ShangLuda Admirable film.

ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Horst in Translation ([email protected]) "Der siebente Kontinent" or "The Seventh Continent" is an Austrian German-language film that runs for 105 minutes roughly and was Austria's official submission to the Academy Awards back then. First time this honor was awarded to Haneke and even if the film did not get in, it is probably at least as known as all the actual nominees today. Maybe the material and Haneke's bleak atmospheric approach that he still has today and that usually involved death (to people and animals) just wasn't to the Academy's liking back then. The film is about a seemingly normal family (2 grown-ups, one daughter) who decide to quit their jobs and tell everybody they are leaving the country. Well, actually they are leaving the planet as they decide to commit suicide and sadly also kill their young child. Even over 25 years ago, Haneke was already fascinated with depicting the evil of the human soul.This film is the beginning of a trilogy that is all about young people that have a certain connection to death, be it as them being the victims like in this one or the offender like in "Benny's Video". The final installment would be "71 Fragmente einer Chronologie des Zufalls" from 5 years after this first film we have here. And let us talk about this one a bit more. Unfortunately, I was not really impressed with this one. I think I may have liked it more if it had been considerably shorter. The first 75% of the film are a study in how to make a film as atmospheric as possible, but it was just too long I felt till at the end finally something happens and disaster strikes. So if this movie had run for 90 minutes max, I may have liked it a lot more I guess. Still, it was a solid watch overall and if you know Haneke's works, do not expect a happy ending. All in all, I do not recommend "Der siebente Kontinent". Even if the acting is decent, like I wrote in the title, this is far from my favorite Haneke films that mostly include his more recent efforts.

tonymurphylee A family, starved for attention and desperate to escape their daily life of abrasive routine, decide to turn things around one year and go against the routine. The film depicts their lives in three painful years of isolation, meaningless actions, and disillusionment. The first two-thirds of the film show the loud and hectic world that they are inexplicably a part of. Everything is just a series of actions. The semi-apocalyptic sequence shows a kind of desperate forcefulness of life that never breaks though, and the claustrophobic nature comes across as frighteningly unnerving. Tarkovsky would be proud.The Seventh Continent was the second Michael Haneke film I had seen after The Piano Teacher. While I do not think that it is as honest a film as The Piano Teacher, I do applaud the fearless dynamic of the film to be completely devoid of style and of typical film conventions in order to depict a world that grows increasingly unpredictable and harrowing. The film is very Hitchcock-like in how it slowly and quietly builds it's themes involving desolate emotions. It is a tremendously scary film, but it is scary in a way that comes off a lot stronger after the film has finished and you allow it's images to swim around in your head for a while. The loss of passion and of feeling in a human being, to my knowledge, has never been depicted in such a pessimistic way. This is a very angry film. This is a very resentful film. This is a film that celebrates sadness and anger and I hated watching it. When the film finds time to depict humanity, it writes it off like it is useless. What makes me even more angry about the film, in a way, is how you can almost feel Haneke behind the camera feeling resentful and wanting to punish the audience for wanting to view a film with a good story and a moving and engaging plot. Haneke goes so far out of his way to provide nothing in the way of narrative power and instead opts to craft an angry and traumatizing film. What makes the film work is it's power to provide some deeply haunting imagery and some truly worthwhile substance that I couldn't help but appreciate. Two of these three characters have complete control over everything that happens and they obviously feel that what they do in the final act of the film is most beneficial. Who am I to judge their own control over their lives. What pisses me off is how simple minded they are as characters. I just feel that Haneke prefers to emphasize these problems that these characters share, and what I am bothered by was that he didn't make it less obvious.Overall, it's not one of Haneke's best films, but for a debut theatrical picture it is about as good as one can get. What strikes me as rather unusual about this film, when compared to his other films, is how it suffers from the same major problems that pretty much all of his films have. For example, he has never been able to build any sympathy with any of his characters, at least from the films of his that I've seen, and this film is no different in that regard. The film of his that I personally think suffers the most from it is Funny Games (both versions). With his picture Cache, it only became a problem early on in the film, and in Benny's Video and Hour of the Wolf it helped add to the atmosphere while damaging the humanity of the films in question. I think that The Seventh Continent shows plenty of promise with Haneke and is extremely riveting at times, but it's easily the absolute worst place to start if you are interested in getting into his films. It will not leave you with a good impression of his work, and only after watching Funny Games and Cache (his most easily accessible films in my opinion) will you be able to catch his reoccurring themes.

K night I think that many people will be able to identify with this film. As always, I made a point of knowing virtually nothing about it before I saw it, and I'd recommend doing the same. If you know about the plot beforehand, the impact will be markedly ruined. The first thought that came to mind after the first few sequences was "they haven't shown anyone's face yet".. I guess that's the point. If you are reading this, then you most likely are not starving, and are amongst the rich 1 billion of the world. So the actions portrayed initially in this middle class existence needn't any face, as they pertain to all of us, we the regurgitators of human aspirations (weird phrasing). We don't have a face, as there is nothing to tell us apart from the next person. Anyway, it's absurd to think that the mental process that took over the family is considered an exception, but the fact that it is only highlights how sick our society is, refusing to remodel this cataclysmic and decerebrate way of being. I was affected by the subsequent events that transpired, and one particular scene still haunts me in a vicious way, although it cannot be mentioned here... suffice to say it broke free from a certain degree of apathy shown by the main characters throughout, revealing the desperate and twisted cry of raw emotion that can exude from even the most planned chaos. Watch it all the way through, it is meant to bore you for a while, it wouldn't be the same if it didn't.

Alocirp I went into this film with very high expectations. Unfortunately, I can't say that it lived up to them. The first hour is incredibly dull, as we watch an upper middle-class family lifelessly perform mundane tasks (take a shower, eat breakfast, tie shoes, etc.). I failed to sympathize with any of the characters, and some scenes dragged on so long that I found my mind wandering. I generally don't mind long takes, and even in other films by the same director (Funny Games, Benny's Video, etc.) thought they were used extremely well. However, here they were simply tedious.The film wasn't totally a let down however; far from it. The last 45 minutes really picks up intensity and re-grabs the viewer's interest. I won't spoil anything for those who haven't seen it, but the scene in which the family destroys their own house and possessions is extremely well done. The ending is bleak and depressingly powerful, and I realized that it wouldn't have worked without the boring first hour. But that doesn't change the fact that it was boring.Overall, I had trouble giving this film a number rating, but I guess it would be somewhere around a 6/10. I think it's possible that that number would change on a second viewing, but to be honest, I doubt I would ever want to watch this film again.