Huievest
Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Married Baby
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
Jakoba
True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
Claudio Carvalho
In the Eighteenth Century, after the death of the Marquis de Sade, the phrenologist Pierre (Maurice Good) robs his head from the grave and removes the flesh at home, but dies in a horrible way. In 1965, in London, the dishonest antiques dealer Anthony Marco (Patrick Wymark) offers to the collector and writer of occultism Christopher Maitland (Peter Cushing) a book with skin made cover about the Marquis de Sade. On the next day, he returns and asks a small fortune for the skull of the Marquis de Sade but without any proof that belonged to him. Maitland does not accept and he offers for half the price until the next day. Maitland meets his friend and also collector Sir Matthew Phillips (Christopher Lee), who tells that the skull had been stolen from him but he does not want it back since he was free of its evil force. He advises Maitland to stay away from the skull otherwise he would be possessed by its evil spirit. But the fate puts the skull on Maitland´s hands affecting his entire life in tragic way."The Skull" is a creepy British horror film by Amicus to compete with Hammer with Peter Cushing and Christopher Lee. The screenplay is well-written and the tragic conclusion is announced from the moment Maitland meets his fellow collector and friend and keeps the interest on the skull. The "Kafkanian" judgment of Christopher Maitland is another plus in the story. My vote is seven.Title (Brazil): "A Maldição da Caveira" ("The Curse of the Skull")
BA_Harrison
An early attempt by Amicus at a Hammer style horror movie, The Skull opens in wonderful Gothic mode with a night-time grave robbing scene, complete with unkempt, windblown cemetery, creaky metal gate, random owl hoots and a howling dog (the foley artist really went to town on this one). The desecrated grave in question turns out to be that of the infamous Marquis De Sade, the reason for the illicit exhumation being the retrieval of his skull, which is apparently host to an ancient demon called Baalberith, who drives men to commit blasphemy and murder.Unfortunately, the enjoyably excessive Gothic atmosphere of the film's opening scene is virtually abandoned when, many years later, said skull falls into the hands of obsessive antiques collector Dr. Christopher Maitland (Peter Cushing), who becomes possessed by the demon and proceeds to do its evil bidding. Apart from director Freddie Francis's (over)use of unusual POV shots and a couple of cool floating skull shots, the film exhibits very little flair or innovation, lacks genuine thrills, features almost no graphic gruesomeness, and quickly becomes tiresome. The film's most interesting aspect—the involvement of a secret satanic society—goes absolutely nowhere (and seems to exist purely to pad out the weak story to feature length).It says a lot when my favourite scene in the whole film is Maitland playing snooker against fellow antiquities collector Sir Matthew Phillips (played by Christopher Lee): despite owning his own snooker room, Phillips seems to possess zero skill at the game, randomly hitting balls to no avail (although he does rack up some points on the score-board, the cheat!). Maitland is equally as inept. At least the film gave me a few giggles, I suppose.
utgard14
Peter Cushing plays a guy who researches demonology or devil-worship or some such. He manages to get his hands on the skull of the Marquis de Sade, despite warnings from the skull's previous owner (Christopher Lee) that it's cursed. Sure enough, the skull starts controlling Cushing and making him do evil things. It's been my experience that people never listen when you try to warn them about owning the skull of an 18th century sadist. After the success of Dr. Terror's House of Horrors, director Freddie Francis reunites with Cushing and Lee for this, Amicus' second horror movie. Francis makes the most of a rather flimsy story, crafting a nice little atmospheric horror film. Good score by Elisabeth Lutyens helps. It's not the best from Francis, Cushing, or Lee, but it is enjoyable and under-appreciated.
AaronCapenBanner
Freddie Francis directed this thriller that stars Peter Cushing as Dr. Maitland, a collector of unusual objects who comes into possession of the skull of the Marquis De Sade, a reputedly evil man with supernatural powers. His friend(played by Christopher Lee) tries to warn him about its evil, and to get rid of it, but he doesn't listen, and as a consequence, is plagued by nightmares, as people around him start dying, and the evil nature of the skull tries to influence and then destroy him... Good cast of course, which also includes Patrick Wymark and Michael Gough, with intriguing back story, but film becomes tedious and far-fetched, leading to an unsatisfying, downbeat end.
