Dorathen Better Late Then Never

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Sanjeev Waters A movie that not only functions as a solid scarefest but a razor-sharp satire.

junk-monkey Stranded in Space (1972) MST3K version - a very not good TV movie pilot, for a never to be made series, in which an astronaut finds himself trapped on Earth's evil twin. Having a planet of identical size and mass orbiting in the same plane as the earth, but on the opposite side of the sun, is a well worn SF chestnut - the idea is over 2,000 years old, having been invented by the Ancient Greeks. In this version the Counter World is run as an Orwellian 'perfect' society. Where, for totally inexplicable reasons, everyone speaks English and drives late model American cars. After escaping from his prisonlike hospital, the disruptive Earthian is chased around Not Southern California by TV and bad movie stalwart Cameron Mitchell who, like his minions, wears double breasted suits and black polo neck jumpers - a stylishly evil combination which I fully intend to adopt if ever I become a totalitarian overlord. Our hero escapes several times before ending up gazing at the alien world's three moons and wondering aloud if he will ever get home - thus setting up one of those Man Alone in a Hostile World Making a new Friend Each Week but Moving on at the End of Every Episode shows so beloved of the industry in the 70s and 80s ('The Fugitive', 'The Incredible Hulk', 'The Littlest Hobo' etc.) The curiously weirdest bit though was the title sequence. Somewhere between 'Stranded in Space' first airing (under the title 'The Stranger') in 1972 and the MST3K version in 1991 it somehow acquired some footage from the 1983 movie 'Prisoners of the Lost Universe'. So in 1991 the opening credits for 'Stranded in Space' run under a few shots of three people falling into a matter transmitter and vanishing. It's a sequence that has nothing to do - even thematically - with anything that is going to follow.Just to add to the nerdy B movie confusion, one of the actors in this nailed on footage, Kay Lenz, later appeared in a 1994 movie called 'Trapped in Space'. Knowing this fact could never save your life but it might score you very big points and admiring looks from fellow trash movie enthusiasts - if you could ever work out a way of manoeuvring the conversation round to the point where you could casually slip it in without looking like a total idiot...

bensonmum2 A malfunction in space sends astronaut Neil Stryker (Glenn Corbett) off course and headed to something of a parallel world, called Terra, circling the sun exactly opposite Earth. As a being from space would pose a threat to this world's order, Stryker is held until a determination can be made as to exactly what to do with him. Stryker, however, gets suspicious of his surroundings and escapes. With the help of a sympathetic nurse and a old scientist who opposes the government, Stryker will try to board a spaceship and head back to Earth.Stranded in Space (or The Stranger if you prefer) is another of those 70s made-for-TV movies that was to be turned into a regular, weekly show. In this case, it's easy to see why it didn't make it. First off, there's nothing new about the show's set-up. It was undoubtedly designed to follow the same formula used by The Fugitive or The Incredible Hulk or Planet of the Apes. You know, a stranger constantly on the move going from one town to the next taking whatever odd job he can all the while being pursued by a government agency or newspaper reporter. It's a formula that's been done to death. The second strike against Stranded in Space is its lead, Glenn Corbett. Could this guy come across any less likable? I was rooting for him to get caught. Without sympathy for the main character, this kind of show would never work. Finally, this is supposed to be science fiction. Just because everyone is left-handed and someone has hung three fake looking moons on the horizon I'm supposed to jump to the conclusion that this is some distant planet? So it's a mere coincidence that they all speak English, dress just like people on Earth, and drive Plymouth Furies? Yeah, right.The lone highlight for me was the inclusion of Cameron Mitchell in the cast. Sure, it's difficult to watch him in something this dreadful, but you know the old saying - any Cameron is better than no Cameron (yeah, I've never heard it either).As with a lot of these 70s made-for-TV movies, I watched Stranded in Space courtesy of Mystery Science Theater 3000. I wouldn't call it a great episode by any stretch of the imagination, but there are a few good jokes along the way. So in the end, while I rate the movie a 2/10, it gets a 3/5 on my MST3K rating scale.

