Reptileenbu Did you people see the same film I saw?

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

kerekesbalazs I think this movie is pretty useless. It does not give you any perspective on the revolution of 1956. The viewer does not get any idea on the background of the revolution. The film pretty much concentrates solely on the life of Imre Nagy, the prime minister of Hungary during the revolution. You cannot learn too much about him having watched the movie either, since it only shows brief, emotional clips about his life before 56. We do not learn how this man coped with the terrors of Stalin while he was living in Russia, and that he was an agent of Cheka the predecessor of KGB. The film also does not say anything about how many times Nagy withdrew his political opinion and corrected his former point of view under pressure from his comrades and the Party. All in all, until 56 Nagy was pretty much like any of his comrades from the communist party's elite, but strangely, in 56, even after the revolution had been crushed, he was not prepared to make another compromise, or even plead guilty which may have saved his life. This contrast in his personality that makes him interesting, but the film does not show any of these conflicts within Nagy's personality. Overall this movie does not provide too much information about the 1956 revolution, neither does it show Nagy's true personality, and how his view on communism evolved over his life, and worst of all it is quite boring as well.

swan75 This is a film like the Braveheart for the Scottish people. I like Márta Mészáros' films because she SAW those dark and dangerous times. If you've ever seen the films "NAPLÓ"(Diary) you know What do I try to say. Imre Nagy was a tragic person who was killed by the will of the Russian communist leaders and by the weak hungarian (also) communist crawlers. I think they had BIG dread from Imre Nagy because he had authority in Hungary, he had HEART for the nation and he was THE alternative for Hungary. The film show Imre Nagy last 2 and-a-half years from the eve of the Revolution to his dead. If you are not hungarian you must see the film to know that we are a little country with BIG righteous-feelings. We has heroes HEROES and one of these is Imre Nagy (I understand it because this film). If you are hungarian you MUST see because you are hungarian. Beautiful and painful film about the Revolution of '56 and about the leader of those victorious and glorious days. NÉZZÉTEK MEG! (SEE IT!)

isti06 I have just arrived home from the movie so the experience is very recent, but I still don't know what was the director's intention. It was too general to know Nagy Imre's life and too idealized to know the main character's real personality, tells you too few about the revolution of 1956. I had the feeling that Márta Mészáros wants to speak not only about this historical person's fate but also about others who were sentenced and killed after the revolution. But Nagy Imre is not a good sample for this as he was handled specially in the prison as the former prime minister. I think Jan Nowicki played great just like many others in this movie but you may find some very bad performances also. The picture is really beautiful and always match to the actual sequences which change very often and fast.

prsphne No question this film is visually beautiful, historically authentic and the theme itself is dealt with humanly and with much humility. Jan Nowicki was a truly authentic Nagy Imre and I guess he will be praised much for this role not only in Hungary. However, I find it quite sad that some of the dialogues were extremely constrained and artificial. Mácsai's part is totally unrealistic for instance, not to mention the parts of the grandchildren (brrr...). The whole project is so important to so many in Hungary that Mészáros Márta (an otherwise excellent director) should have had a little more attention in accuracy and authenticity in the dialogues as well. (My feeling is that Jancsó shouldn't have been allowed close to the script.)