Nonureva Really Surprised!

Helllins It is both painfully honest and laugh-out-loud funny at the same time.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Michelle Ridley The movie is wonderful and true, an act of love in all its contradictions and complexity

Nigel P This Italian giallo film contains a tremendous musical score: that is the first thing I noticed. Luciano Michelini's funky, jaunty soundtrack permeates throughout, bringing to life scenes of police procedure and making the action sequences even better. There are even moments of comedy in here. Are they successful? Not in the slightest, in my view, although other opinions are equally justified. To me they undermine the atmosphere without adding anything extra that is successful.Where Sergio Martino's direction really shines, however, is in the chase and shooting set-pieces, the best being a tremendous shoot-out on a roller-coaster ride. The fusion of calamity and the rattling soundtrack guarantees enjoyment. A shame that such urgency isn't injected into more of the 100 minutes, or that some pruning couldn't have been done. For however energetic certain moments are, the film is a little too long and could have done with perhaps losing 15 minutes.Is Martino's mixture of styles a success? Partially, I'd say. But ultimately, I prefer my giallo more consistently dark and without the flights of comedy. It is good, but not great. Whilst it is pleasing to see the director experiment with an established style, his crowning achievement remains 1971's untouchable 'Strange Case of Mrs Wardh.'

The_Void Sergio Martino is undoubtedly one of the premier luminaries of the Giallo genre, having made such as important classics as The Strange Vice of Mrs Wardh and The Case of the Scorpion's Tail. Martino made a series of five Giallo's in the early seventies, and while this could easily be seen as the sixth entry; it rarely gets a mention in discussions about the others, and the reason for that is down to the fact that this film arguably isn't even a Giallo. The film features clear cut Giallo elements; we have a killer, young girls being murdered, fair amounts of gore etc etc; but then we also have a barrage of car chases, shootouts, police procedure and most strangely of all; a completely out of place dose of humour! It all starts like any other Giallo might, as we witness the murder of a prostitute at the hands of an unseen killer. Then we are introduced to a man who hooks up with a local thief and the pair go round stealing prostitute's handbags. The mystery man is later revealed to be a police inspector, and he has his own unorthodox methods for getting to the bottom of the convoluted plot.The film was released in 1975, which is towards the end of the Giallo's golden period and near the start of the Polizi trend that took over it. This film falls somewhere between the two successful Italian exports and the result is a bit muddled - with the emphasis being more on general crime than the murders. Then we've got this comedy element, which really is completely misguided, and all the more strange for the fact that the screenplay was written by the great Ernesto Gastaldi. It really does add nothing; the only effect being the undermining of several tense and well worked sequences! It's all the more strange considering the plot - this is a dark film handling themes of underage sex, murder and prostitution so I really don't know what Gastaldi was thinking! However, the film is redeemed by plenty of tense sequences and a decent car chases which is sure to please the Polizi fans. The film also features a superb leading performance from Claudio Cassinelli as the unorthodox inspector. There's also an odd score which has shade's of Goblin mixed in with elevator music. Overall, this is not one of the great Martino Giallo's; but it's not too bad and should please a lot of Giallo fans.

Coventry An authentic Italian 70's Crime/Giallo movie with loads of comedy elements and even slapstick? What's next …a Disney's Pixar movie featuring graphic sex and gory massacres? Say what you want about director Sergio Martino, but you certainly can't claim he hasn't experimented with all the different genres imaginable. He directed several brilliant and prototype Gialli ("Torso", "Case of the Scorpion's Tail"), but also Spaghetti Westerns ("A Man Called Blade"), relentless cop thrillers ("The Violent Professionals"), sleazy comedies ("Sex with a Smile"), Apocalyptic Sci-Fi ("After the Fall of New York"), Cyborg action-flicks ("Fists of Steel"), cheesy monster movies ("Big Alligator River") and cannibal adventures ("Mountain of the Cannibal God"). Yet, of his entire versatile repertoire, "Suspected Death of a Minor" is perhaps his most awkward accomplishment. Judging from the title, the basic plot synopsis and the picture images on the back of the DVD box, the film looks like a standard Giallo, but the story further unfolds itself more as a bitter crime thriller interlarded with large bits of comedy. And the absolute strangest thing is that this unusual hodgepodge of styles and genre also actually works, or at least up to a certain degree. It's hard to picture yourself a Giallo plot, covering crude topics such as teen prostitution networks and vile murders, and simultaneously witness comical car chases and clichéd running gags. It's rather difficult to write a brief summary of the plot without giving away surprise details or essential twists. Most reviews – even the one on the DVD box – already reveal a nice detail regarding the main character's identity even though the script keeps it a secret up until 45 minutes into the film! I think it's best to know nothing about the story and simply watch it unfold. I'll simple reveal that all the required ingredients of a supreme Giallo dish are present, including a vicious reflecting sunglasses-wearing killer, rooftop & roller coaster showdowns and perverted men with money & power. Claudio Cassinelli depicts one of the most likable characters I've ever seen in an Italian film. He's eloquent and witty, but ultimately arrogant and provocative towards everyone who crosses his path. There are a couple of brutal murders on display but the amount of female nudity is sorely disappointing, presumably because Martino didn't engage his heavenly luscious muse Edwige Fenech this time. Luciano Michellini's musical score is reminiscent to Goblin's work for Dario Argento and the photography is very nice. "Suspected Death of a Minor" is a good film and recommended to fans of the director and the genre. However, make sure it's not your first acquaintance with the Giallo, otherwise you might get a misconception of what this wondrous sub genre is all about.

lazarillo As other reviewers have said this is a strange movie. It is kind of an "unofficial" sixth entry to the series of excellent gialli directed by Sergio Martino in the early 1970's (although, as such, it is definitely step down from his previous film "Torso"). It has a very familiar "giallo-esqe" starting point where the investigation of a murdered underage prostitute leads to a lot of equally nasty killings. It also functions as a "poliziani" with lots of action and chase sequences and a cynical plot involving high-level political intrigue. Claudio Cassinelli plays a cop who makes Dirty Harry look restrained and by-the-book. He sleeps with prostitutes, consorts with minor criminals, feels up underage girls, shoots at civilians, and even leads the regular police on a wreckless high-speed chase for no real reason. The people he is after though are even worse, involved in everything from kidnapping to drugs and teenage prostitution to money laundering.But if all this isn't a little too much, the movie also tries to be a comedy. Cassanelli has a comical side-kick, and there is a running gag where he keeps breaking his glasses. Sometimes the comedy works, but other times it tends to sabotage the drama, like when he incorporates slapstick pratfalls into what is already a very over-long car chase (a bane of these type of movies ever since "The French Connection" was released in Italy). Fortunately, Cassinelli has charisma to spare in his first of many roles for director Martino (he didn't have the impressive breasts of Martino's other frequent collaborator Edwige Fenech, but he was no doubt a better actor). Jenny Tamburi, on the other hand, was pretty much wasted (both as an actress and pair of impressive breasts). But Mel Ferrer and most of the other obscure more actors acquit themselves pretty well. Not as good as Martino's earlier movies, but better than his later ones, and it has just been released in widescreen with English subtitles on (import) DVD. So check it out for yourself.