Intcatinfo A Masterpiece!

GarnettTeenage The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

TrueHello Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Kinley This movie feels like it was made purely to piss off people who want good shows

Leofwine_draca The BBC have a long tradition of adapting literary ghost stories at Christmas time and THE TURN OF THE SCREW is their effort for 2009, yet another adaptation of the Henry James chiller condensed into a TV film running time. I wonder why they bothered? This is flimsy, light weight stuff, neither scary nor sufficiently interesting to capture the attention, and probably the worst ghost story they've ever made (at least until the much-tinkered O WHISTLE AND I'LL COME TO YOU featuring John Hurt came out).Perhaps fearing that the story has been done to death in the past, the scriptwriter updates the events to WWI, but for no reason – it alters the story in no way. Sadly, for a ghost story, there's no spookiness either, unless some lame flash cutting to supposedly frightening faces and figures is your idea of the utmost in terror. The mostly theatrical cast seem ill at east in front of the cameras, with the lead, Michelle Dockery, particularly unappealing as the fragile governess caught up in the sinister events. This feels low budget and lacking in the extreme, as if they got half a dozen cast members into an old house and filmed it quickly without much effort. To be frank, it's a real chore to sit through. Stick with THE INNOCENTS!

eddie_younis It is a great adaptation. It was the best of the two versions I have seen. It is very simple to understand and truly well made with a beautiful setting. I highly recommend it if you like a good and scary tale. Surprised why the other ratings were so low. I watched it at 6 a.m. in the morning, and it made my day. The actors are great. The ending was cool. The piano pieces in that movie were nice. The most attractive thing about this movie is simply the setting. The scary scenes were exciting and dark. I soundtrack is also great. It is a suspenseful movie which keeps you at the edge of your seat. I was very excited for the ending, and it did not disappoint me. I liked so much that I might read the book too. I think it would have been the best Christmas present in 2009.

srioux-42-436239 This filmed version of James' novella is a travesty. It begins with the conceit of the insane asylum, in which the Governess is an inmate, as if this were an acceptable or even clever way to evoke the issue of her questionable sanity. The shots and cuts seem to be meant to reinforce this simplistic kind of ambiguity, certainly with none of the subtlety of James' work, and sometimes even to opposite effects, and often garishly. For example, when the Governess first arrives at Bly, she is greeted by the staff. The camera pans over their faces and cuts to close-ups of especially sour-looking expressions in order to make us wonder whether this is really such a nice place, or perhaps that some of these unhappy people may wish her harm. To get at the latent sexuality of the text, this filmed version relies on a piece of lingerie, flashbacks of Quint atop Jessel in bed, and the Governess' fantasies of her and the uncle in various hackneyed romantic gestures. Mrs. Grose's rosy, innocent, and reliable sympathy with the Governess in the novel has been eradicated here and replaced with her somewhat cold rejection of the Governess' claims to have seen Quint and Jessel.There's more. The music has been expediently installed to cue the intended emotional responses. The dialogue and characterizations, with their overwrought emotion, are both anachronistic and unconvincing, and get worse as the film wears on, ending with the children's swearing at the Governess, a device that's just plain tacky, and Miles' pummeling Flora, slapping her face and calling her the b-word before he dunks her head into the water of the lake. This is how the filmmakers attempt to answer the question, What harm might Quint and Jessel intend for the children? Why, to make the children into likenesses of themselves of course! Hence, at the end, Miles kisses the Governess passionately, while the image of the actor who plays Quint is superimposed over him.It's not clear to me why so much of what's produced for television is so poorly done. If the producers and directors are dumbing their work down for wider audiences, then they ought to give us more credit. If they themselves are such poor interpreters of literature, then they should be given other projects, or discharged. Or haunted by Peter Quint and Miss Jessel, and Henry James himself!

TheLittleSongbird I like ghost stories as much as the next person. Turn of the Screw had all the components for at least a watchable 90 minutes, as its source material is so good, so suspenseful and so delightfully ambiguous. What a disappointment. Even on its own terms, Turn of the Screw was close to disastrous. In fact, the only redeeming quality was the excellent Sue Johnston, she is very believable as the sympathetic foil.If you want a great adaptation or film of the story/book, look no further than The Innocents with Deborah Kerr, a terrifying and unforgettable film that succeeds on its own merits too. This version of Turn of the Screw is a poor adaptation of the story, the atmosphere was empty and dull, also the ambiguity that made the story so unnerving is dumbed down. The dialogue is also very stilted, and doesn't flow very well from one scene to the next, while the story starts off well but becomes a series of disconnected scenes. The pace is another problem too, like the atmosphere it is uninteresting and profoundly empty.The production values didn't do much for me either. The photography was good, as was the scenery and house, but the costumes felt like they came from another period. The music is nothing memorable, probably the most memorable moment of sitting through this was my dad saying "somebody crucify those violins!" Though amusing at the time, I see his point, they were very shrill and overbearing. The acting was poor. Johnston was very good though, but Michelle Dockery no matter how hard she tries looks too modern and any genuine fright she tries to convey feels forced. The children fare no better, the characters are written so poorly that I had trouble engaging with them and their situation.So all in all, a big disappointment. Back in 2009, like the other reviewers here(all of whom I agree with completely), I was looking forward to this more than any other programme(even more so than Cranford and Poirot actually, to be honest both were much better too), but like 2010's Whistle and I'll Come to You it was the biggest disappointment of the festive season. 2/10 for Sue Johnston. Bethany Cox