Exoticalot
People are voting emotionally.
Afouotos
Although it has its amusing moments, in eneral the plot does not convince.
Invaderbank
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Married Baby
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
paulapulaski
Can't stand movies where no one can talk about their feelings and they never say what they mean! Totally annoying. Seems they would rather suffer in silence than unburden their souls despite opportunities to do so. For this reason I couldn't stand this long suffering dragged out miserable film. I wouldn't recommend this movie to anyone. The sudden transformation in the relationship with the neighbor is Also unrealistic. Finally got to the point mid way through the movie the Husband has enough sense to tell his wife it wasn't Sarah's fault. And Sarah's medical condition so far has not surfaced with anyone except the hospital!
Amy Adler
Sarah (Amber Tamblyn) left her small town in the Missouri area to live in Chicago. When she was barely out of high school, a tragedy occurred, something Sarah feels was her fault. Her former boyfriend, Evan (Paul Wesley) was heartbroken about the young lady's exit from his life and he moved to Texas, where he became a successful money manager. Although Sarah stays in touch with her parents and younger brother, she remains remote from all who love her for five years. Now, bad news arrives. Sarah learns that she is seriously ill, though doctors tell her she has a chance of recovery. Unhappily, Sarah thinks her sickness is the result of "karma", a tit-for-tat for the accident that happened half a decade ago. So, Sarah heads back to her hometown. Her parents welcome her, but don't give her an opportunity to convey her secret, as they are always rushing here and there. A neighbor woman, Lorraine (Jennifer Ehle) is upset beyond tears, for the tragedy struck her family. No one, not her caring husband or her two teenage sons can help her out of a lingering grief. With Sarah's return, she is shaken to the core. What will be the end result? Meanwhile, Sarah finds that Evan has returned, also, to care for his ailing, widower father. Before long, sparks are flying between them, something Sarah tries to repress since she doesn't know if she will beat her illness. With all of these serious life events unfolding, will there be a way to go beyond the singular happening that changed everyone's lives? This is quite a sensitive film, tackling many deep issues but it is hardly a happy Hallmark movie. Tears will probably fall for all who choose to watch it. The cast is great, with Tamblyn, Ehle, Mary Elizabeth Mastriantonio, Wesley and all of the others doing a great job. The setting is likewise wonderful, a beautiful, well-preserved small city with lovely surroundings. Though the plot unfolds slowly and is told with the aid of flashbacks, it still has a huge amount of courage in its presentation. Therefore, although it is part of the Hallmark collection, its not for all viewers. But, its exploration of tragedy, lingering grief, misplaced blame, guilt and other serious issues makes it a cathartic blessing for some. Act accordingly.
gdcox
Karma is not God's retribution or reward in this life as stated by the mother of the main character. Either the mother is stupid/ignorant as a character, which does not seem to make sense, or the screenplay writer is.Karma..................... 'In Indian philosophy, the influence of an individual's past actions on his future lives or reincarnations. It is based on the conviction that the present life is only one in a chain of lives . The accumulated moral energy of a person's life determines his or her character, class status, and disposition in the next life. The process is automatic, and no interference by the gods is possible. In the course of a chain of lives, people can perfect themselves and reach the level of Brahma, or they can degrade themselves to the extent that they return to life as animals. The concept of karma, basic to Hinduism, was also incorporated into Buddhism and Jainism.'
yates-3
This is one of the best movies I've seen in years. While the "Matrix" crowd may consider the plot "slow," I consider it natural and unhurried. This movie rests on its WRITING and PERFORMANCE, not fancy graphics, nudity, or profanity. You can watch this show with your 3-year-old.Two families are caught in a very plausible conflict. There is a lot of judgment, anger, blame, self-loathing, and fear involved. The conflict rises to an almost intolerable level, but then is eventually resolved.Like many real-life conflicts and wounds, the Russell girl walls herself off in unhealthy denial and self-judgment. The family doesn't help either, with the mother blinding herself to the depth of her daughter's guilt. True to the self-righteous, self-justified attitude of humans in their worst light, the antagonist (Jennifer Ehle) had deepened the wound for many years, but with the artful interplay of emotions and relationships woven by Blotevogel, the wound is finally punctured and healed.My hat is off to Jill Blotevogel, Jeff Bleckner, Amber Tamblyn, and all the people involved in making this excellent film.