Karry Best movie of this year hands down!

Ensofter Overrated and overhyped

Mjeteconer Just perfect...

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

blanche-2 When vicious killer Arnold Kluger (Charles McGraw) and his pals escape from Folsom Prison, they go after the detective (Michael O'Shea) and the DA (Frank Conroy) who put Kluger in prison in the fist place.The two, plus a woman Kluger thinks ratted him out are holed up with the men in a desert shack where Kluger and his pals are to be picked up by another confederate, Anthony.Michael O'Shea plays a police officer who, with is wife, is awaiting the birth of their child. He's not supposed to be out on the street but to his wife's chagrin, he runs out when he learns of Kluger's escape, only to be captured by him. At first, Kluger makes him call in as if all is well.Virginia Grey is the woman Kluger thinks betrayed her, and she spends most of the movie screaming and crying to let her leave. Meanwhile the officer and DA are tied up in the next room after being taken to this out of the way cabin. Not looking good.Charles McGraw is dynamite in this film, incredibly mean, without one drop of human kindness. As someone on the board pointed out, people like this exist, making the story scarier. He's absolutely frightening because he's capable of anything.If you're a baby boomer, you'll recognize the voice of Inspector Henderson from Superman right away, Robert Shayne as Police Inspector Murphy. The man worked into his nineties but is probably best remembered as Henderson. The film was made in 1949, and most if not all of these actors wound up in television.Michael O'Shea was always likable, and he's no different here, playing a police detective who keeps his cool. Married to Virginia Mayo, the two did a lot of theater together, and after he retired he became a plainclothes CIA operative.Virginia Grey was a good actress and a lovely one, though this role called for her to be hysterical a good part of the time.This is a short film that packs a wallop - a real wallop. Very hard- hitting.

bkoganbing It's curious that I happened to see The Threat now as we in my area of Western New York are now in the wake of the killing of one and the capture of a second fugitive who broke prison. It was reported that one of them was just like Charles McGraw, known to have a grudge against the people who sent him to prison. McGraw would have been better off had he kept running as he's not only a mean customer, but a very shrewd one.McGraw busts out of the joint and he'll flee to Mexico, but first he's got a score to settle with detective Michael O'Shea and District Attorney Frank Conroy who put him in the joint. He captures both of them and also O'Shea's car equipped of course for police calls so he's keeping track of the manhunt. McGraw also takes his former girlfriend Virginia Grey by force because he's not sure if she didn't rat him out. And Grey can't convince him she didn't.The Threat is one no frills and never let up exciting short film about a manhunt for a dangerous man. McGraw who played a lot of mean hoods was never meaner and threatening than in The Threat.Robert Shayne also has a plum role as the police inspector coordinating the manhunt who doesn't know that O'Shea is a captive until almost the end. How he tips him off is something you have to see. Shayne is best remembered as Inspector Henderson on the Superman show and usually it was nothing more for him to do than take in the bad guys after Superman captures them. I'd like to think Shayne's role here was something that showed Henderson capable of real police work without Superman.The Threat is really top notch Charles McGraw and a top notch noir thriller.

dougdoepke Except for the light-hearted beginning and end, this is one hard-boiled cookie of a movie, (my apology to gourmets). Kluger (McGraw) may take hostages for criminal purposes, but the screenplay takes no prisoners. It's smart, tough, and efficient, another minor gem from RKO's golden post-war period. And who better to act out the gritty script than the jut-jawed McGraw, a role that fits him like a glove. And when he barks out orders to his underlings, I had to remind myself I wasn't included. If there were B-movie Oscars, which there should have been, he would be richly deserving.Anyhow, the plot manages to turn the familiar prison break fugitive into an exciting chase across California, replete with a number of clever touches and a few surprises from an unflinching camera. I also like Virginia Grey (Carol) who specialized in sad-eyed, soulful parts as she does here. Still, I'm not sure the movie did O'Shea's (Ray) career much good since he's definitely second fiddle to the all-dominating Mc Graw. Too bad the movie's so obscure, since it shows in spades the vigor of the B-movie at its purest level.

MCL1150 In my opinion, Charles McGraw is probably the best and best known actor of the post war / film noir genre. Sometimes he was one of the good guys, and sometimes one of the bad. In "The Threat", he's the baddest. Michael O'Shea and Virginia Grey get top billing, but compared to McGraw they're hardly even in the film at all. McGraw is clearly the star of this movie, and he's absolutely terrific as a no nonsense, cold blooded killer. Those piercing eyes of his go right through you. Just about as scary a movie criminal as there ever was. Scary because criminals like this actually do exist, and a great little film like this brings the audience enough into the movie that you can't help but think "what if I were kidnapped by a homicidal lunatic like this?" At 65 minutes, "The Threat" is a very tight film noir type crime drama filled with tension, and Charles McGraw is the center of picture. Great film and a great under rated actor with Charles McGraw. I've been a fan of his for years, and thanks to a recent run on TCM, I finally got to see what has to be his best starring role.