The Sublime and Beautiful

2014
5.8| 1h33m| en
Details

David Conrad is a college professor and sometimes philanderer raising three children in a small Kansas suburb with his wife Kelly. When sudden tragedy strikes the family in the days before Christmas, David and Kelly's marriage is brought to its breaking point and David's desire for retribution leads him into uncharted moral territory with the question: what can we forgive?

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Reviews

Keeley Coleman The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Sienna-Rose Mclaughlin The movie really just wants to entertain people.
Staci Frederick Blistering performances.
Cristal The movie really just wants to entertain people.
LizSmithMoore Blake Robbins took on a daunting task: Writing a story about a profoundly sad event in the life of a family. The hazard in such an effort is to fall into tactics of cheap and obvious manipulation. Not only did Robbins tell the story with realism and respect, he carried it through 90 minutes of film further enriched by the right actors, cinematography, musical score and all the other elements of a nearly perfect movie. I did not cry when I watched it, but not because I wasn't moved. Blake put me in David's head and I felt locked in a state of shock and denial. Add David's struggle with middle-aging even before the tragedy, witness the impact on David and Kelly's marriage, the reactions of friends, family and community, and this film feels as real as it possibly could. As art, it is the best possible treatment of one of the darkest aspects of the human condition.
BasicLogic this is one of the saddest films ever made. the screenplay is so thoughtfully deep, Blake Robbins, the screenplay writer, the director and the main character....the only word i can say is WOW...!!! he really knows the saddest feeling what a human being would have to face, suffer and to deal with. the family, the kids, the wife and the marriage before after the tragedy. the relationship among friends and colleagues, the mind, the shocks, the lost, the void and empty space of a soul. the lost hope of tomorrow. the....there's nothing i could say more when and after i watched this film. guess drunk driving is the most heartless and irresponsible behavior that a human being could commit.
deweese3 This is the most honest movie out there about the topic of grief - and it is an amazing piece of art because of this. You will be riveted by the depth of human emotion in this movie - and astounded that it was shot in less than 2 weeks on a shoestring budget. The director is also the primary actor. Wow! This movie is flawless. There is great direction, wonderful acting, and perfect production values, but what makes this film incredible is how it is able to draw the audience into the honest and real emotional sides to grieving. Capturing emotion is difficult in a movie and grief is not an easy topic - but it is a feeling all humans grapple with at least a few times in their lives. Instead of glossing over this feeling, this film embraces grief - and in so doing, you will be transported deep into your own heart. Every scene is realistic and the holiday party scene is worth the entire film. Bravo!
SLUGMagazineFilms I once took a writing class where the teacher told us that the best way to get readers to care about your characters is to make terrible things happen to those characters, forcing some type of reaction. The Sublime and Beautiful is the greatest example of this that I've ever seen. Throwing on a multitude of hats as director, producer, writer and lead actor, filmmaker Blake Robbins offers up a tale of a husband and wife who lose their three children in a tragic accident. Robbins reveals flaws in many of the characters throughout the film, but none so much as the main character—creating a stunningly authentic feel with each role. Though The Sublime and Beautiful is by far the heaviest film I've seen in a long time in terms of mood, its depiction of grief is stunningly honest and matter-of-fact. When you experience tragedy in life you don't want to talk to people you hardly know, you don't want people constantly asking how you are and you certainly don't want to hear about how "these things happen for a reason"—you want someone to blame. Robbins understands that perfectly, and his film is both sublime and beautiful.

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