Alicia I love this movie so much

Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

Matylda Swan It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Spikeopath It's pretty obvious from the off - in spite of a bizarre Hitchcock interview to open proceedings - that director Shane Meadows has made a love-in piece for his favourite band. Which of course is honourable and perfectly understandable, because, like, we all would do it. But here in lies the problem, that of a documentary which really doesn't bring much to the party for those not already in love with The Stone Roses.For fans there's a lot of essential stuff, such as early footage of the band members when they were so vibrantly youthful, be it ripping around on scooters or those early gigs, it has a nitty gritty vibe that gladdens the spirit - and this even allowing for some of the cringe worthy interviews where arrogance and naievity rule . Also, as expected with Meadows, there's a great snap-shot of the era of their youth, as The Sex Pistols God Save The Queen belts out we are also privy to the depressing site of Hulme in Manchester, a place where the crows go to die...Cut to later on as the band prepare for their reunion gigs, where it's great to see them so radiant and relaxed during rehearsals, it's this stuff, coupled with all the live footage we get, that lifts this to must see status for fans of the band. But we learn next to nothing about the problems within the band, both in early form and the reunion, these are given short shrift, as is the glossing over of the Spike Island gig, which if fans are honest, was beset with problems and not as mythical as some might have you believe...But ultimately, this is a band who deserve their iconic status, and Meadows knows this and ensures that their status as revered music legends is not tainted. Cantona, Liam Gallagher et al know it, and we know it, The Stone Roses rock and are important in the pantheon of British rock music. 6/10

grantss 2011. After 15+ years apart, the original members of iconic English band The Stone Roses - Ian Brown, John Squire, Alan "Reni" Wren and Gary "Mani" Mounfield - reform for a concert tour. Enlisting the film-making talents of director Shane Meadows (This is England, Dead Man's Shoes, A Room for Romeo Brass) this film documents their reunion, including initial meetings, practice sessions and the concerts themselves. There is also coverage of their 80/90s history.More concert film than documentary, not that this is a bad thing. While there was decent coverage of how they burst on the scene, including media coverage and a good feeling of how big they were, there is very little on why their ascent faltered after the first album or why things went south after their second album. This is a notable omission, as the lack of success, or even musical production, of The Stone Roses after their brilliant debut album is one of music's greatest tragedies.However, the music coverage is great. Fantastic music, as you would already know if you are a Stone Roses fan, well-performed, well- recorded and produced. I am generally not a fan of bands reforming after many years apart - they generally lack the passion of younger bands, have nothing new to offer and seem to be only in it for the money. However, the music here is great - no rustiness, no going through the motions, no cynicism. It's as if it's 1989 all over again.

paul2001sw-1 Shane Meadows is one of my favourite directors; the Stone Roses are one of his favourite bands, and when they reformed a couple of years ago, Meadows got the job of making a film about their comeback, which is also a review of their career. The maker of 'This is England 90' is at his best when he captured how the band both shaped and were shaped by their time; perhaps unsurprisingly in an official documentary, we don't get much discussion of why the music on their second (career-ending) album was considered so disappointing by so many. The film of the young band is enchanting, though, if only because they are so young; as fifty-somethings, the band appear more guarded. The affectionate footage of the lifelong fans delighted by the reunion is a definite highpoint. What spoils it a little is the new concert footage at the end; an interminable guitar jam, followed by a dull rendition of 'Made of Stone' that loses all traces of the original's delicacy. One has to wait for the closing credits, and the chance to re-hear the original studio recording, to gain an appreciation of what the band did best at the peak of their career.

KlinePatsy A celebratory film, there were hints about the reasons for the breakup, and really it didn't need any kind of in-depth analysis. It was self-evident at the time why the band had imploded, to any self-respecting fan at least....Life got in the way, as it tends to do, so it was good that the director put the focus onto the positive elements of the band...the biggest positive being that they somehow managed to get back together at all. Listening to John Squire eloquently fend off a question about his past insistence that there would never be a reunion, you get a sense of the chemistry and no-nonsense spirit that underlies the band. They are a magical group. They are at times indescribably brilliant. They have at times also been numbingly average, but that humanity at their core is what defines them. There's a kind of joyful aura that goes with them, and it's infectious, humorous, uplifting, sometimes spine-tingling. The Warrington gig was brilliantly built-up and you could literally taste the euphoria. Probably fans of the band will get more out of this than casual viewers. The rehearsal scenes are really excellent, seeing them together again and enjoying themselves. Such a positive group. Can't wait for the next instalment after the third album tour.