Chatverock Takes itself way too seriously

Micransix Crappy film

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Scott LeBrun Hammer Studios put a unique spin on this classic story by Robert Louis Stevenson: Professor Henry Jekyll (Canadian born Paul Massie) is a homely schmuck working on proving that old theory about the duality of humankind. When he tests some experimental serum on himself, he transforms into the much more handsome and suave Edward Hyde. Unfortunately, he can't really control these transformations, and Hyde becomes the dominant personality more and more, and Hyde shows himself to be an effectively conniving and nasty individual.Sir Christopher Lee is great fun in a supporting role, playing Paul Allen, Jekylls' friend and a compulsive gambler. Paul has also been carrying on with Jekylls' wife Kitty (Dawn Addams) for quite some time. It's rare that Sir Christopher got a chance to be this funny, or to be so loose in a performance. Likable Massie is quite good in the two vastly different primary roles. He's so charming as Hyde that you can't help but like Hyde to some degree, until his ruthlessness comes out. It's similarly refreshing that the wife is not that loyal, or understanding, and the lovely Addams does a capable job. David Kossoff (as Jekylls' colleague Ernst), and Norma Marla (as the alluring exotic dancer Maria) offer excellent support. The physically imposing Francis De Wolff only comes in towards the end, not given much to do as a police inspector who picks up Hydes' trail. And keep an eye out for a very young Oliver Reed as a tough talking pimp!Hammer mainstay director Terence Fisher is in fine form, and the production design by Bernard Robinson is sumptuous, as you would expect after seeing his work on other Hammer horror films. The color photography just pops, and it's a treat that Hammer decided to shoot this in Megascope (a 2.35:1 aspect ratio). Screenwriter Wolf Mankowitz crafts an adaptation that is entertaining if ultimately light on horror elements. For one thing, we never seen an on screen transformation from Jekyll to Hyde, or vice versa. It's Massies' performance that sells those moments.Overall, not bad. Worth a look for Hammer fans.Seven out of 10.

utgard14 Hammer's take on Jekyll & Hyde. It's interesting, for sure, but not one of their better efforts. The most notable difference between this and earlier versions is that here Jekyll is the ugly one and Hyde is handsome. While that's a cute twist, I thought they went overboard on Jekyll's makeup. He looks like a caveman! Also a major part of the plot involves Jekyll's adulterous wife and her lover. While an interesting parting from previous versions where Jekyll's wife was a saint, it ultimately adds very little in my opinion. For a movie short on likable characters, it really hurts that these two play such an important part. The cast is solid. Paul Massie does a fine job as Jekyll, though even he can't overcome the caveman makeup issue. Christopher Lee, despite being the biggest name in the cast, is given the role of the wife's lover. He does a great job but I can't help but wonder how he might have handled the lead. Dawn Addams is good as the wife. Oliver Reed has a small part as what I believe was a pimp. It's not a bad movie by any stretch but lacking something. Well, several somethings. There is no one to root for and the ending just kind of sneaks up on you, to name two. Also, Terence Fisher's direction is a little dull. See it if you love Hammer but keep expectations low.

AaronCapenBanner Terence Fisher directed this Hammer studios version of the famous Robert Louis Stevenson novel that stars Paul Massie as both kindly(but bookish) scientist Henry Jekyll, and his wild(but evil) alternate Mr. Hyde. Jekyll has developed a serum he thinks will isolate the evil from people, but instead splits his personality, transforming the older bearded Henry to the younger and non-bearded Hyde, who does all the things Henry finds repugnant. Dawn Addams plays his disinterested wife Kitty, who is having an affair with his old friend Paul Allen(played by Christopher Lee) who introduces Hyde to the seamy side of London life, which will end in tragedy for all concerned... Underrated version has good performances by the leads(especially Massie) and fine direction and script. The Frederic March version is best, but this compares well.

Spikeopath Dr. Henry Jekyll (Paul Massie) has no life anymore, chained to his work and stuck in a loveless marriage to Kitty (Dawn Addams), he busy's himself working on a character altering potion. Firstly testing it on primates, Jekyll ignores the warnings from his friend Dr. Ernst Littauer (David Kossoff) and experiments on himself. The result brings out Jekyll's alter ego, Mr. Edward Hyde, a debonair gentlemen who holds within a sadistic dangerous streak. Hyde spells danger for anyone who gets too close to him, particularly Kitty, Jekyll's morally bankrupt friend Paul Allen (Christopher Lee) and more worryingly, Jekyll himself.The Two Faces of Dr. Jekyll is by Hammer Film Productions. It's directed by Terence Fisher and is adapted by Wolf Mankowitz from the famous story of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. Tho very much a middle tier offering from the house of Hammer, this version of the often told tale puts a different slant on things to make it unique and always interesting. Jekyll here is a bland and reclusive person, the people closest to him cheat on him and he is powerless to stop it. Contrast with Hyde, handsome and charming and able to take what he wants either by cunning or brute force. This was a deliberate shift from the normal by Fisher and Mankowitz, they didn't want Hyde as some furry half man beast frothing at the mouth, they sided with evil lurking behind a charming facade. It's also notable for its ending too. Where they had the courage of their convictions to stay with a differing formula.The problems come if one is searching for a horror film in the Hammer tradition. For although Hammer traits such as a smouldering sexiness hang over proceedings, the film is in truth lacking in terror. Something which is sure to annoy the horror purists. But if you can accept this as a more restrained psychological horror piece, one that deals in the duality of man, the pursuit of something more and the often treacherous nature of the human being, the rewards are there to be enjoyed. The cast are fine, Massie is competent without the ham, and Lee is elegantly vile to fit seamlessly into character. But the bonus is with a flame headed Dawn Addams who comes up with something more than the usual heaving bosom Hammer leading lady. The cast also features an early appearance from none other than Oliver Reed, suitably playing a night club pimp type bit of muscle. Shot in Megascope and Technicolor the film thankfully looks gorgeous and has transfered excellently on to DVD. With the sultry red lipped Addams and Jekyll's garden particularly benefiting from the pinging colours.A dam good story with wit and cautionary observations of the human condition, this isn't one for the blood and gore brigade. But it has many other qualities just waiting to be discovered by the more literary minded horror fan. 7/10