ReaderKenka
Let's be realistic.
Breakinger
A Brilliant Conflict
Neive Bellamy
Excellent and certainly provocative... If nothing else, the film is a real conversation starter.
Guillelmina
The film's masterful storytelling did its job. The message was clear. No need to overdo.
Thereelmag Trm
Dharamveer Bharti's work Suraj Ka Satvan Ghoda never got the recognition Gunaho Ka Devta got. However, on celluloid, Shyam Benegal's adaptation of the story stands tall as one of the most admired pieces of alternate cinema. Rarely we experience such an endearing effort on screen. Maybe SKSG is not as compelling as Benegal's other movies like Bhumika or as moving as Nishant, SKSG successfully balances all the elements of drama brilliantly.SKSG is a metafiction. Sitting in his room with a bunch of friends, Manek tells some stories. Part of these stories are reality and part of them are his imagination. Stories are woven around Manek, three women in his life and people around them who actively influence the events. Manek, largely, remains a passive character. His friends ridicule him for this fact and he accepts the criticism gracefully. In the end, the way the title is explained by narrative, it successfully ties up all the open threads of different stories and bring about a conclusion that stays with you even after years.Characters are contemporary and relevant. Even after twenty years, they seems to be carved out of people among us. Like most his films, Benegal keeps the focus on lives of lower-middle and lower class of the society and how their economic situation influences their life. Benegal doesn't try to create caricature. Manek or any other character is as close to the real world as it can be. Their situations, maybe borderline fiction, seems to be very realistic. SKSG has some nice performances. Rajit Kapur, Amrish Puri, Neena Gupta, Lalit Tiwari and Raghuvir Yadav leave an impact. Music by Vanraj Bhatia is soulful. At no point it attempts to overpower the story and narrative and plays a very understated role. Direction is flawless. Aided by a brilliant story, Shyam Benegal brings out the best from the literary piece. No wonder, it received the National Award for Best Feature Film in Hindi.
Alok Pathak
Manik Mulla (played by Rajit Kapoor) mesmerizes his listeners with his thoughts about love being disciplined on economic restrictions. The direction is mind blowing . The way the stories are connected is just superb, every story portrays manik mulla as central character , how his life takes shapes as he comes across three girls at different stages of his life... In the end there are definite conclusions (with little socialist angle ) The language in the movie is so pure and serene , it inspires to learn Hindi vocab. I have seen this movie several times .. there is a nice song in it too..A must see if you like art movie , I bet you will fall in love with the characters as you see them.
Avil Avate
I was 16-17 when i watched it. It's a great one by Mr. Shyam Benegal. actually it was a first movie i saw directed by him. the direction is flawless and you can connect yourself with the characters in the flick. If you want a baseless entertainment then its not for you. The role played by Mr. Rajit Kapoor is far different than a common Hindi film hero it is not a very brave or larger than life kind of char. but it attracts why? because it close to reality. *********** spoiler alert*************The story starts with raghuvir yadav in a modern art exhibition. He comes across this picture which reminds him of his mohalla (neighborhood) and his college days. He starts narrating about his days and starts talking about Manik mullah (Ranjit kapur) a railway employee who was a great story teller and how he and his friends would go there when ever they get free time and how manik would tell them stories.The movie now shifts to a flashback where young raghuvir yadav and his friends discuss about the current literatures and romance. They ask manik to tell them a romantic story in his own style.Manik starts the first story "Being true to one's salt".Manik who is sitting in the window looks down at the next house and sees a cow tied to the shed and a girl walking towards the cow.He starts the story that when he was young they used to have a cow and the next door neighbour girl used to frequent to there house.
Shankar Kalyanaraman
The movie revolves around the romantic involvement of the protagonist -- Manik Mulla (brilliantly essayed by Rajit Kapur) with three women from different strata of India's social hierarchy: the lower-caste, the middle class, the intelligentsia. The movie is consequently laid out in three parts which are excellently woven together to form a wonderful story with lyrically humorous dialog and excellent performances. Shyam Benegal's direction is flawless and one can notice the characteristic complexities he infuses into his characters. Also, typical of Benegal, is the portrayal of the family co-existing synchronously with society and the protagonist in a perpetual surrealistic state of mind. The finale will leave you dazed and in awe of Benegal's story-telling prowess.