The Shopworn Angel

1938 "SHE GAVE UP LOVE...AND A MILLION...to be a doughboy's "Dream Girl"!"
6.9| 1h25m| NR| en
Details

During WWI Bill Pettigrew, a naive young Texan soldier is sent to New York for basic training. He meets worldly wise actress Daisy Heath when her car nearly runs him over.

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Reviews

Rijndri Load of rubbish!!
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Kayden This is a dark and sometimes deeply uncomfortable drama
Staci Frederick Blistering performances.
CaperGuy This movie is definitely a blast from the past. The way people reacted to war in the time of WWI is so much different from the way things are today. It seems like people cared so much more about soldiers then. I don't know any body who would want to get married now, go to war in Iraq or Afghanistan and leave a beautiful wife behind to "keep the home fires burning". Maybe in age of WWI, Americans were more unselfish. This movie is worth seeing if only to serve as a documentary of how times change. The plot is definitely far-fetched by today's standards.The love story here is more about the love of country instead of love between people. This thought provoking film is expertly carried by James Stewart and Walter Pidgeon. Margaret Sullavan's performance is less impressive because her character is not as believable to me.
Dennis Schreiner James Stewart plays a naive hick soldier who falls for Margaret Sullavan and wants to marry her before going off to war. She is a selfish actress who undergoes a remarkable character transformation in his presence and, in a ridiculous plot turn, agrees to marry him, even though she is in love with Walter Pigeon (who's the best part of this movie) the whole time. It has something to do with keeping his spirit alive while he's off fighting. Or something like that. Stupid plot aside, the unsettling part of this is Stewart, who yet again plays a character so selfish and obsessive that he comes across as creepy and unappealing, despite (or perhaps because of)the outward singular innocence he's supposed to represent. His obsessiveness in Anthony Mann westerns and in movies like "Vertigo" were fascinating because his characters were supposed to be flawed and difficult. But in this movie and other early films like "Of Human Hearts" and "Come Live With Me" (the way he flips out in childish rage at Hedy Lamarr near the film's end, for example)I find him completely off-putting and have to remember his later films in order to remind myself that, yes, I actually do like him.
marcslope Even the great Margaret Sullavan can't make sense out of a character who starts out as a bossy, obnoxious, self-centered Broadway star, is humanized by hayseed soldier James Stewart by about the third reel, suddenly becomes a Nobly Suffering Heroine, still leads steady beau (and keeper) Walter Pidgeon on, and tries in every way to have her cake and eat it too. Later Sullavan and Stewart have a contest to see who can have the wettest eyes. It's a Borzage-like romance without the Borzage touch, and with cliches that must have been cliches even by 1938--the chorines trilling "Pack Up Your Troubles" as the World War 1 soldiers depart for France (and Sullavan's incongruous dubbing is unintentionally hilarious), the lovestruck private dreaming of his ladylove while peeling potatoes, the bombs-bursting-in-air war montages with ominous music. Amid such blarney it's a relief to have Pidgeon's unsentimental if slightly inert presence, and Hattie McDaniel as a maid who seems smarter and more commonsensical than anyone else in the movie.
FilmCritic-3 After seeing Margaret Sullivan and James Stewart hit it off so well in The Shop Around The Corner (A film that is the ultimate in charm), I looked forward to seeing their early film together, The Shopworn Angel. This film was sort of a disappointment for me, even with James Stewart in it (One of my all-time favorite actors).James Stewart plays a WWI soldier who is sent to New York for basic training. After being nearly run over by well-known actress Daisy Heath (Margaret Sullivan), he asks Daisy to pretend to be his girl just to impress his friends at the camp, but then a real romance forms.I have one question for this film and that is, what romance? There was little to no chemistry between Stewart and Sullivan that I could see.Stewart fans, take warning. Watch with caution.