Hellen I like the storyline of this show,it attract me so much

Diagonaldi Very well executed

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Jerrie It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Nick Duguay A well made and adequate French thriller- many of the stylistic choices have me thinking of this one as a 'proto-giallo' of sorts, especially the camera work and amazing score. It can drag a bit but the chase scene in the latter half is well worth the wait. I haven't seen one quite this visually engaging since Lizard in a Woman's Skin. Gorgeous sets, sharp camera work, an engaging, psychedelic score, and of course, the beauty of the lead, all work in this one's favour. What works against it is the thin story-line and the clumsy dialogue- both things to be expected from early foreign thrillers such as this and therefore easy to overlook. The ending is rather good but almost feels tacked on. I wish they had done more to lead up to it during the film. Overall, this tended to get better throughout, starting off weak and slowly getting stronger. Great find for fans of foreign thrillers and giallo enthusiasts in particular.

markwood272 Saw this 7/6/15 on YouTube. Should have been titled, "Why?" as in "Why Make This Film?" Beautiful print, very clear. Stupid "heavy"-sounding American-style pop song played over and over on Ronet's Garrard hi-fi turntable – didn't he own any other records? Story, what little of it I could follow (and even less was worth following), was boring by reel 2. For a long time in this shortish movie little seemed to happen. The Ronet character, perhaps because the writers ran out of ideas after the opening credits, kept asking poor Romy why she killed her boyfriend, the brother of the Ronet character. Then back to the turntable with additional repetition of the title of the movie in English – "Who are you...?" OK – who am I? Someone who just watched a bad movie! Romy and Ronet were much better splashing around in La Piscine (1969). The ending was a real "twist"! Doesn't everyone have a double? Without subtitles I got at least 50% of the dialogue, and I doubt that I really missed all that much.

Red-Barracuda An abusive boyfriend is killed when his car crashes off a cliff into the sea. His girlfriend escapes death and comes under suspicion. She and the man's brother then begin a romance of sorts.As others have pointed out this feels like a Claude Chabrol movie without the depth. It's a mystery-thriller but in truth its story is none-too-interesting. What keeps it from being truly mediocre are the occasional moments of the bizarre, some nice photography and a groovy Euro score by Claude Bolling. It's definitely a case of style over substance though, as there really isn't anything too much going on under these surface details. The story itself is as unrealistic as a giallo with some clear absurdities such as the dead body found in the sea that fools everyone into thinking its someone else's body. But it doesn't really have a giallo's sense of purpose or excitement. It's much more self-consciously arty and once the thriller part of the narrative finally kicks into gear the film ends very suddenly.It's a strange movie though and one that would no doubt benefit from a repeat viewing. Very much a minor film but stylish and odd enough to be given some credit.

gridoon2018 Thematically, "Qui?" could be classified as "in the Claude Chabrol vein": a fatal accident, a man dies, a woman survives, she feels that someone is watching her, so she goes to stay with the dead man's brother, they start an affair, etc. But was it really an accident? Did the woman have any responsibility for what happened? Did the man really die? Is his brother genuinely seduced by her, or is he just obsessively trying to find out the truth? Compared to Chabrol, Leonard Keigel has a faster and more gimmicky style: he does a good job of creating a sense of paranoia and uncertainty. Ultimately, his story is too contrived (SPOILER: what are the chances of another corpse of the same age, height, hair color, clothing, etc., who has spent about the same time in the water, washing up at the right time and the right place? END SPOILER) for "Qui?" to be anything more than a minor thriller, however it's still worth seeing, especially for Romy Schneider fans: she is truly hot in this movie. The virtually unknown Simone Bach, as Ronet's ex-wife, is simply adorable. **1/2 out of 4.