The Thirteenth Tale

2013
6.7| 1h30m| en
Details

Biographer Margaret Lea travels to the isolated rural mansion of the famous writer Vida Winter, who asks her to write her biography. Although initially she is reluctant, as Vida is known for constantly distorting the facts of her life, Margaret soon becomes fascinated with the story of a dark childhood, a disturbing tale that leads her to finally confront the traumas of her own past.

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Reviews

TrueJoshNight Truly Dreadful Film
pointyfilippa The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.
Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.
Yazmin Close shines in drama with strong language, adult themes.
lisletbear I love Gothic. I have been steadily reading my way through the back-catalogue of greats from Le Fanu through Poe, M R James to Will Self. I like not just to read and enjoy, but to carry a story with me forever. For that to happen the story has to get inside of me; it has to creep in slowly under my skin, and then shake me up from the inside. The Thirteenth tale does just that. From the off, the makers employ all the best Gothic themes in order to summon feeling; the grand but degenerate house,wildly baroque gardens,sense-memory flashbacks, costume, unheimlich twins. It adds to the tension with filmic techniques- the pared down narrative,filters, uncanny usage of colour,slow close-ups and misty long-shots. The result is pure feeling. For me, the feeling begins as mystery and a slow sense of disorientation and unreality, but develops through anxiety, into something unnameable strange and completely absorbing. This film is pure Gothic. I feel alarmed, I feel shaky. This film will live with me for a while yet.
paul2001sw-1 'The Thirteenth Tale', a new BBC drama, tells the story of madness in an upper class family. There's a twist in the tale, but finding a way to convey it critically maims the dramatic structure: the story is told, entirely in hindsight, in a way that kills engagement, promoting the mundane story of the telling into the foreground over the potentially more interesting story that's actually being told. One can also note that this is the sort of tale where, however neglected or crazy its young protagonists are supposed to be, they never fail to look anything but ravishing. I found it psychologically unconvincing and essentially dull.
l_rawjalaurence Based on a best-selling Gothic novel, THE THIRTEENTH TALE contains all the virtues characteristic of contemporary BBC drama; lavish locations with plenty of exterior shots, ornately decorated interior shots, 'mood' lighting designed to create a spooky atmosphere, and a cast of well- known actors given full opportunity to show off their creative talents. In this particular piece, aging novelist Viola Winter (Vanessa Redgrave) enlists the services of little-known writer Margaret Lea (Olivia Colman) to recount her autobiography, including her Viola's mysterious childhood when her family home (Anglefield House) burned to the ground. However Viola is herself a writer of fiction, so we never quite know whether what she recounts is 'the truth' or not (if the truth exists, of course). Christopher Hampton's screenplay allows for plenty of exchanges between the protagonists, as well as creating a 'hall-of- mirrors' like effect in which nothing is what it seems to be. However the narrative of THE THIRTEENTH TALE does tend to sag; like many BBC dramas, the director James Kent seems too much concerned to create atmosphere through music and location shooting (both interior and exterior), both of which tend to impede the progress of the plot. The denouement, when it comes, is both predictable and un-scary. One is left with the feeling that the story could have been far more effectively recounted in a sixty-minute slot.
michael-penn777 AN adaptation of the bestselling Gothic novel The Thirteenth Tale which was filmed in North Yorkshire is being screened tonight.Scenes for the production, adapted for the small screen by Oscar-winning screenwriter Christopher Hampton and starring Vanessa Redgrave and Olivia Colman, were filmed at Duncombe Park in the summer.The story follows ageing novelist Vida Winter (Redgrave), who enlists a young writer to finally tell the story of her life including her mysterious childhood spent in Angelfield House, which burned to the ground when she was a teenager.Superb location. I wish there were more films like this.Highly recommended viewing.10 out of 10