Laikals The greatest movie ever made..!

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Teddie Blake The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

dglink Movies about movies have a special fascination, and, despite some flaws, "The Stunt Man" is no exception. Arrested for an unnamed offense, Cameron, a crazy-eyed young man played by Steve Railsback, escapes custody and encounters a film company on location. The crew is on a beach shooting a World War I battle that involves dozens of extras, vintage biplanes, and explosions. Aided by the film's director, who does not want to admit that he has lost a stunt man in a tragic car stunt, Cameron becomes the stunt man and is goaded into performing daring and dangerous stunts of his own. In an Academy Award nominated performance, Peter O'Toole plays the determined Eli Cross, the movie-in-the-movie's ruthless manipulative director. Cross stops at nothing to get footage in the can, irregardless of the consequences, even the death of a stunt man. When not jumping from buildings or hanging from ledges, Cameron becomes involved with the film's female star, Nina Franklin, played by Barbara Hershey, whose history with Cross further complicates things.The screenplay by Lawrence B. Marcus and Richard Rush was adapted from a novel by Paul Brodeur, and both the screenplay and Richard Rush's direction, like O'Toole, received Oscar nominations. While much of the film's fun comes from the action and the stunts performed for the movie within the movie, O'Toole's delicious performance as the flamboyant philosophical director is also a major draw, although the supporting cast is also fine, with Alan Garfield and Alex Rocco deserving mention.The mystery of Cameron's crime and the cause of the stunt man's death plunge into a river are slowly revealed, but character is emphasized over plot and the romance consumes much screen time. Thus, the film is often slow, overlong, and not as clever as Rush wanted it to be. Judicious editing could have tightened the film and improved the pace. However, while "The Stunt Man" is fairly entertaining, O'Toole's star performance remains the film's major asset and chief draw.

Predrag This is a work of art about the creation of a work of art. The work in this case happens to be a movie, and as with all great works of art, there is one obsessed, cruel, megalomaniacal genius at the helm. Eli Cross (Peter O'Toole) is the most vivid depiction of a Hollywood director ever captured on film. He is a true patriarch, playing father/lover/drill sergeant to his cast and crew, and they all love/hate/fear him for it. Anyone who's ever been near an actual film set can tell you how accurate the character is. But what makes this film just about the last word on the subject is Richard Rush's brilliant blurring of fantasy and reality. That, after all, is the main occupation of those who toil in the "Dream Factory" of show biz. This was director Richard Rush's dream project and it took him nine years to get it on the screen.Although it seems nasty, the movie is wonderfully light-hearted and the outrageous stunt scenes are backed up by a joyous score by Dominic Frontiere. A long scene with Cameron running over a rooftop, as biplanes attack and enemy soldiers give chase, is the stuff of legend. There is a great comic sense of humor in watching them trip over each other, fall off and get blown up. The performances are uniformly excellent. O'Toole is truly magnetic here, and you can see that he was hammered in some scenes and still pulls it off. Now that's a pro drinker! Railsback is perfect, and Hershey is mighty alluring indeed. This is the inside look at film-making that Hollywood doesn't want us to see: the egos, the drugs (watch the t-shirts and background scenes), the general insular idiocy of it all, and mainly the non-stop irony. Yes, "The Stunt Man" is a deceptively-accurate look into what the most highly acclaimed directors do to get the most out of their cast & crew.Overall rating: 8 out of 10.

Sergeant_Tibbs I love movies about movies and The Stunt Man is a very entertaining addition to that sub-genre. I had the misconception that Peter O'Toole was the protagonist (given his nomination), but instead he plays the eccentric director who drives the real protagonist's story. He's definitely the highlight of the film and his character holds the whole movie together. Getting actors in the moment is something I've learned recently and the film is entirely about this director's struggle to get his actors in the moment. It's a concept that's fascinating to watch. With its blend of genres of action, comedy, romance and thriller, it can end up a muddle, especially with things I can't tell are plot holes or not. This mixture in tone gets to a point where its repetitive score is either a blessing or irritating depending on the scene. Unfortunately the film is let down by its lead character and performance who is ironically rarely believable and too bland to be relatable. But the film does have that 70s aesthetic of excess and grain borrowed from All That Jazz that I love.7/10

edwagreen Poor film and though Peter O'Toole received another best actor nomination, Steve Railsback was just as good here.O'Toole always did splendidly especially in parts where there is some sort of homosexual mania behind him.He is quite a character in this one as he portrays a director on the set of a movie about World War 1. Railsback, running from the police, comes upon the set and as a stunt man was killed earlier in an accident, O'Toole takes a liking to our run away and hires him for the part.The picture goes awry after this with Railsback thinking that O'Toole has set him up to be killed. There is a wild scene with Railsback going berserk as he had fallen for the leading lady of the film. Her actions and their plans are most absurd. You don't even know if the end were contrived or not. However, by the end, O'Toole is reduced to the typical movie mogul man, fighting over salaries. Believe me, there was nothing to fight about over this film.