CheerupSilver Very Cool!!!

GarnettTeenage The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

opheliewinter I happened to see the film yesterday and liked it a lot. Not a perfect movie, still, a must I would say. It plays a compelling picture of the life of this fascinating soul-healing lady, very much sunken into oblivion to date. I do hope this will shed more light on her professional activity. Still, one of the people commenting on the film made a mistake by stating Caroline Ducey plays the protagonist of this film, although she appears there in fact as the potential relative of Sabina Spielrein. Emilia Fox plays - not plays, not acts, actually BREATHES, LIVES - wonderfully the title role. Great shots, expressive music - all in all, it was a beautiful, emotional experience to me.

a-f-1 Masterpiece-Woderful description of characters and background.Sabina Spielrein was,no doubt,a very special woman,and this film succeeds in doing justice with her sake,and especially with her extraordinary achievements in psychoanalysis therapy.The romantic affair she had with Dr.Jung is described powerfully by Faenza,and its ending is really heart-touching.Each main character gets a deep and full description-Dr.Jung,his methods of treatment and his complicated relationship with Sabina;Emma,that can't be judged of trying to save her family from being destroyed;and above all-Sabina herself,especially the development of her relationship with Dr.Jung,from being a patient into passion and true love.She gave her noble proof that her love was real,by letting him to choose his way,and still regarding him as a friend.The tragic destiny of Sabina is part of the Jewish tragedy during the 20th century,disappointed by the cruelty of the post-Lenin period in Russia,and later on-the Nazi holocaust.The history background is also very well told,without interrupting the plot itself.Everything here is told sensitively,and is very well acted.Emilia Fox gives here a wonderful performance,along the different situations of Sabina's complicated character and life.As Faenza made justice with Sabina's sake-we owe him.Faenza,you created a real masterpiece, and we salute you!

lcr This movie *could* have been much more than it was. We have two historical figures, psychiatrist Karl Gustav Jung, and a gifted patient, Sabina Spielrein, who first becomes Jung's lover, and then a child psychiatrist in her own right. I had been hoping for deep psychological insight, instead I got a cartoonish loony (Sabina) and a starchy doctor (K.G. Jung). The characters are over-simplified, and their complex relationship is dumbed down to Harlequin Romance level. Furthermore, Sabina's life in Russia and her accomplishments are barely even mentioned in the movie. The subplot with Marie and Frazer (the present-day researchers) is 100% unnecessary, too. So, in the end you are left with a pleasant, if sleepy, non-controversial movie, suitable for airing on national tv at prime time. Come to think of it, maybe this is what they had in mind all along...

silviopellerani Roberto Faenza has shot a very brave film, brave because shows an argument like this in the today's film panorama should be considered very brave. Nowadays, any film that enters into the psychoanalysis field and its world should be at least seen. In this case, Faenza shot a non Italian film, with a multi national coproduction about a sort of small biography of Carl Jung the famous psychologist who has funded a personal current beside the one developed by Siegmund Freud. The film has some very good moments, specially when Jung is at his very beginning of his career in a house hospital in Zurich and meet Caroline Ducey as his very first patient. The developing of her illness and Jung's very modern approach compared to the rest of his colleagues in the hospital is really the best part of the film, this together with the start of their love "affair" worth the whole film. Unfortunately the rest of the film is not well driven, a sort of general and confused flashback brings the old scenes to a "today" situation through a "path" that a relative of Caroline is following in Russia with the help of some old books. Rating: 6/10