zillabob Typical ABC Movie-of-The-Week circa 1973 when some cheesy and some interesting Sci Fi films were produced rather prolifically. They are still way better than the crap that Sci-Fi Channel makes seemingly weekly for "Premieres".This one was more or less a rip-off/remake of the much better Journey to The Far Side of The Sun(1969) which was made in England and Europe by Gerry Anderson. That film benefited from incredible FX work from Derek Meddings, a great score from Barry Gray and a good cast and had a haunting ending.The Stranger doesn't have any of that. The plot-an astronaut Glenn Corbett-blown up in space-finds himself on a parallel earth, we learn it is called Terra(one assumes the play on the word "terror" as well as Terra meaning Earth) with three moons. He wakes up-a prisoner in what turns out is a mental hospital-to a very paranoid and not-giving-much-info hospital staff. Managing to escape he finds out he's on this creepy, alternate version of earth but ruled by a totalitarian government called The Perfect Order and is pursued by Cameron Mitchell, a ruthless agent of the secret police for this government. The agents drive around in ominous looking Plymouths(that do not sound like Earth cars) and wear these strange knit jackets with wide lapels and they've cautioned everyone that a dangerous mental patient has escaped and that he must be found. Our astronaut manages to evade capture by dressing like the inhabitants-who dress unfashionably drab sort of like old 60's Communist Russia. When he starts asking questions-such as a scene in a bookstore when he asks "What came before the Perfect Order?" suspicion is aroused and up pops Mitchell and his thugs who threaten the already paranoid citizens with "Ward E" a sinister mental asylum. They'll do anything to cooperate and earn "citizen points" rather than face the ominous Ward E so Corbett is off again in The Fugitive-style escapes. The evils of Ward E are illustrated when another administrator (Tim O' Connor) confides to Mitchell that he wonders if this visitor has something to say and maybe this "Perfect Order" is wrong. Later we see him sitting in the middle of a weird surrealistic room, in hospital clothing, completely docile and vegetative and Mitchell warns him over his shoulder how he has paid the price for doubting. Meanwhile our astronaut befriends a young doctor(Sharon Acker) who not only believes his story of coming from-and wanting to go back to-another earth-but seems to have feelings for him. Eventually she is captured and hooks up with him later saying she escaped. He wants to use this society's slightly better space technology (which is hinted at, by Perfect Order elders that they'll eventually use to invade Earth) to escape this madness. When they get to the launch facility, she implores him not to go(he's already put on a space suit) and in the struggle, she reveals she was in fact taken for "treatments" at Ward E and has been brainwashed to lead him back to the authorities. He sets off an alarm which incapacitates Acker(revealing the nature of the Ward E treatments)who crumbles, grasping her head and he attempts to get aboard the spaceship. She's recaptured and the last we see is Mitchell telling her she's failed and it's back to Ward E-forever-as she screams. The launch fails and he winds up, staring wistfully at the three moons, all set up for a TV series that never happened.The biggest thing this film had working against it was lack of a budget. The FX are non-existent, space stuff is all stock and a shot of the Terra launch facility simply looks like Cape Kennedy/Vandenberg AFB footage at night. The three moons are nothing more than three balls just hung on string in front of a star field-very cheesy. It has the claustrophobic-shot-in-an-old-office building feel that many of those Made-for-TV'ers suffered from. Also, everything seems very convenient. He appears to have escaped into a regular New England-looking back lot town-that seems very near the space facility. It has a creepy moment when he takes the scarf off Sharon Acker's head to see her temple areas disfigured horribly from shock treatments, though I saw this coming a mile away, the fact she shows up inexplicably and with a head scarf on.It was a film, very much of it's time that Gerry Anderson did much better earlier, but downplayed the political angle of it.

icehole4 The whole plot goes like this: An astronaut gets caught in a freak accident and lands up on some alternate earth where a Big Brother type government rules everything and controls everyone. The government, known as the Perfect Order, sends anyone who steps out of line to a place called Ward E, where they are treated pretty badly. Bad acting, predictable plotline and little to endear you to the cast makes this one a turkey.1984 does the same thing, only a lot better.