The Spanish Main

1945 "Loving her . . . taming her . . . called for all his reckless daring!"
6.3| 1h40m| NR| en
Details

Laurent van Horn is the leader of a band of Dutch refugees on a ship seeking freedom in the Carolinas, when the ship is wrecked on the coast of Cartagene, governed by Don Juan Alvardo, a Spanish ruler. Alvarado has Laurent thrown in prison, but the latter escapes, and five-years later is a pirate leader. He poses as the navigator on a ship in which Contessa Francesca, daughter of a Mexican noble, is traveling on her way to marry Alvarado, whom she has never seen. Laurent's pirates capture the ship and Francesca, in order to save another ship, gives her hand-in-marriage to Laurent, who sails her to the pirate hideout. This irks his jealous pirate comrades Anne Bonney and Captain Benjamin Black. They overpower Laurent and send Francesca to Alvarado, and then Mario du Billar, a trusted right-hand man, makes a deal to deliver Laurent to Alvarado.

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Reviews

Skunkyrate Gripping story with well-crafted characters
Executscan Expected more
ScoobyMint Disappointment for a huge fan!
ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.
mark.waltz Technicolor could take history, alter it to serve its own purpose and still make it palatable. All you had to do was take a supposed law-abiding citizen, make him not only more evil than the band of cut-throats he was out to capture, but also a brute to the leading lady. This made the pirates more sympathetic and forgivable. When the leading pirate is a handsome man and the citizen a portly bureaucrat, it is obvious where sympathy will lie.Maureen O'Hara, whose red hair made her a natural for Technicolor, is superb as the noble woman engaged to aristocratic Walter Slezak (who also played a similar villain in "The Pirate"), yet ends up kidnapped by pirate Paul Heinreid. A rivalry grows between O'Hara and the real life female pirate Anne Romney, played here by Binnie Barnes, and results in a funny scene involving a gun duel. Action packed and exciting, this can't be called reality, but it sure is fun!
Larkrise I really must say how much i enjoy this movie a great deal. It has the gorgeous Paul Henreid as the romantic hero and Beautiful Maureen O'Hara ( as two reviewers are clearly blind for one, in Hollywood of the 1940's women always looked older due to the amount of makeup and hairstyles they have and for the second, manly Jaw i have yet to see anything manly about Maureen O'Hara in any of her films. Rude just Rude.) I am now finished with my rant only to say how much i adore this movie and Walter Slezak as the baddie he always seemed to play in films of the 4o's.If Swashbuckle films of the 1930's and 1940's are your thing them make sure to check this out.
MARIO GAUCI I had foolishly missed out quite recently on this one on late-night Italian TV and, consequently, was very glad now to get acquainted with it (albeit via a slightly washed-out print on DivX) – especially since I was surprised by its quality, making the film an underrated entry in the swashbuckling genre. Borzage was an unusual choice for this type of film – despite being a distinguished Oscar-winning director, he has become with time a largely forgotten figure but his reputation has deservedly soared of late among film connoisseurs and is now generally comparable to that of Douglas Sirk. To be sure, he is more renowned for movies like THREE COMRADES (1938) and THE MORTAL STORM (1940) rather than fluff pieces like THE Spanish MAIN, but that only goes to show how versatile he was, equally capable of handling personal projects and genre pictures.Equally unlikely was the film’s choice of leading man: Paul Henreid, playing an honest man who turns buccaneer in the face of injustice, his character is similar to that of Captain Blood (in spite of an obvious lack of emphasis on the actor’s agility) but also to Henried’s signature role of French Resistance leader Victor Laszlo in CASABLANCA (1942). This alone makes it interesting viewing but, thankfully, they’re supported by solid talent on both sides of the camera (the actors – Maureen O’Hara in her prime, an unusually but effectively cast Binnie Barnes as a hardened lady buccaneer and O’Hara’s romantic rival, splendid villainy from Walter Slezak, John Emery and Barton MacLane being equally dastardly, J.M. Kerrigan, Curt Bois and Mike Mazurki as Henreid’s sidekicks, a script co-written by CITIZEN KANE [1941]’s Herman J. Mankiewicz, magnificent color photography by George Barnes, etc).While the plot offers no real surprise or undue complexity – coming at the tail-end of WWII, it must have provided just the right dose of escapism – it’s professionally-handled entertainment (at which Hollywood excelled during its golden age) of the kind ‘they don’t make anymore’…despite the best intentions of today’s exponents!
lora64 I am a great admirer of all the movies that Maureen O'Hara has starred in. This film represents one more entertaining and absorbing swashbuckler typical of its day wherein you have a Ms O'Hara and Paul Henreid turning in excellent performances. The plot and love interest are easily assimilated and believable. If a movie holds your attention throughout like this one does, there's no question that it's worth the time and popcorn! Movies are made to be enjoyed and appreciated, and I'm sure the public knows what is enjoyable because such old movies are still in circulation, and that speaks for its quality.