Jeanskynebu the audience applauded

Bereamic Awesome Movie

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

mraculeated The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

tavm After checking this out of the East Baton Rouge Parish Library a couple of weeks ago, I finally watched Cut Off native Glen Pitre's The Scoundrel's Wife (or as printed in the movie proper-Home Front) with my parents. My dad was bored and left partly through but me and my mom stayed for the whole thing and both enjoyed it. Tatum O'Neal plays Camille Picou, a widow during World War II who's ostracized in her community that's the same as the director's because of something she and her late husband did during the '30s. Her teen children Florida (Lacey Chabert) and Blue (Patrick McCullough) don't find out what until the end. Meanwhile, a doctor from Germany (Julian Sands) has arrived and takes care of many other men from there as they arrive from U-boats wounded and sick. That doesn't sit will with many of the residents including a Coast Guard Ensign (Jack Burwell, played by Eion Bailey who I just found out lost the Batman role to Christian Bale for Batman Begins years ago) who is under pressure to make an arrest. I'll stop right there and mention that Pitre the director takes enough time with his and wife Michelle Benoit's screenplay to figure out who's with who and how times were in the Pelican State during the early '40s. There's also an amusing turn by Tim Curry as the local priest also originally from Germany who likes to drink. Many fine performances abound in this regional drama and besides McCullough who's from Metairie, other Louisiana natives acting in this production are Michael Arata (Coast Guard Commander) who was born in New Orleans and John McConnell (Dance Hall Owner) who was born in my now hometown of Baton Rouge and has a radio show in New Orleans. Wonderful location shots of Lafourche Parish and Lockport flow through the movie. This is the third movie written by Pitre that I've seen, the others being Belizaire the Cajun and Hurricane on the Bayou which I saw at the IMAX theatre in the Cresent City. For anyone interested in Louisiana period flavor, I highly recommend The Scoundrel's Wife (a.k.a. Home Front).

Ted_martin This film may only have viewing value to local people from South Louisiana as one of the other reviewer's has stated, but the story line is loosely based on historic events occurring before and during World War II. My mother, who was raised in Mathews Louisiana tells stories of how one of our distant relatives kicked barrels loaded up with Chinese illegals over the side of his boat because the authorities were after him. She also told us stories of how after a German U-boat had been sunk off of the coast of Louisiana, a ticket to the local picture show was found on one of the German's bodies that washed ashore. There were also loaves of French bread from Dufrene's Bakery in Golden Meadow, LA in the debris. Food and diesel were rationed to most people, but shrimp weren't bound by the rationing rules due to the shrimp's food value. Glen Petri tells his tale in a way to tie these stories together in a very entertaining way in my opinion.

moonspinner55 Despite Glen Pitre's reputation with the critics, he shows no distinguishing talent with story, narrative or actors with this war-and-the-homefront melodrama. The men are mostly overwrought, young Lacey Chabert is totally out of the period, and Tatum O'Neal (in the lead as a widowed mother of two under a constant cloud of suspicion) is too low-keyed and looks wrung out; she doesn't connect with the audience in a sympathetic way because she's kept so distant and dry of emotions (except in the brief scene where she laughs at Julian Sands dancing--it's like a breath of fresh air to see her genuinely smiling). Film is patchy, with a low-budget feel that isn't helped by mediocre period affects. It begins with a haunting shot, a flashback that becomes clearer as the film progresses (featuring O'Neal's strongest moments), but the rest of the movie fails to rise to that emotional level. It's so passive and dish-rag limp. One may commend hammy Tim Curry as an alcoholic priest--he does liven things up--but his comic mugging doesn't belong in a movie about U-boats and power-crazed soldiers. ** from ****

George Parker In "Home Front", as the DVD was entitled, WWII German U-boats are sinking American ships off the coast of Louisiana and the little Cajun backwater town Cut Off, LA is getting the backlash. The film focuses on a woman (O'Neal) with a big secret, a doctor (Sands) with a medium sized secret, a priest with a little secret, and a USCG Ensign who is the wartime town cop and wants to know everybody's secret. Trying too hard to be all things to all people while lacking in focus, purpose, center of gravity, and character depth this mediocre little indie manages nominal drama - with O'Neal looking in need of some serious direction - while missing much of the smell, sound, and scenic beauty of Cajun country. Recommended only for fans of the players or anyone interested in the location or period. The DVD I watched had no CC's and only Spanish subtitles. (C+)