The Third Secret

1964 "The Story of a Man Searching for a Killer Who Might Be Himself!"
6.5| 1h43m| en
Details

A prominent London psychologist seems to have taken his own life, causing stunned disbelief amongst his colleagues and patients. His teenage daughter refuses to believe it was suicide as this would go against all of the principles her father stood for, therefore she is convinced it was murder. She enlists the help of a former patient to try to get to the truth. However, the truth turns out to be both surprising and disturbing.

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Reviews

Diagonaldi Very well executed
Fluentiama Perfect cast and a good story
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Mehdi Hoffman There's a more than satisfactory amount of boom-boom in the movie's trim running time.
GManfred Does that sound redundant? It's not, you know. Think of all the 'mysteries' that show the murderer in the first few scenes ("The Big Clock", "Sleuth", etc.). "The Third Secret", on the other hand, waits until almost the last scene to reveal the murderer, which makes it a much more satisfying mystery.But what sets "The Third Secret" apart is an exceptionally well-written script with some of the most intelligent dialogue to come down the pike in years. What a refreshing departure from the current fare, loaded with f-bombs and other obscenities. This picture is written for grown-ups by a grown-up. Couple this with flawless performances from all concerned, and you have a picture worth at least a seven in our rating system.I can go no higher because this movie is a bit long-winded, with protracted scenes of very capable actors engaged in aforementioned dialogue to the point of tedium. You will, however, enjoy the overall premise - that the death of a well-known psychiatrist was a murder and not a suicide. Very cleverly handled with a twist ending. "The Third Secret" is well worth your time. It's just that it seems to last longer than it actually does.
film_butcher Just to elaborate on certain comments about Pamela Franklin; she was born in 1950, and 'The Third Secret' was made in 1964, which made her... 14. Not 18, although she may have seemed precociously mature for her age - but then, that's very much part of the fabric of the film. Her scenes with Boyd carry a sexual tension that film-makers and society in general were brave enough to confront at that time. Indeed, don't films from the 60s and 70s (until Star Wars brought serious cinema crashing down) seem terribly grown up? Although Charles Crichton was an Ealing man, his work here is more reminiscent of the Woodfall school of British realism, and light years away from his comedic timing in 'The Battle of the Sexes'. It's hard to deny that the dialogue gets a bit stodgy at times - a pity, since the screenplay contains a great many sly clues to the solution which can get lost amidst the psycho-babble. This was made at a time when much of the UK's cinema was in the hands of serious craftsmen and women - their films are exemplary lessons in thoughtful, considered cinema. However, in this case, fine technique fails to overcome a wordy screenplay, although it's a close-run thing.
Deusvolt Among murder thrillers involving psychopaths, I have more empathy for this movie than for the blood curdling Psycho of Hitchcock which elicits disgust rather than sympathy. Somehow, despite its somber black and white Zone 5 photography, The Third Secret seems romantic and not only because of the delicate vulnerability of the beautiful Catherine (portrayed by Franklin) and the caring gentlemanliness of Alex (Stephen Boyd) but also because of the tone and mood emanating from the locations and sets.It is a very quiet film with none of the scary music and jarring sound effects widely used in this genre. But the seemingly calm voices of the main characters somehow carry you along towards a crescendo of excitement and terror.If you liked Pamela Franklin as a little girl in the Innocents, you'll like her even better as a teenager in this film.It seems obvious that the murderer of Catherine's father, the psychiatrist, was one of his patients. But which one? Since he treated severely disturbed patients, most of them are likely suspects even Alex (Boyd). To discover the murderer, you must understand the nature of the third secret.And what is the third secret? Spoiler ahead: The first secret is the secret you share with others. The second secret is the secret you keep only to yourself. And the third secret? Well, that's the secret!
reve-2 One of the slowest, most plodding, and dreary movies that I have ever seen. No action at all unless you consider frequent lapses into hysterics by various characters as action. Skip this one folks. It's horrible and the ultimate conclusion is so obvious as this dull story inches along as to be painful to watch.