Diagonaldi Very well executed

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Sammy-Jo Cervantes There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

bradbrad after gritting my teeth of why i should keep watching this movie all the way through it, when i got to the end all i could think to myself is 1. why would anybody make this pointless of a movie. 2. why did i keep watching this movie. 3. the clichés where terrible.they tried to make this movie artsy, but the conclusion of we don't know what lies ahead was over simplified, and never left me thinking about what it meant, because its just something that you already know and there wasn't any new dilemma added to make the idea more complex.If i were you, and you were thinking about renting this movie, don't. if they show it on TV for free, i'd go out side and do something more constructive with my time.

Gordon-11 This film is about a group of tourists getting involved in each other's lives in a sleazy and dodgy Bangkok hotel.This film is told in a non linear way. It has intersecting plots involving several characters, and these are all executed and mixed together seamlessly. The characters are developed very well, and the viewers can relate to them easily.The plot is excellent, full of suspense and thrill. It shows that how one little action of a person can have profound effect on another person! It kept on the edge throughout the movie! The cinematography is also excellent.Another film that has intersecting plots mixed together in a non linear way is the Oscar wining Crash. I think, this film is in many ways equally good, if not superior to Crash. It is a great pity that this film does not have wider recognition than it currently has.

Claudio Carvalho In Bangkok, in a low-budget hotel called "Heaven", the fate of four guests are interconnected due to a theft in a room: Sean (Jonathan Rhys-Meyers), a paranoid English drug dealer, that is dealing with a powerful local drug lord; the also British psychologist Rosa (Saskia Reeves), who is grieving the loss of her son and making a research with poor children in Thailand; a seriously wounded killer, hired to kill the mobster; and Wit (Alexander Rendel), a thirteen years old abused bellboy, that steals the guests. In the end, we see that it is almost impossible to control life, and sometimes, a subtle incident may lead to fatality.I did not find the word "Tesseract" in Webster or American Heritage Dictionary, but in internet, I found that it would be a 4-dimensional cube. The explanation of this word is also provided in the introduction of the movie. Using this concept with four characters in a hotel, reducing to three and converging to one, the screenplay writer wrote a very original and intriguing story, apparently based on a book, confused in the first twenty minutes since it is non-linear, but attractive when the viewer understands the plot. I believe that watching for the second time, this film would be better and better, and that is my intention in a near future. I liked the idea of how difficult would be to control our destiny, which is connected and affected by the actions of other people. Jonathan Rhys-Meyers, Alexander Rendel and Saskia Reeves give great performances. I really recommend this movie to audiences that like a dark and different story. My vote is seven.Title (Brazil): "No Limite da Realidade" ("In the Limit of Reality")

ncc1205 Oxide Pang -- one-half the Pang Brothers -- directs THE TESSERACT, a stylish, hyper-kinetic tale of good folks gone bad -- kinda/sorta -- in this kinda/sorta good-to-great film thriller.By utilizing flashbacks, flashforwards, and ... erm ... flash-sidles (if there can be such a thing), Oxide Pangs crafts his film together more as an experiment in narrative voice, but he pretty much confides in this technique for the involved set-up of these four disparate folks: a drug dealer trying to score a big delivery; a comely psychologist trying to come to terms with the death of her young son; a professional assassin (can you ever have just one?!?!); and a thirteen-year-old thief who misunderstands the concepts of right and wrong. These four folks all converge on a hotel where their lives criss and cross as dramatically staged flybys and near-misses ... but, come the conclusion of the film, they collide with devastating results.In a style very reminiscent of their earlier work, BANGKOK DANGEROUS, half-a-Pang flashes quick visuals with unusual camera angles almost universally throughout TESSERACT. However, some of the visuals pull the viewer away from the story a bit much, so the effectiveness of the technique -- perhaps a further study in it so far as Oxide is concerned -- is arguably debatable ... but the film's atmosphere is not. You can almost smell the decay when you're drenched with the seedier parts of the city, finding yourself quite possibly as repulsed as you are captivated by the events. Think of Oxide Pang's work as very Spielbergian in terms of tone and lighting, but with healthy parts of Scorsese thrown in to propel the narration.Well-paced except for a few awkward moments early one where technique clearly outdistances the story, this slick glossy still makes for quality & interesting viewing ... but, as for shelf life, it might have a short life except for fans of the Pang Brothers and/or experimental films.