The Saint Meets the Tiger

1943
5.7| 1h9m| NR| en
Details

A man murdered at the Saint's doorstep manages to utter a few words to Simon Templar before he dies, sending him off to the quaint resort village of Baycombe where he confronts crime mastermind 'The Tiger' and his gang as they plan to smuggle gold bullion out of the country.

Director

Producted By

RKO Radio British Productions

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Reviews

Softwing Most undeservingly overhyped movie of all time??
Smartorhypo Highly Overrated But Still Good
CommentsXp Best movie ever!
Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.
michaeljhuman Jean Gillie (sp?) makes this movie. She's too cute for words with her gung ho attitude. She's not really believable IMO. She's just too calm in the face of danger given her background, but it's fiction after all, why not have a really strong female character to match up with the Saint.A lot of the supporting cast is pretty dullGeorge Sanders is better as the Saint IMO. Hugh does OK - he's charming and competent enoughThe plot is weak like most Saint movies. I don't care really as long as the dialog entertains, and it does.I admit to having a real love for the early Saint movies for their totally relaxing experience - the violence is comic when there is violence, and you always just assume the Saint will manage to come out alive. Even though the violence is comic, the body count is high in this movie. Heck, I can't even remember how many people get killed (or one assumes their wounds are fatal.)I would say, if you liked the Sanders Saint movie, this one might appeal to you. If you like comic-mysteries from this era and don't mind weak plots you will like this. I think most people just have to like Jean Gillie here, what's to not like?
csteidler The action starts quickly: Simon Templar receives a phone call from a nervous stranger who mentions a million pounds. The doorbell rings. Templar opens the door and a man falls into his arms. The dying man hangs on just long enough to say something about "the Tiger" and the city of Baycombe….The pace never slows down much from there, as the Saint takes a cottage in Baycombe and digs into a mystery involving a shipment of stolen gold bars, a mysterious mastermind known as the Tiger, and a group of ordinary-looking Baycombe residents mixed up in it all. A game cast maintains a lively pace and a light tone in this enjoyable adventure. Wylie Watson is Horace, the Saint's new butler, a mystery lover looking for some excitement in a job. Jean Gillie is Pat Holm, the girl on the case, also eager for adventure and sporting a hairdo that's always falling across her face so she has to keep shaking it out of her eyes. Horace and Pat team up, thinking they'll catch the crooks on their own while the Saint is off working with…Gordon McLeod, returning as Inspector Teal, also in Baycombe on the missing gold case (and trying unsuccessfully to work undercover as a vacationing professor). As usual, Teal is torn between arresting the Saint and asking for his help.Hugh Sinclair is more than passable in his second and final go-around as Simon Templar. Sinclair's Saint is breezy, lanky and a fast talker. And confident—like when he's working a roomful of suspects and a policeman tells him, "I'll have to ask you to come along with me, Mr. Templar," and he just says, "Oh, I think not," and goes right on talking….Overall, there's not a whole lot to it but it's certainly pleasant enough.Note: I always like watching movie thieves handle stolen gold bricks. Movie gold bars are really heavy!
blanche-2 When a man is killed on his doorstep, Simon Templar (Hugh Sinclair) tries to find out the reason in "The Saint Meets the Tiger," a 1943 film also starring Gordon McLeod, Jean Gillie and Wylie Watson. In this episode, The Saint has a butler (Wylie Watson) who regrets not taking a job in Chicago so he could work with mobsters; a death on the doorstep is what he's been waiting for. The man utters a few words before he dies, which lead Simon and his butler to a small town. There they meet a young woman, Pat (Gille), who becomes part of the "team" trying to uncover the identity of "The Tiger" and reveal a scam involving gold and an old mine.The scenes on board ship were good, with the butler and Pat working together knocking people out and not realizing Simon was on board, too, and Simon not knowing they were on board. The two would run across a body and accuse the other of knocking him out. Inspector Teal shows up posing as a professor.This is pleasant enough, though Sanders brought a certain panache to the role of The Saint that is missed here. And why, when the series was imported to Britain, wasn't the Saint's whistle brought along with him?
MartinHafer Leslie Charteris was apparently unhappy with the RKO films based on his Simon Templar character that were made in the late 30s and early 40s because they bore little similarity to his stories--just the titles and title character's name were often retained. I read that Charteris refused to allow further versions of his stories unless major changes were made. As a result, RKO did what you'd expect from a studio--changed the character's name and continued the series under a new name ("The Falcon"). However, they and Republic Pictures did not want to drop the idea of the Saint altogether, so they made a couple films in Britain with an entirely new cast. Part of this was, of course, to make Charteris happy but this was also done because a British law required that a certain percentage of films shown in the country must be domestically produced--hence many American companies, such as MGM, Warner and RKO bought or created British film companies. Most of these British productions were made on a shoestring budget and the parent companies didn't particularly care too much about the quality of the films, as they were never intended to be shown anywhere outside the UK--and they were only making them to get around British law.Now some of these British-made films very good and many of them were downright dull and boring--about how I would characterize THE SAINT MEETS THE TIGER--dull and boring. I know that this film has a reasonably high rating on IMDb, but for the life of me it was a major struggle for me to watch this insipid film. While the American films were not faithful to Charteris' vision, they were indeed fun. This more "by the book" version forgot to include the fun. Sure, they weren't "authentic", but for my money I'd much rather watch George Sanders as the Saint than dull old Hugh Sinclair--who, unfortunately, has the charisma of a mop.FYI--While I prefer the Americanized version of the Saint, the same cannot be said of James Bond. Just like the Charteris novels, most James Bond films have almost no similarity to the original Ian Fleming novels--just the titles and character name. However, I would LOVE to one day see a series based on the books, as they were far superior to the impossibly perfect Bond we've seen in the films.