Linbeymusol
Wonderful character development!
Smartorhypo
Highly Overrated But Still Good
Hulkeasexo
it is the rare 'crazy' movie that actually has something to say.
Griff Lees
Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Nigel P
To me, an out-of-season sea-front is an ideal place for horror stories. Ever since MR James' 'Oh, Whistle, And I'll Come To You, My Lad' perceived such a location as an isolated, ghostly, shunned arena for supernatural phenomena, it has amazed me the location hasn't been utilised a lot more within this genre.'The Sleeping Room' makes excellent use of Brighton sea-front for such a premise, for both interiors and exteriors. The retro tackiness of some of the decor in various rooms conveys a nice suggestion of timelessness into which this somewhat standard story is set.Of the cast, Joseph Beattie as Bill really impresses, transforming from being shy and slightly awkward, into a 'The Shining'-style lunatic with great skill. Sadly, there is an occasionally lacklustre performance from scratchy voiced Leila Mimmack as Blue, who nevertheless comes to life in moments of tension. Julie Graham, David Sibley and Chris Waller provide excellent support.The secret room in Bill's new apartment carries ghostly remembrances of 'Frisky' Fiskin, a terrifying perverted murderer. It's a fairly routine story given extra flourish by the director. It rushes through the events somewhat, leaving little time to dwell on the threat – especially during the climactic events.
epiceffectss
Wow only three reviews , don't know if this is new or just unpopular , anyway it floated my horror boat. What I like about this film 1. The main girl who's the lead , v attractive and a good actress. 2. The script and plot are good. 3. Camera work good and it looks all stylish. I was looking tonight for a horror and after flicking some rubbish USA ones on then off I came across this one , yes for indie UK horror , we are just plain better story tellers than the USA when it comes to this stuff. Films pacing is good and the cast are good , story was good and would've been excellent if it had gone up a notch towards the last twenty mins. If they could've found an extra spin or perhaps just told the story a little better in that last twenty mins then it would've been really good. As it was , it was very good. I liked the loner guy , I can relate to him. I like the call girl and would ring her myself for an hour of fun. There were only about six actors in this film and only a handful of locations , which tells me one thing , good actors , good camera work , good script and sub story is everything. A lot of other low budget film makers of horror should watch this as they could learn a lot from it , the film has class , and I guess that's down to the crew who put it all together , I fancy the lead woman so that helped when I watched it. Yep good watch this was , recommend .
Coventry
"The Sleeping Room" is the type of film for which I honestly regret only being able to give a mediocre rating 5/10. Not out of malice or just to be different, but because it sadly doesn't deserve any better. The basic plot idea is good and original, the filming locations and set-pieces are terrific and it does contain a handful genuine moments of fright, but overall speaking the film doesn't have a proper pacing and the screenplay severely lacks coherence and logic (particularly towards the ending). I specifically regret my rather low rating because I absolutely love British horror movies set in the Victorian era or referring to the Victorian era, and because director/co-writer John Shackleton is a very sympathetic guy! He was present at the Brussels Festival of Fantastic Films and explained that the inspiration for "The Sleeping Room" came almost spontaneously when he was walking around in Brighton and witnessed the entire authentically creepy Victorian legacy. He's definitely right about that! Whilst renovating an old Victorian brothel, the timed handyman Bill and the troubled prostitute Blue find an antique movie projector that shows an unorthodox little home video made by the original brother owner Fiskin. When exploring the mansion further, because sex didn't work out anyway, they find more sinister things like a double-sized mirror and a secret sleeping room, which was used by the prostitutes to rest in between shifts and where the pioneer snuff-movies where shot. Blue discovers there's a blood link with her own macabre family history, while Bill gradually gets absorbed by the powerful influence of Fiskin's ghost. Oh, and in the meantime they also have to fight off Blue's loathsome pimp Freddie! The mystery Fiskin mansion truly had me captivated and focused, even though it unfolds terribly slow, but then suddenly everything nearly gets ruined because the script reverts to dreadful clichés, like shape-shifting and hallucinations. The primitive snuff footage is unsettling and the killer wears a horrifying mask (although it's just a simple cloth bag, like Jason Vorhees wore in "Friday the 13th Part II") and I counted two or three noteworthy "jump"-moments, but still "The Sleeping Room" left me behind unsatisfied and slightly disappointed. The acting performances are more than adequate, with a strong performance of the ravishing Leila Mimmack and a joyously sleazy part for David Sibley.
Simon Stapleton
This is a masterpiece in independent film making. The Sleeping Room is exquisitely fast paced and takes viewers through a Hammer-style plot thickly laden with mystery. Set in Brighton, Blue is an escort who gets more than she bargains for when she arrives at the home of her client Bill who is doing up a house. Together they discover something in the house that sets the story from sleaze to screams! For those that like deep character development, you might be disappointed, but if you like a well written story with imaginative use of narrative and effects that frequently creeps you out, then this is for you. The use of sound is chilling. Great acting, and a brilliant example of directing by John Shackleton, despite this being his first feature film.