ReaderKenka Let's be realistic.

Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Staci Frederick Blistering performances.

classicsoncall The opening credits proclaim this film a Four Star Western, but in actuality it was a Warner Brothers unit that John Wayne made six movies for in 1932/1933 before moving on to B Studio Lone Star Productions. These pictures aren't easy to come by so it was a pleasant surprise to catch it the other day on the Encore Western Channel, just recently revamped with new logos and screen graphics.The biggest kick I got out of this picture had to do with the captioning, and I have the feeling that someone at the service might have had some larceny in their heart when they worked the scene when bad guy Gus Lynch (Albert J. Smith) confronts John Trent (John Wayne) and his sidekick Tippy (Frank McHugh) for the first time at Zeke Keller's Trading Post. Lynch pinches Tippy's nose hard and puts him down to the ground before going after Trent. When Tippy gets up, he says what sounded to me like, "He got my nose". However the captioning had "This f...in' nose" and it caught me off guard so completely that I replayed the scene four times to see if I had it right (I had the picture DVR'd). My immediate thought was that the captioner might have been inspired by a scene in both versions of "The Longest Yard". Anyway, chances are this goof, if it was a goof, will be corrected soon enough, but folks, believe me when I tell you, it was there! Well with that out of the way, let's get to the story. I was somewhat surprised to see Frank McHugh in the picture as John Wayne's sidekick. Generally he'll show up in more than a handful of Jimmy Cagney flicks, which brings up an interesting trivia note. In Cagney's "Footlight Parade", also released in 1933, his character watches this film as a theater marquee announces "Silent Pictures are Finished". As one would expect, McHugh's Corporal Tippy provides the picture's comic relief, a running gag of his having to do with the gals he left behind stretching all the way from Topeka to Nogales and several points in between.As in most of John Wayne's early Westerns there's a pretty gal on hand. In this case it's Marceline Day as Alice Keller, who concocts a story about being engaged to Wayne's character based on a picture she sees of him, in order to thwart a marriage proposal from bad guy Lynch. The story line has some fun with the misunderstanding, particularly with Corporal Tippy's grievance over his buddy having a secret girlfriend. This all plays out to a conclusion that would happen again and again with Wayne's early Westerns, in as much he closes out the picture giving his gal a kiss.The action scenes in the film consist mostly of an Indian attack instigated by Lynch who's in cahoots with Indian White Wolf (Yakima Canutt). With Trent attempting to complete a telegraph line in the territory, Lynch incites White Wolf with the idea that a completed line will bring in more settlers who will kill off the Indians. In reality, Lynch means to preserve his strangle hold on commerce in the area by disrupting any competing supply sources while gouging settlers with his prices.Before closing I really need to mention Wayne's horse. In this, as in all six of his Warner pictures, Wayne rode a light colored horse listed in the opening credits as 'Duke'. Duke was quite resourceful during the Indian attack, lining himself up to dispatch a couple of renegades through a tent while protecting Miss Alice. Earlier he had some comical scenes with Tippy as well. I'd really like to catch a few more of these Warner Westerns starring Wayne, because in the only other one I've seen, "Haunted Gold", Duke had even more screen time going to bat for the film's hero. Catch that one if you can along with "The Telegraph Trail".

MartinHafer This early John Wayne B-movie is apparently not in the public domain--unlike many of his early films. This Leon Schlessinger film has been released by Warner Brothers/Turner Classic Movies instead of the usual cheap public domain videos you see in bargain bins. Unfortunately, however, despite this higher pedigree (and a slightly better quality print), this isn't all it's cracked up to be--there are no DVD extras nor are there any captions. It's a rather unimpressive release for Warner/TCM.Instead of the usual sidekicks (such as the ubiquitous Gabby Hayes), this one features Frank McHugh. While he's a very common actor in Schlessinger (whose studio was soon bought by Warner) and Warner Brothers films of the era, I can only recall a few times where he appeared in westerns. He was more of the comic relief in contemporary period pieces--though he does a very nice job here and looked pretty comfortable on a horse.The film begins with a group of telegraph installers being attacked by American-Indians. These Indiand, however, were orchestrated by a jerk named Lynch--who wanted to keep the telegraph and civilization away in order to force the settlers to deal with only him and his over-priced supplies. Although one of the telegraph men is shot, he's still able to relay a message to the fort many miles away--and Wayne and McHugh come to investigate. The message told what was happening but the man couldn't finish his transmission--and Wayne is trying to discover who the white man is who is stirring up all the Indian trouble. This is a weak point of the film, as it's 100% obvious who is behind it--there's no suspense whatsoever! Later, a lady overhears Lynch's plans to attack another group of telegraph installers. I have no idea why she didn't just tell Wayne. Instead, she devised a ridiculously complicated and sure to fail method to alert Wayne without revealing her identity. Why....?! And, as she was a witness to the conspiracy between Lynch and the Indian (Yakima Canutt), why didn't she just tell everyone so that Lynch would be arrested and...um...lynched! Then, they all could have gone out for pizza and had a party. Instead, the film went on for another 30 minutes---climaxing with a clichéd Indian attack--which is headed off at the last minutes by (surprise of surprises) the US Cavalry! The are absolutely no major surprises in this film. As usual, Wayne is very good and McHugh was a much better than normal sidekick...but even these couldn't overcome bad writing--even by cheap B-movie standards! It is entertaining...but a bit brainless.

