BroadcastChic Excellent, a Must See

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Aedonerre I gave this film a 9 out of 10, because it was exactly what I expected it to be.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

FightingWesterner An old lady rancher with a cattle rustling problem calls in the Texas Rangers, who in turn send undercover agents John Howard and Broderick Crawford to infiltrate the rustlers, led by Anthony Quinn, while also putting up with the ranch owner's spoiled granddaughter.A supposed sequel to the king Vidor/Fred MacMurray classic, this has too much talking, not enough action, and an inept climax, with too much modern technology on display, ruining the western atmosphere. Neither a gun is fired, nor a horse ridden faster than a trot until forty-seven minutes into this sixty-eight minute movie! You'd be better off skipping this slow-moving studio B-picture and watching a poverty-row cheapie instead.Crawford should have made like he did in All The King's Men and got all liquored up, before telling off the rustlers. now that would have been entertaining!

zardoz-13 "The Texas Rangers Ride Again" is a contemporary western about cattle rustling on a sprawling ranch in the Lone Star State. "Arrest Bulldog Drummond" director James Hogan and "Million Dollar Ransom" scenarist William R. Lipman and "Gentleman Jim" scribe Horace McCoy have fashioned an undercover oater with a Texas Ranger masquerading as a wanted man. The gigantic White Sage Ranch is losing steers by the hundreds to rustler. An elderly matriarch demands that the Rangers intervene. What she doesn't know is that some of her own people are behind the rustling. The supporting cast contains two familiar faces that would receive Oscars for their performances in other films. You'll also spot Robert Ryan in an early role. Anthony Quinn and Broderick Crawford appear in supporting roles. When our hero isn't lurking on the fringe of the rustling outfit, he enjoys some encounters with Ellen 'Slats' Dangerfield (Ellen Drew) who has just returned to the ranch after having been gone for a decade. Ellen and Jim Kingston, aka Pecos Kid (John Howard) get involved in a relationship.

bkoganbing I'm sure Paramount could not possibly have released what the end would be in the careers in the cast of Texas Rangers Ride Again. You've got the unusual situation where the nominal leads, John Howard and Ellen Drew, are overshadowed by the incredible supporting cast. Two of them, Anthony Quinn and Broderick Crawford went on to win Oscars. The rest of the cast included such worthies as May Robson, Akim Tamiroff, Eddie Foy, Jr., and Charley Grapewin probably all better known to the average movie buff than the leads.The leads deem it a B film. But Paramount in shooting on location in Arizona gave it some A production values. Ellen Drew was best known as Hugette in If I Were King and John Howard's career role was as George Kittridge in The Philadelphia Story. Drew is the granddaughter of May Robson who is essentially reprising her role from The Texans. Howard and Crawford are Texas Rangers working undercover a cattle hijacking operation.Well by any other name, it's rustling. And this is a modern day western so the Rangers are equipped with shortwave radios to aid in crime fighting and automobiles to supplement the horses.One line really disturbed me though. From the gitgo it's clear that Anthony Quinn playing Indian cowboy Joe Yuma who's involved with the rustlers. But he's dismissed as the possible big boss with the line, "no Indian could possibly be clever enough to be behind this operation." I'm sure Anthony Quinn with his mestizo heritage got a real charge out of that. Actually his character is quite shrewd and that line doesn't gibe with the plot at all.The supporting cast is classic, but this nothing to stay home on Saturday afternoon for.

rsoonsa To its credit, Paramount Pictures has rarely stinted on funding for its lower tier films as evidenced with this work that is meant to profit from the popularity of the 1936 MacMurray/Oakie picture TEXAS RANGERS, of which this is not a sequel. Far from having a conventional Western setting, the plot here is contemporaneous with the time of the film's release, with cattle rustlers employing motor vehicles and wireless communication, as do the Rangers who also trailer their mounts to their patrol sectors. By utilizing some of its better contract players as well as a raft of supporting actors whose home studio is Paramount, a product is developed that is fairly well balanced between the common cinematic classifications of romance, comedy and adventure. As Ellen Dangerfield (Ellen Drew) arrives at the enormous White Sage Ranch in Texas after being ten years away on the east coast, her grandmother's spread is being rustled of thousands of cattle, causing the elderly lady (May Robson) to request assistance from the Texas Rangers who have a nearby base, with Ranger Jim Kingston (John Howard) being assigned to the case in an undercover capacity that allows him as a ranch hand to woo as he may wish a not unwilling Ellen. With partner Mace (Broderick Crawford), Jim pinpoints a sophisticated rustling operation led by a local meatpacking company owner and abetted by traitorous lawbreakers from among White Sage cowboys. There is abundant action as Rangers and rustlers vie for survival, yet through it all humourous episodes occur that pleasantly colour the proceedings, with city-tarnished Ellen weakly trying to find cause why she should not respond to the aggressively amourous Kingston. The mentioned components of romance, comedy and adventure are not uniformly or consistently effective, not to fault a talented cast that serves well the screenplay, including Anthony Quinn, Akim Tamiroff, Robert Ryan, supporting performers Charles Lane, Edward Pawley, Joseph Crehan, with Western genre veterans such as Tom Tyler, Monte Blue, Jack Perrin and Eddie Acuff among a host of other worthies. Robson earns acting honours with her spirited performance while notice must be made of the stuntmen, who shine in this fast moving film shot in and near Mesa, Arizona, a blessing to Archie Stout, a cinematographer whose better work is logged outdoors, while Arthur Schmidt's clean editing and the familiar thematic scoring from the 1936 movie cap a satisfactory production that also is notable for its careful attention to continuity details.