Dorathen Better Late Then Never

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

moonspinner55 Barbara Eden stars in this popular, well-regarded TV-movie written by Richard Matheson, expanding his own short story, about a well-heeled professor's wife who announces to her stunned husband that she's two months pregnant--this despite the fact her spouse had a vasectomy three years prior after she suffered a traumatic miscarriage. Eden admirably throws herself into this dramatic role (with its "Exorcist" underpinnings), but it isn't an attractive part for her. The pregnancy makes her disagreeable, uncontrollable, often on the verge of hysteria; she's also speaking in a foreign language, has become addicted to salt and coffee, and reads medical journals at an alarming rate. Director Lee Philips attempts to invest the movie with visual personality (chiming clocks, billowing curtains, a hand-held camera), but he cannot make up for the faults in Matheson's teleplay, which is exceedingly thin (not to mention derivative and anticlimactic). Technically, this is one of the better-made television movies of the 1970s, and the story is certainly involving, but it's eventually depressing and pointless instead of eerie.

bribabylk *** spoiler signal! *** ... that is presumably coming from the alien fetus inside her, speaking through her mouth. I don't remember it verbatim, but the alien fetus explains its origin and speaks of Earth as a "...hot, heavy land..." It was a nice, little haunting bit of writing, and the makers of the TV movie knew it was the best part of the whole production, because they use it TWICE. The rest of the move is rather flat and lethargic; it's not really scary or even all that suspenseful. I saw this when I was a little kid, when it originally aired on TV in '74, and I remember I was looking forward to it and hoped it would be good because I liked (and still like!) spooky movies and because it starred Barbara Eden who was still pretty fresh from Jeannie at the time, but even as an indiscriminate 7-yr old viewer I was bored and disappointed.

James Christopher Wierzbicki (filmbuff-31) This movie has many things going for it. All the best ingredients are here: a great story with a fine cast and writers. I was amazed to find that nearly all of these actors--as well as the director and writer who created the story--were veterans of Rod Serling's Twilight Zone. I was lead to expect the finest in performing art from this movie. Unfortunately, the acting in this movie is its most glaring weakness. Barbara Eden is probably miscast in the leading role. She captures all the moodiness and unpredictability that one would expect of a pregnant woman. The key to understanding what is happening to her character is the explanation of what happened to produce this strange pregnancy. All we get is her strange behavior and a few hints from the actors that point us in the right direction. Those hints, when provided by the actors themselves, are usually a bad sign. But even they are not as bad as the acting itself. Barbara Eden says too little in the leading role and the other actors compensate by overacting their parts--all presumably in an attempt to produce suspense. They would have done well to take a page from Rod Serling's school of acting: namely, that it is what is left unsaid and undone that holds the audience in suspense. The more words that are put in the actors' mouths, the more actions there are for them to perform, the more tedious and incredible the story seems.This is nowhere better illustrated than in a scene where Barbara Eden's character is behaving especially irrationally. All of the other characters are behaving equally irrationally, and this only amplifies the confusion and suspense produced by Ms. Eden's character. David Doyle, who plays a hypnotist, shouts above the din, "Just let her act out what she feels compelled to do and maybe we can find out what's going on here!" Amen to that!! His is the voice of rationality in the picture.Bad acting aside, on a positive note, "The Stranger Within" is a compelling story that seeing the movie compels me to read. The movie's and I'm sure the story's presentation hearken back to a time before special effects and sardonic humor: a time when much was left to the viewer's and reader's imagination. Imagination produces the most creative kind of viewing and reading. It's just too bad that in this case the director felt that he needed to supply so many details that were unnecessary to his purpose. A great concept here, but Mr. Serling would no doubt be disappointed.

verna55 Interesting made for TV ROSEMARY'S BABY/EXORCIST type flick, with Barbara Eden in fine form as the expectant mother who begins committing some very bizarre acts after she discovers she's pregnant. This is not at all new territory, though horror/sci-fi author Richard Matheson has managed to add some fairly effective offbeat touches.