Matrixston Wow! Such a good movie.

Incannerax What a waste of my time!!!

Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Michelle Ridley The movie is wonderful and true, an act of love in all its contradictions and complexity

bpoind Every single actor in the 1974 movie was better than any of the actors in this TV remake. I guess they needed a New York accent, so they threw in Lorraine Bracco. Nice save.One thing the TV movie really glossed over was the issue of getting the ransom money to the terrorists on time. You'd really have to watch the 1974 movie to see the difference. Getting things done in one hour was a real nail-biter in the original movie. It's like "meh" in the TV movie.And that really leads me to the most important point: almost nobody seems to be afraid in the TV movie, including the hostages. You have one woman having one, strangely short-term panic attack. She has to carry the emotional load for her torpid companions, it seems to me. She recovers, inexplicably, without meds. Most of the time she seems perfectly rational.I have no idea what Stuart Copland had in mind with that score of his, but its pretty meditative compared to David Shire's work. All- in- all, I was not happy with the TV movie.

alvin81 Based on the 1974 classic of the same name, this TV version looks very much like a regular TV show, spread out over two hours instead of one. This remake does indeed suffer from modest budgets, a less than sterling cast. Vincent d'Onofrios, stepping into Robert Shaw's "Mr. Blue" ringleader role, seems bored, wooden, and unaffected by the entire scenario. Likewise, Edward James Olmos (filling Matthau's shoes) is equally as bored and wooden as d'Onofrios. Poor Brooklynite Lorraine Bracco is reduced to a supporting role (formerly played by Jerry Stiller) that does not make use of her endless talents.What is most irking is the fact that the NYC-based flick was filmed in Toronto, Ontario. Exterior shots, subway stations, and particularly subway equipment looks nothing like the grimy, intimidating system that is New York's. New York's transit system is as much a celebrity as the city it holds together. Few cities in the world can be quickly identified by their form of subway transport as New York's. One big demerit for the producers on this one (no fault of Toronto, either—it is a marvelous city, to be sure).With the one exception of an emotional relationship established by highjacker "Brown" (Tara Rosling) and her 'angel of mercy' female conductor "Babs Cardoza" (Babs Cardoza), all other subplots among the hijackers and characters were not developed. The deliciously menacing "Mr. Grey" character, played to perfection in the original by Hector Elizondo, was reduced to an angry, almost juvenile person by Donnie Wahlberg.The overall feeling is choppy and suspenseless. One gets the feeling the original movie was being watched closely during filming, with the director causally removing chunks of original script.Even though TV movies are in an entirely different category than those produced in Hollywood, there is no reason for quality scripts to go M.I.A. TV budgets may be limiting, but the believability in the characters need not suffer.Stick with the original. Watch this remake to satiate the curiosity factor only.

RussGrabes I don't think this 1998 remake was too bad, provided you regard it as a straightforward hostage film.It uses some of the best lines from the original almost verbatim (eg, "A person likes to know how much he's worth", "Do they still have the death penalty in New York" "I've always done my own killing" etc) which is ok, but I can't believe that Mr Blue in the 1998 film would not know the death penalty status in what appears to be his native New York. In the original, the Mr Blue character was clearly British, and might be excused for not knowing the death penalty status in all 50 US states.But as one other observer observed, the 1998 lacks .... WALLY MATTHAU (and to some extend George Costanza's dad also).The 74 version could almost have been sold as a comedy, but not this one. It's a straightforward tradesman like version without the wit, irony, pathos and dulcet tones of Wally MatthauCertainly worth watching if you love the 74 version so you can do a 'compare and contrast'. If you have not watched either, and you only want to see one of them, see the 74 version.The final scene is worth the wait (in both versions)

wombat_1 What a tedious load of drivel this is. It tries for "suspense", instead it achieves "stilted" and "boring". Almost as if the director was saying "OK, guys, freeze for five more seconds" in almost every scene.Walter Matthau was great in the original. I saw him as a serious actor, in the original of this one and in "Kill Charlie Varrick" long before today's kids saw him as a "Grumpy Old Man" actor. And he really makes the original movie shine. But I suspect that even he, had he been somehow edited into THIS load of rubbish, could not have saved it.