Eventuallyequalsalways This kid-friendly Oater was obviously intended for the Saturday morning double-features which droves of kids attended in the 30's and 40's. Mom & Dad dropped you off while they did the weekly shopping and you had a double-feature, a couple of cartoons, a 3-Stooges short and a Movietone news to entertain you, all for a dime. I know because I saw hundreds of them. Anyway, about this picture, it pays very little homage to the so-called plot which involves something to do with the new invention of the telegraph bringing communication across the continent. It has hundreds of extras (they must have been cheap to hire in those days) dressed as settlers, cavalry or Indians backing up the star (John Wayne) and the requisite pretty lady played by Marceline Day. In those days, the studio executives must have been convinced that the Cowboy and his faithful horse sidekick (ala Roy Rogers and Trigger) was a winning formula, so they paired John Wayne with a beautiful white stallion named Duke. The major attraction of this movie is the continual series of sight gags and gaffes which we never noticed as kids. In one scene, John Wayne is on top of a telegraph pole sending a message back to the Fort and a crowd of 10-12 Indians rides up and begins shooting at him. Wayne pulls his trusty six-shooter, fires once, and kills the Indian with the headdress. THEN WAYNE PUTS HIS GUN BACK IN HIS HOLSTER! What kind of direction was that? Can you believe John Wayne ever quit fighting a hoard of enemies in his life? Well, he does in this movie. I guess it was because he wanted to wait until the Indians fired off a volley at him; this would allow him to pretend to be hit so that he could fall off the pole (ouch!) and fake his death. Naturally, the gullible Indians were fooled, so they rode off at an accelerated gallop (all the galloping scenes are speeded up about 20% to make things more exciting), and before they have gone 50 yards, we see John Wayne getting to his feet. Then we find out that he wanted the feathered headdress so he could strip off his shirt (showing the manly Wayne chest), don the headdress and, pretending to be an Indian, join the Indians attacking the settlers, and then slip through the line of wagons (in a circle, naturally) and reenter the camp where he can join up with the beautiful girl. Of course, he can't begin fighting the circling Indians until he ducks into a tent and grabs a beautiful fringed-leather shirt and puts it on. One must be properly dressed when fighting Indians! All in all, this movie is fun to watch and if you are an old codger like me, it will bring back lots of wonderful memories of all those Saturday mornings long ago.

bkoganbing At this point in his career John Wayne was doing B films for Warner Brothers and it was decided to give him a smart horse like Roy Rogers's Trigger. And what do they name the horse? Duke. That's something Wayne must have had a hand in.Here John Wayne is an army scout and he gets Frank McHugh as an army corporal/telegrapher as sidekick. When a good friend of their's is killed while sending a message for help by wire during an Indian attack, these two are sent to take personal charge of the construction of the last leg of the telegraph.There's a nasty villain played by Frank Hagney who runs a shipping outfit and with his Indian friends wants to keep the telegraph out. How the telegraph would affect his business is never quite made clear, but this is a B western so plot holes back then were a pretty common occurrence.Wayne and McHugh are very effective together, too bad they never got to work together again. For those who've never seen the entire film, the last minute of The Telegraph Trail are seen in Footlight Parade in a scene where James Cagney is in a movie theater observing his competition as he's a director of stage musicals. Ironically enough Frank McHugh is also in the cast of Footlight Parade which makes one wonder how the Warner Brothers slipped up there.By the way, for the only time I can recall in any of his films, John Wayne sports a two gun holster. Butts reversed in the manner of Wild Bill Elliott. If anyone can recall another film he did like that, I'll correct this review. I would recommend The Telegraph Trail for Wayne fans to see how well he and Frank McHugh connect. Another twist in his career and Frank McHugh could have had a grand career as western sidekicks.