WillSushyMedia
This movie was so-so. It had it's moments, but wasn't the greatest.
SeeQuant
Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction
Payno
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Horst in Translation ([email protected])
This is "Die Drei von der Tankstelle" or "Three from the Gasoline Station", a 90-minute black-and-white sound film from 1930's Germany and I must say I am surprised that this one is much more known than most other comedy films from that time. The reason may be the inclusion of Heinz Rühmann, even if the story and list of cast members makes it obvious that Willy Fritsch was still a much bigger star in Germany at that point than Rühmann. 3 years before the Nazis came into power, we have a light operetta movie with lots of romance here. No hard feelings though and no serious drama either. They had the possibility to include that too, but I guess they wanted something light because the music parts and, of course, the lesson on friendship would not have worked so well otherwise.Then again, it did not work really well. The action does not make sense for the most part in my opinion and I was not impressed by any of the aspects of the film. There are a couple catchy songs, but overall the music is as forgettable as the comedy, the story and the acting. By some, it may be considered one of the best German comedy films, but in my opinion, it is far far away from such a title. I guess those who say so, just need to watch more German comedies. Rühmann himself rarely has the opportunity to show us what he is capable because otherwise we may forget that Fritsch (besides Harvey) is the star here. A fairly forgettable 90 minutes I must say. I was not really entertained well. I am a bit surprised to see the people who wrote/directed this one managed to have successful careers in Hollywood afterward. I guess they must have stepped things up later on, because here they really do not show us quality filmmaking. Thumbs down for "Die Drei von der Tankstelle". I don't recommend it.
John Johnson
I'm gonna start off with a little bit of a tangent. The scene where Lilian (Lilian Cossmann) to the gas station and meets the second attendant Kurt (Oskar Karlweis) is quite something. Kurt starts singing about how she's just a woman and needs a man with her. There's all these references to women and driving. On the one hand, he's trying to find an excuse to let him ride with her. On the other hand, it reminds me of this Schwachsinn in Saudi Arabia that denies women the right to drive. Now, Europe is being flooded with Muslim immigrants who apparently can't run their own country to go to a country that was more progressive than much of the Arab world is today about 80 years ago.And that's what so much of this early German really is - a relic. This is a rather silly, light-hearted comedy perfect for TMC with no moral or ethic implications and little connection to the reality of the day. Yet it is still studied because it was a very financially successful, early talkie. The dance scenes are fairly entertaining. Whenever the three men are together, it's funny and the lyrics are quite clever. However, such films seem typical of that escapism. It's no shocker that, in a world where people make such fluffy, good-for-nothing films, street battles and concentration camps would be the norm. So how do I reconcile the progressive situation of Weimar Germany with its predilection to mass murder? Well both the Muslim world and Nazi Germany engaged in it, but at least women could drive in one of them. It's the little things.
andrabem
"Die Drei von der Tankstelle" (Three Good Friends) is really a charming film. It was released in 1930, so I guess it was filmed in 1929. As the Great Crash happened in 24th October of that year and the crisis effects would only be felt in Europe some months later, I think the film was not an answer to the Great Depression (but it could as well be). Germany, anyway since the end of the First World War lived in a state of permanent crisis, but as we know crisis can many times stimulate the creativity - see the German Expressionism and see also, for instance, "Die Drei von der Tankstelle" - Yeah! Art is not just Murnau, Fritz Lang etc.., it can be represented by a musical comedy like "Die Drei von der Tankstelle" (Three from the Gasoline Station)."Die Drei von der Tankstelle" tells the story of three rich friends that suddenly lose everything they have (this tastes like Depression!), including house, furniture and all, and have to work for the first time in their lives. They open a gasoline station and meet a girl that will conquer their three hearts. This intrigue will challenge their friendship. This is the basis of the story that is punctuated by hilarious gags and musical numbers. This is really a feel-good film, that at the same time is very creative and funny. The actors look like they are having lots of fun.Highly recommended! I don't understand why this film is not mentioned together with other great musical films. And pay attention: This is not just another film with an indifferent plot sprinkled with musical numbers - music and plot work very well together and the result is this charming film. Go for it!
wlkrrch
Three good friends arrive home from vacation to discover they're bankrupt and the bailiff is about to strip their home of its contents. Left with just their car, they decide to open a gas station and it's then that they meet the lovely, blonde Lilian Cossmann - Lilian Harvey in one of her biggest hits. For such a very early talkie it's an astonishingly confident film, one of the first UFA 'operettas' yet with a contemporary, rather than period, setting. The Comedian Harmonists put in a guest spot as barbershop-style singing barmen, Olga Tschechowa appears in a supporting role and Werner Richard Heymann's marvelous music helps it all move along at a swift pace. This is a perennially popular Weimar-era German musical, and deservedly so.
