The Tomb

1986 "Her ancient fury sought its revenge... Their courage was our last hope!!"
3.4| 1h24m| en
Details

An Egyptian princess rises from the dead and goes to California for the amulets she needs.

Director

Producted By

Trans World Entertainment

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Reviews

Interesteg What makes it different from others?
Laikals The greatest movie ever made..!
Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
ozthegreatat42330 I remember reading a write up on this film, the standard fare put out by the promotions people. It sounded exciting, horrific, all the things I enjoy about a good mummy movie. Then I got the box home and knew I was in trouble. The cheesy art of the box cover was the first clue. It could just have easily been the cover for "Big Trouble in Little China" which was a much better film, but this was no comedy, at least not intentionally. To begin with the budget on this must have been all of a $1.85 with tax. Then there are the sets. The film was supposed to take place in Egypt, but the sets bore no resemblance whatever. Cameron Mitchell is no actor, no way, never been. I was especially disappointed to see aging horror star John Carradine and Sybil Danning in this as they are both usually in much better quality work. You can safely give this one a miss, unless you are a fan of "Plan 9 From Out Space." This is right down there with it.
gridsleep This is not the worst film ever made. I can't think of what that one is at the moment. I'll have to wait for my eyes to stop bleeding.Actually, there are two mildly redeeming factors. John Carradine, whose two minutes on screen probably comprised half the movie's budget, and Kitten Natividad dancing topless for about thirty seconds total. Yeah, that's it.Another line. Another line. Another line. Another line. Is that enough for that ridiculously arbitrary ten line rule? Apparently not. Let's keep adding pointless text until this so-called comment meets the minimum requirement for mindless bureaucratic self-aggrandizement. Some suit trying to qualify his or her paycheck came up with this rule, undoubtedly.
rstef1 Hack director Fred Olen Ray unleashed this loser back in the mid eighties. "Stars" Sybil Danning and John Carradine are in the film for about 5 minutes each, and Cameron Mitchell has the good sense to not show up until about 50 minutes in and then gets killed about 15 minutes later. It's for sure none of these actors listed this on their resumes. As for our lead, David O'Hara, well let's just say he shouldn't have quit his coaching job. And the second male lead, Richard Hench, who doesn't enter the film until it's half over, seems to be reading his lines from cue cards offscreen. At times he appears to be in a trance. Some of the furniture has more life in its performance than he does. Of course most of the blame falls squarely on the director's shoulders here. Olen Ray can't seem to pace a scene to save his life; they all just drag on and on with the actors taking long, I mean long, pauses between each line of dialog. You can just feel precious seconds of your life slipping away while waiting for them to complete their discussions. Naturally we need some pointless t & a to pad out an already stretched film, and plenty of go nowhere scenes that do nothing to advance the "plot". The best I can say for this garbage is that it is only 84 minutes long.Skip this film and watch the 1980 flick The Awakening, which covers pretty much the same ground. While not a great movie, it's worlds better than this dreck.
BaronBl00d ...And I don't really know if that is saying a lot either. The Tomb tells the story of some stupid robber in Egypt disrupting the sacred tomb of an Egyptian sorceress, dead and yet still alive. The guy sells the artifacts found in the tomb, and the mummy(wearing low-cut outfits, breasts popping out here and there, and speaking as though she was picked up off of Hollywood Boulevard) goes to Los Angelos to get them back so she can perform a ritual sacrifice and stay young. Alright, the story is not too good, but the film is entertaining. For one of Ray's films, the acting is better than usual. Some nice performances by horror veterans Cameron Mitchell(he does a real fine job) and John Carradine in his five minutes of film raise the film from being strictly mundane. Throw in some great music and lots of T & A(a Ray specialty it seems...he even has Kitten Nativadad as a stripper in one scene doing some entertaining back-breaking bouncing) for extra measure. Let's not forget Sybil Danning too. Yep, she is in the film in the first five minutes only in what can be described as nothing more than a throw-away cameo. Her presence seems to be totally unnecessary, although I really am not complaining. Sure this film is a cheap B movie, but what the heck. Fred Olen Ray is living a lifetime dream of creating movies. His affection for the horror genre is obvious when he makes a point of giving cameos and roles to the likes of Mitchell, Carradine, and in other movies Robert Quarry, Carroll Borland, Kirk Allyn, and many more. He is not hiring them for their billing potential. It is nonexistent except to people like me who like to remember those fond memories of another time. He hires them for his love of their work. He gives characters in his movie names like Howard Phillips(named for H. P. Lovecraft) and David Manners(the actor who starred in the original Mummy as the heroic lead). It is easy for me and others to denegrate his work, and I have in other reviews, but like them or not...I applaud the fact that he went out and made them. Kudos Mr. Ray!