The Sound of Fury

1950 "A blonde with ice cold nerves and deep warm curves !"
7.2| 1h25m| en
Details

A family man – desperate for a job – latches onto a friend who encourages him into being a criminal.

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Interesteg What makes it different from others?
AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,
Bessie Smyth Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Claudio Carvalho The unemployed Howard Tyler (Frank Lovejoy) is desperate for a job since he is married with children and his wife Judy (Kathleen Ryan) is pregnant. When he meets the "bon vivant" Jerry Slocum (Lloyd Bridges), the stranger offers a job position to Howard. Soon he learns that Jerry is a small-time thief and his job would be to drive the getaway car after the heist. Howard improves the life of his family and tells that he is working in the night shift of a factory. Meanwhile, the journalist Gil Stanton (Richard Carlson) that works in a tabloid is assigned by the owner to promote the thefts to increase the selling of newspaper. When Jerry kidnaps the son of a millionaire, he brutally kills the man and forces Howard to help him to dump the corpse in the sea. Then he asks for ransom to the family. When the boy is found, Stanton incites the population telling that the abductors are monsters. When Howard and Jerry are arrested, a mob threatens their lives in front of the police station. How will the police officers protect the prisoners?"The Sound of Fury" is a film with a simple storyline and an impressive conclusion. The manipulation of the masses by the "brown press" (tabloid) to sell newspapers is impressive and the consequence is scary. The reaction of the uncontrollable violent mob is the best part of this movie and shows the power of the free press, for the good or for the bad. My vote is seven.Title (Brazil): "Justiça Injusta ("Justice Unjust")
Spikeopath Howard Tyler (Frank Lovejoy) is a good honest family man living in California who just can't catch a break. Struggling financially and upset that he can't support his family, he falls in with small time hoodlum Jerry Slocum (Lloyd Bridges) who convinces him to join him in robbing gas stations. However, things start to get out of control as they kidnap the son of a wealthy family to hold for ransom. But what follows will have far reaching consequences for all involved...Also known as Try And Get Me, The Sound Of Fury is directed by Cy Endfield and is based on the novel The Condemned by Jo Pagano (who along with Endfield also writes the screenplay here). The story is incredibly based on a factual episode known as the Brooke Hart case that occurred in 1933 in San Jose, California. Fritz Lang's 1936 film Fury was also loosely based on the same story, which probably explains why Endfield's film had a name change to Try And Get Me.A brilliant crime thriller, the film is a damming indictment of uncontrolled violence in small town Americana. Its themes involving class divides, the uncivilization and ignorance of some Americans, moral and social collapse and the irresponsibility's of the press, are all rammed home with force by the soon to be blacklisted director. By definition, Endfield and Pagano have crafted the ultimate social conscious movie. Filling it with relevance that will last the ages, the undervalued Endfield also come up trumps in mood setting and visual flourishes. This be prime film noir too. Tumbling pebbles, a crime shown in reflection, our protagonist standing in the dark ruefully looking out a window, a complete night club sequence shot off kilter, all indelible images that linger long in the memory (Guy Roe on photography). Then there's the finale, a brutal and shocking ending that had Raymond Borde & Etienne Chaumenton (A Panorama Of American Film Noir 1941-1953) proclaiming it to be one of the most brutal sequences in postwar American cinema. They aren't exaggerating, it is, and it caps off a stunning movie.There can be a reasonable argument put forward that the film asks for pity towards the hoodlums of the piece. But that's a confliction that serves as a call for a deeper thought process with the film. The makers are merely adding drips of fuel to an already incendiary device. Hugo Friedhofer provides the music and Kathleen Ryan, Richard Carlson & Katherine Locke fill out the support cast. However, this is Bridges' movie, Lovejoy is excellent as the increasingly fretful Tyler, but Bridges goes from smarm to charm with ease and then to crazy psychotic in the blink of an eye, an unnerving character given the treatment by the big man. Still awaiting a DVD release, any chance you get to see this film you should grab with both hands. Powerful, intelligent stuff. 9/10
Steve-602 A bit preachy in the style of the day but a remarkable film. The opening is especially strong. Among the interesting touches, the movie lynch mob is made up mainly of college students wearing their school t-shirts. New York Model Adele Jergens didn't have much of a Hollywood career but she's right on the money in this one. Although the time frame is post WWII, the story is based on an actual lynching in San Jose, California, in 1933. Reporter Royce Brier of the San Francisco Chronicle won a Pulitzer for his account of the event.California Governor James Rolph Jr. was quoted as saying he would like to turn over all jail inmates serving sentences for kidnapping to the custody of "those fine patriotic San Jose citizens, who know how to handle such a situation."
movman66 As others have said.....This movie stays with you....I was 10.. probably younger..when I saw it....and I can still recall the feeling in my stomach and aching in my heart. I don't remember much of the details of the movie......just the overall feeling I came away with....the pain...of something terribly wrong, injustice... I don't believe that it could have been "workmanlike" in any way since I remember the feelings so strongly.....A "Workmanlike" made film could not have made that happen to me...I would really like to see it again as an adult....I hope I can find it on DVD. It's revealing to me that someone else.. as a child.. after so many years.. could have come away from the film with the same, exact feelings. Thanks!