Breakinger A Brilliant Conflict

Aedonerre I gave this film a 9 out of 10, because it was exactly what I expected it to be.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

arfdawg-1 The plot.Twenty years after his triumphs as a freshman on the football field, Harold is a mild-mannered clerk who dreams about marrying the girl at the desk down the aisle. But losing his job destroys that dream, and when he finds a particularly potent drink at his local bar, he goes on a very strange and funny rampage (with a lion in tow). A rather odd film that doesn't really work. Not sure why it gets such good reviews. It was so poorly received when it came out that Howard Hughes pulled it, re-edited it and released it as Mad Wednesday in 1950! With an apparently shorter version that nearly cut out some of the players -- notably Rudy Valee.He also put Lloyd's name UNDER the title, causing a lawsuit by Harold. What a mess.I've read that the shorter version is more liked by viewers.

PWNYCNY This movie is billed as a comedy but the story gives little cause for laughter. Instead the movie dramatizes the plight of workers who labor for years in utter obscurity, buried alive in huge bureaucracies where they labor and are then discarded like a worthless commodity. That is not funny, even if it's Harold Loyd acting the role and Preston Sturges as the director. At first the movie seems to be little more than a cheap two-reeler, almost amateurish in its production. But after a while it becomes apparent that the movie contains a subliminal message relating to the human condition and how people have to become almost crazy in order to break through the shackles that smother their individuality and creativity. This theme does not inspire laughter. Indeed it is baffling why this movie was made at all.

Petri Pelkonen In 1947 Preston Sturges and Harold Lloyd worked together and they came up with The Sin of Harold Diddlebock.It's a sequel for Lloyd's silent film classic The Freshman (1925).After this movie Mr.Lloyd retired from the movie business.In his last picture Harold plays a clerk who's fired from his job after twenty years.He ends up to a bar drinking and the man goes crazy.Also a lion in tow gets in a picture and lots of other funny stuff happens on a way.This movie may not be the best of Harold Lloyd, not even close, but it's mighty entertaining.And because of Harold Lloyd this movie works much better than it would have with some average comedian.Lloyd was far from average.He was Lonesome Luke and he was Glasses, which was the character that made him immortal.Lloyd may steal the show in this movie, but there are other great actors there.I could mention Jimmy Conlin, Raymond Walburn, Rudy Wallee and Edgar Kennedy.I recommend you to watch this film from 60 years back.For the Harold Lloyd fans it's a must.

MARIO GAUCI An interesting if ultimately unsuccessful combination of two clashing comedy styles (overseen by humorless mogul Howard Hughes no less), this film turned out to be Harold Lloyd's swan-song - and, as such, it ended on a somewhat positive note (even though the film was made during Sturges' period of decline).It opens with a reprise of the climactic football game from one of Lloyd's greatest successes, THE FRESHMAN (1925), eventually bringing that same character (albeit renamed!) up to date. Still, in the end, the film is more Sturges than Lloyd: even if the star plays one of his trademark roles of a patsy (though not without the occasional display of ingenuity), there is little of the star's characteristic slapstick here. Instead, the comedy is in Sturges' typical frantic (and, mainly, dialogue-driven) style - with which Lloyd isn't entirely comfortable; the film also features Sturges' stock company of character players in full swing. That said, it's climaxed by yet another of the star comedian's thrilling set-pieces which finds him overhanging from a building-ledge - hampered this time around by a myopic Jimmy Conlin and an understandably disgruntled circus lion! While a disappointing whole (it was re-issued in 1950 in a shortened version renamed MAD Wednesday), the film does contain a number of undeniable gems: his romantic attachment to every female member of one particular family (all of whom happen to work for the same firm over a 20-year period); his first encounter with Conlin, with the two of them exchanging wise sayings (the optimistic Lloyd had kept a handful nailed to the wall behind him at his former workplace) in order to explain their current dejected state-of-mind; and, best of all, the unforgettable scene in which Lloyd takes his first alcoholic beverage (an impromptu concoction by bartender Edgar Kennedy and which he names "The Diddlebock") that invariably provokes an unexpected yet hilarious reaction.