The Thirteenth Guest

1932 "BAFFLING! BREATHTAKING! CHILLS-THRILLS!"
5.7| 1h9m| en
Details

Thirteen years after a dinner party in which the thirteenth guest failed to arrive, the remaining guests are being murdered one by one, and their bodies being placed at the same dinner table in the appropriate seats they occupied thirteen years prior.

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Reviews

Linbeymusol Wonderful character development!
Comwayon A Disappointing Continuation
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Afouotos Although it has its amusing moments, in eneral the plot does not convince.
ksf-2 minor spoiler Ginger Rogers in one of her VERY early roles. She hadn't yet turned into the shrew that tormented Fred Astaire in all their dance films. Sound and picture quality are pretty rough, but as we see from the TRIVIA section, as it is now in public domain, anyone can make a (crappy) copy and sell it for profit. She arrives at a dark, dirty house, late at night, and finds an envelope marked "to be opened on Marie's 21st birthday". A shot rings out, and her taxi driver goes for the cops. The adventure begins. They bring in investigator Phil Winston (Lyle Talbot, in one of HIS early roles. ) We hear the history of the family and the house from the local policeman. I thought it was odd that even though they found the dead chick sitting in a chair, they knew right off that she had been electrocuted, in spite of the fact that the doctor says "enough to kill her but not enough to leave any marks." I would have thought that an autopsy would have necessary to find that... but I'm not a physician. The whole story revolves around a dinner party where they invited thirteen guests, but the thirteenth guest never showed up. Along the way, another girl shows up and looks JUST like the first girl found d-e-d dead. Not a bad film, but some things move pretty slowly. It's a Monogram shortie, at 69 minutes. Not bad who-dunnit, but a few cracks in the woodwork, so don't take it too seriously. And being pre-code, there are a couple naughty references in here if you pay attention.Directed by Albert Ray, a prolific actor, director, writer, who had started in silents, and moved into talkies. He died quite young at 46, but I haven't been able to find the cause of death.
wes-connors The DVD sleeve's synopsis offers a good preview: "A wealthy gentleman hosts a dinner party where he is going to reveal the heir to his fortune, in front of the thirteen guests attending the dinner. Unfortunately, only twelve people show up for dinner and the host dies before he can reveal the heir's identity. Years later, the host's daughter returns to her long boarded-up family home to discover someone is killing off the dinner guests, making everyone wonder who will be the next victim." In the opening scene, Ginger Rogers (as Marie Morgan and Lela)'s recollections introduce the "guests", and reveal something critical about the plot. Ms. Rogers and Lyle Talbot (as Phil Winston) make the cast look promising; but, the real attractions are James Eagles (as Harold "Bud" Morgan) and Eddie Phillips (as Thor Jensen), due to the matter-of-fact way their likely relationship is depicted. This, and the "you told me to tail her" joke, near the end, are better than this otherwise dreary version of a done-to-death plot.**** The Thirteenth Guest (8/9/32) Albert Ray ~ Ginger Rogers, Lyle Talbot, J. Farrell MacDonald, James Eagles
MARIO GAUCI Routine but likable 'old dark house' mystery thriller with numerous familiar but enjoyable trappings (a family reunion for the reading of a will is followed by multiple murders committed by a hooded figure). There's also comic relief from an inept policeman, while romantic interest for potential heiress Ginger Rogers is provided by the dashing detective on the case (Lyle Talbot); an interesting plot point involves a girl who undergoes plastic surgery in an attempt to replace Rogers. Unsurprisingly, the Alpha print is extremely poor but I'm glad I had this opportunity to watch the film. Director Ray and Rogers later collaborated on the similar A SHRIEK IN THE NIGHT (1933), which I watched a couple of years back (thanks to Michael Elliott).
MarcoAntonio1 Lovely young Ginger Rogers arrives at her long ago abandoned family manor on her twenty-first birthday to meet her lawyer so that she can find out about her inheritance. She finds out about foul play and murder instead! Obviously, someone in her family is trying to do away with her. But just who's trying to do it? Everyone is a suspect, including Rogers herself. Lyle Talbot is the private investigator who rounds up the entire family and tries to sort things out. J. Farrell MacDonald is the police sergeant who is confounded by it all. Paul Hurst is his nitwit sidekick. Everyone has some good lines and often the comebacks are hilarious. There's a part near the end of the film where Hurst's shoes are on the wrong feet, which is an absolute howl if you understand the reason why. Nice, creepy looking house is the perfect setting for pretty Rogers to be menaced in. There's plenty of cobwebs to contrast with Miss Rogers' who looks very cute in her costumes. Low-budget, but doesn't really seem to be because one gets involved in the puzzling mystery. You may have to see "The Thirteenth Guest" twice to fully understand it. It is a very intricate murder mystery which ultimately does make sense.