NekoHomey Purely Joyful Movie!

MoPoshy Absolutely brilliant

Seraherrera The movie is wonderful and true, an act of love in all its contradictions and complexity

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

JohnHowardReid SYNOPSIS: London police nail a fence known as "The Squeaker" who anonymously tips off the bobbies to crooks who will not meet his price.NOTES: A re-make of a 1930 movie directed by Edgar Wallace himself from his own screenplay. Percy Marmont, Anne Grey, Gordon Harker and Nigel Bruce were cast. (The Carlton DVD rates at least nine out of ten).COMMENT: This Edgar Wallace thriller has a marvelously atmospheric Rozsa score which is worth the price of admission alone. Plus a couple of songs, "He's Gone" and "I Can't Get Along Without You" by the lovely Tamara Desni. Plus Robert Newton in a typically rattled role, but managing to look suave and elegant as well. Nonetheless, despite its sterling production qualities, the movie does look somewhat old-fashioned these days - an impression that is heightened by the rather stilted dialogue provided by Edward O. Berkman in his screenplay. And the finale did not convince me at all. I cannot believe that the man built up to be such a mastermind could so easily become rattled. Howard's direction is at its best when people are moving, rather than speaking. Photography by Georges Perinal is most attractive. And speaking of "attractive", Miss Todd looks very fetching indeed.

hwg1957-102-265704 'The Squeaker' is based on a novel by the prolific Edgar Wallace and concerns a man who squeaks. That is he informs Scotland Yard about jewel thieves who don't do business with him leading to their arrest. Eventually the Squeaker is tracked down and made to confess a murder. The plot is unsurprising and the identity of the Squeaker becomes apparent early on. It moves along steadily interspersed with some unmemorable musical numbers that hold up proceedings now and then.Edmund Lowe is bland as the hero and Ann Todd is only the token romance but Robert Newton who has a good share of screen time as a jewel thief is good and Alastair Sim with an extreme Scottish accent is fun. Bill Shine with his lugubrious face has a few choice moments. It would have benefited from a faster pace and more interesting characters. Even the main villain is rather dull.

kidboots "The Squeaker' was the first Edgar Wallace book that I read and I thought it was the best book I had ever read (I was 10 years old at the time)!!!! Edgar Wallace was the Master of the "I never would have guessed it was him/her" ending!! Aside from being one of the most popular authors of his day, he was also one of the most prolific writers ever to put pen to paper, writing about 170 books and literally hundreds of short stories during the twenties. He usually took 9 days to finish a book but one was written in four days and another was done over a weekend. His books weren't masterpieces, but he knew what the masses wanted - characters were black and white, never grey!!! evil characters were often quite bizarre, there were lots of "secret" organizations and the minor characters were usually clerks, cockneys, race track touts -people that ordinary British readers could identify with. There were even characters inserted for comic relief - his books were made for the movies!!When work started to dry up for some Hollywood stars, many went to Britain to re-energise their careers - this certainly worked for Edmund Lowe. Alexander Korda and American director William K. Howard made "The Squeaker" a top class production and debonair Lowe didn't seem out of place in the London setting. Scotland Yard is baffled by "The Squeaker" - a shadowy fence, who, when his demands aren't met by desperate robbers, thinks nothing of sending the police particulars of their whereabouts. Inspector Barrabel (Edmund Lowe) once the best policeman in the force - now a down and out drunk has been picked up as a suspect in a jewel robbery. He is offered an under-cover job to track down "The Squeaker" - as long as he stops drinking. He goes to his friend Larry Graeme (Robert Newton) but he is not accommodating. He has just had a run-in with the squeaker and was not able to get his price - he was planning on making a new life for himself, together with Tamara (Tamara Desni), a singer at the local club. (Desni sings "He's Gone" and "I Can't Get Along Without You"). Now, going by the name of Captain John Leslie, Barrabel goes to see Mr. Sutton (Sebastian Shaw) a renowned philanthropist, who has a habit of helping men down on their luck. He also makes the acquaintance of Carol (Ann Todd) who is immediately attracted to him. Before too long, the film establishes who the squeaker is - he sends a letter to New Scotland Yard ousting Larry Graeme as the jewel thief. Larry is bought to the Yard but escapes - he knows who the squeaker is but is shot before he can identify him. The stage is now set for an "all the usual suspects" line up and the film is very clever at how they get the guilty party to confess. Alister Sim, a great British character actor, has a part as a quirky reporter, Joshua Collie.Highly Recommended.

spanishflea50 I caught the film on the Studio channel after setting my TiVo to record anything with Alastair Sim in. As the film progressed I went from smiling at it's old-fashioned mannerisms to a real enjoyment of the storyline and the characterisation. Edgar Wallace crime novels sold in their millions in the thirties and forties and would have guarenteed a healthy audience at the cinema. The plot is quite simple: a 'fence' is operating in London and covering his tracks by framing his criminal associates ('squeaking' on them). A sacked detective with a drinking problem is given a chance to redeem himself by exposing 'The Squeaker'. Of course he falls in love with the scoundrel's respectable and innocent fiance in the process. Alastair Sim, one of my favourite actors of this era, plays an investigative reporter with a rather over the top scottish accent. Also of interest are what appear to be a music hall double act (sadly uncredited) as bell-boys in the numerous club scenes. The club scenes are an excuse to show off the minor plot character Tamara; a chanteuse in love the the squeaker's last victim. The dramatic denouement is The Squeaker's confession following unendurable psychological pressure applied by the suave, dapper Inspector Barrabel(played by Edmund Lowe - he looks rather like a poor man's Errol Flynn). Produced by the great Alexander Korda, this is highly entertaining.