ada the leading man is my tpye

Titreenp SERIOUSLY. This is what the crap Hollywood still puts out?

Ploydsge just watch it!

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Jmkjohn The movie wasn't bad as everyone says, but it could of been made a little better, casting wise I do say. BUT... look at the way the movie LOOKS, the colors are very crisp and MAKES the picture stand out for that reason. The person or persons involved in that did an OUTSTANDING job. 10 out 10 for that, and as a filmmaker I would love to hire the people who were in charge of that. I sat through the film looking at it from that angle. It was done beautifully, it looked like it was shot on film (which it was I bet)but in the 70's era. I can't stress that enough, it looked so damn amazing, I began to think that it was shot in that era. Great job, bottem line.

Karl Miller This is a movie I nominate as one of the worst movies of all time (and I even liked Ishtar). I've usually liked McDermott's work in the past and I'm a big snoop fan but I was shocked at how woodenly everyone in this movie delivered their lines. If I closed my eyes I could easily have been convinced I was hearing a preproduction meeting where everyone sat around and read the script out loud, having never seen it before. I can only assume that the director, in his directing debut, (after many, many, assistant second director jobs) had a bit too much of the chronic. The camera work is boring, plodding and depressing to watch. I can not believe that anyone involved in this movie allowed it to be put out without getting their names removed from the credits.The only good thing about this movie is that if I have friends over to watch movies and I get tired, I pop this in the DVD player and in a matter of minutes everyone decides it's time to go....

greenwood-alex Watching The Tenants has been a interesting experience for me. It is the first film I have ever seen where I have shuttled at speed through parts of the (non)action - and I can normally watch anything from turgid action movies to Serbo-Croat indie and find them fascinating.The Tenants is frustratingly sluggish and over-orchestrated. One of the main problems of the script is there is little realistic character dialogue, apart from the set pieces where characters 'collide' in a very structured setting (to make this work, the film needed to feel more conceptual, which it didn't). This leads to a lack of realistic character development; everyone seems two-dimensional.The worse for this is the character of Bill Spear, aka Snoop Dogg. I found his characterization very uncomfortable and very unsympathetic. At one point, I even stopped the film because I got so annoyed by the character's aggressive, violent and monotonal delivery, the lack of any other personality layer apart from that of the reactionary "on" switch (which gets really predictable after a while) and I so desperately wanted him to have some redeeming qualities. However, one reason for this jar might be the nebulous time scape of the film (supposedly 70s, it feels and looks more early noughties). If it had been more securely fixed in the 70s, his character might have seemed more understandable.The lighting of the film was also awkward. All the way through, the soundtrack attempts to provide a certain gritty, jazz-infused atmosphere that just did not come off, largely because the set was too well-lit.The Tenants, to me, is an unbelievable film. It doesn't depict real people or propose any interesting ways of thinking about race, identity or the life of a writer, be they white or black.Strangely, I came away with the feeling that this project needed David Lynch; his eerie, clastrophobic and obsessive look and feel would have lifted both the actors and the script into something quite remarkable.

gradyharp THE TENANTS began as a 1971 short novel by the now deceased Bernard Malamud - writer/philosopher - examining the conflicts between Jews and African Americans in the incendiary atmosphere of Brooklyn at the time the book was written. As a novel the story was gut wrenchingly real: as transcribed into a screenplay by novices David Diamond and Danny Green (who also directs) it is more of a cerebral dissertation that gradually erupts into action in the final moments.Harry Lesser (Dylan McDermott) is a Jewish novelist with one book under his belt but currently attempting to finish his 'newest' book ten years into the writing. Convinced that he must complete the novel in the same environment where it was started. he is the sole tenant in a condemned Brooklyn tenement owned by Levinspiel (Seymour Cassel) who constantly tries to 'buy out' Harry's lease so that the filthy dilapidated building can be demolished. Into this atmosphere enters another Black militant quasi-anti-Semitic writer Willie Spearmint (Snoop Dogg) whom Harry befriends, hides, and offers help to the nascent novelist's attempt to write about the death of all white people. Harry's attempts to help Willie lead to conflict, not the least of which is Harry's meeting Willie's girlfriend, the white Jewish Irene Bell (Rose Byrne) at a less than friendly gathering of Willie's militant black brothers and sisters. Willie and Irene are on the skids and Harry gradually falls in love with Irene and they plan to leave New York as soon as Harry finishes his novel. When Willie hears of the assignation and is further critiqued by Harry, Willie explodes and begins the downward descent of not only a delicate friendship but also a competition between writers. The ending 'reveals the slippery nature of the human condition, and the human capacity for violence and undoing'.The actors do their best with a script that is a bit awkward but despite scripted lines that border on preaching they create believable characters. The cinematography enhances the story, keeping the mood dank and dense and primarily confined to the condemned building. The musical score appropriately makes use of the solo jazz trumpet and blues piano to underline the tension and isolation of each of these groundless characters. Though it takes some patience to make it through the cerebral ramblings, the film in the end is worth watching. At least it attempts to recreate Malamud's bizarre look at life in the big city. Grady Harp