Midler energizes this film with a soulful, emotional performance deserving of Oscar recognition. Midler animates the character so well that, paradoxically, she rather overwhelms the film's plot about a famous singer who nonetheless is insecure and fragile.I would estimate that roughly a quarter of the film's runtime consists of Midler on-stage singing and performing in front of an audience of hundreds, and in one case thousands, of extras as part of a real-life concert. The technical logistics of putting together such a believable event is quite impressive, with multiple cameras, special effects, complex lighting, and in only one camera take.The non-concert plot has Rose in various states of emotional highs and lows, mostly lows, as she laughs and cries, whines and moans, and argues and fights with those around her. This is a lady who is controlled by emotion, not reason or logic. She laughs one minute, cries the next, then laughs, then cries some more.As such, the plot trends emotionally repetitive, though we as viewers sense that all this enormous gushing of raw feeling can't continue indefinitely. And thus with great effect, the film has a dramatic ending, one that combines character resolution with stunning visuals, followed by end credits set against the musical backdrop of Amanda McBroom's moving, hymn-like title song, "The Rose".By far the best element of the film is Midler's electrifying performance. Yet, the concert footage and film editing are also impressive. The weak link is a plot that, though acceptable, seems anemic in comparison to Midler and the stunning visuals.Inspired by the unnerving musical career of Janis Joplin, "The Rose" presents viewers with an emotionally moving story, character driven, that is set within an overall film production that is technically both competent and credible.
edwagreen While the film is a very good one with Bette Midler giving a marvelous Oscar nominated performance, Ms. Midler is at worst when she belts out the songs. All you basically hear is loud music and Ms. Midler scream-singing.Nevertheless, Bette delivers a walloping performance as a boozy, emotionally distraught rock star caught up with drugs besides alcohol. She is emotionally unbalanced especially with the men who seem to come into and exit her lives in record time.Midler receives excellent support from Fred Forest, as an AWOL guy who befriends her, becomes her lover only to suffer repeated abuse as well as Alan Bates, in fine form as her manager unable to cope with her emotionally unbalanced behavior.Where is everyone going? This is the constant message stated by Bette (Rose) throughout the film.This is the usual story of a person's inability to handle success. Yet, Bette Midler proves herself a really competent actress.
sddavis63 Bette Midler offers a performance that is both powerful (for the actress) and troubling (for the character.) She plays Mary Rose Foster, a girl who grew up on the wrong side of the tracks in Florida, but by 1969 (when the movie is set) ended up as a mega-rock star known simply as "The Rose." Unfortunately, in the midst of all her success her life falls apart. She ends up (by the time the movie begins) as a lonely alcoholic close to burnout, but with a manager (Alan Bates) who won't let her have time to recuperate, and instead just keeps pushing her on and on to the next show. Rose just wants to play one last concert - in her hometown to show the locals what a star she's become and then (as she says repeatedly) she wants to take a year off (and from the looks of her she could use it.) Midler made this movie. It was her first starring role, and it was a challenging one, but she pulled it off perfectly. I'm not a huge fan of her style of singing, but the behind the scenes look at life on the road was interesting enough, at least for a while. Admittedly, the story became a bit monotonous after a while and there were extended scenes that really didn't seem necessary to the development of the story, but director Mark Rydell does manage to pull the viewer into Rose's life, and make her a sympathetic character. The movie also featured a decent performance from Frederic Forrest as Rose's love interest Huston Dyer, who started as her chauffeur and ended up as her lover, but eventually had to get away from her and the life she was leading, although I found the romance a bit too contrived to be believable.I thought this was a good movie, memorable mostly for Midler and the music. Even with the weaknesses that are clearly present, I'm still going to 8/10 for this.
lawrence_elliott This is a most exciting, gripping and fabulous film. Bette Midler's electrifying performance was worthy of best actress. The Janis Joplin type performance is stunning - her heart and soul is in her voice which pulsates and vibrates into your very being and sends shock waves of electricity tingling coolly down the back of your spine touching your very soul. This is a gut-wrenching experience that teaches nothing but makes you experience everything.I love this film, the music and the voice and performance of Bette Midler. What a thrill it is to see an artist like Bette Midler perform to such an extreme and lofty level. What a dazzling radiant star that burned so brightly for so short a time and then was so suddenly and prematurely snuffed out. But when an artist gives so much of herself in every song she sings, it is no wonder that her life was slowly drained and eventually terminated by the fans who loved her.I was working with The Canadian Film Institute in 1980, one year after the release of this film, and we put on a festival in Ottawa at the National Film Archives Theatre in July. We started out with "The Rose" at 8pm and then concluded with Crawley Films Academy Award winning Documentary film "Janis" at 11pm. It was just like a live Rock Concert. The crowd was in a frenzy. The only thing missing was Jimi Hendrix! Love this one. Real entertainment and excitement!I should note that the director, Mark Rydell, does an overview commentary on the DVD version of this film and it is like taking a university level cinematic studies course. He makes interesting and relevant comments on every scene in the film and it is well worth listening to. Highly informative and fascinating!