Boobirt Stylish but barely mediocre overall

Ameriatch One of the best films i have seen

MonsterPerfect Good idea lost in the noise

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

johndu-78390 But a film masquerading as horror on Netflix? That I pay for? It's almost as though students had been tasked to work out how horror films makers perform jump scares and other clichés.Really poor, predictable, terrible acting, the lead character (male) one of the most unlikeable characters I've come across since James Corden.Absolutely nothing of any merit to write about and certainly nothing original other than the nuclear war theme which doesn't really have a huge bearing on the film as a whole.How this made its way onto Netflix is beyond me.

zombie-32 On the safe side I have added the spoiler tag. But if you have already seen this film then you already know it has passed it's use by date and has spoiled. This is the film version of that bottle of milk that became lost in the car in early spring only to be found in late summer then for some unholy reason opened to "see how bad it really is"It is interesting that so many of the 8+ star reviews have reviewed only this movie.This is a low budget film but being one should not stop it from being a well made film as many iconic or cult films have been made on a shoestring budget or even less. This film is neither iconic or a cult filmIgnoring that lets explore this train wreck of a movieSetting: The movie is set in contemporary rural England and from the radio we know that there is a heavy cold war on that is looking to go hot.The problem with this "found footage" genre is that unless it is very well written you know that the main character are dead. There is no explanation over how the footage is found. This is not a well written script.Characters: Overall they are like extras with likes of dialogue. Anonymous, bland, not memorable. I do not even have a reason to dislike them which would have given me a reason to remember them.Dialogue: Of what could be heard of this was in the finer moments bad but most of the time it settles for bland to badAudio: Highly inconsistent varying from easily heard to a background mumble in most cases this actually improved the film as this means one did not have to suffer the dialogueActing: This movie is far from alone where you see actors struggling to spin gold out of chaff. a average scrip would have gotten a better performance.Script/Story: Aside from some random good ideas the script and story is bland and pedestrian and are interchangeable with any number of similarly bland "found footage film". The troupes in the characters and story are both common and predictable with the exception of one character I was able to predict every character's demiseLocations: The locations were solid and well chosen and suited the story wellSpecial effects: Of what you could see this was fairly basic and having the video footage bleed of colours looks and feels like this was done to cover the poor/cheap effects. I would say that it looks like the special effects were done on a home computer but I have seen movies where the director used his home computer the make the computer effects and despite it was made several years ago it still looks better then the effects in this filmOverall: A generally bland, forgettable film. It is not bad enough to get a following from us that like the bad movie and is certainly not good enough to be popular.Watch at own risk

Paolo-15 The Unfolding is part of the second wave of Frighfest's video-on- demand releases, and along with the other British film The Lesson, are much more interesting choices than the first wave.The Unfolding is a haunted house story, told via surveillance cameras and camcorders. Yes the concept may not be original, but everything else in this film is of the highest quality. From the opening sequence which has you peering into the mist to try and see the black dog, you know you are in the hands of a team of competent film-makers.There is no annoying shaky camera stuff here. The well framed shots and monochrome texture evokes the infra-red haunted house photographs of Simon Marsden. But it's the sound design that is especially effective – creating the eerie atmosphere of muffled cries and barely audible whispers and then to deliver the film's several jump-out-your-seat scares.It all sets the stage for a really big finale – which will have you catching your breath.

jayloizou I love the horror genre. I especially love that it has made something of a resurgence over the past decade. Horror is smart, artistic and very much maligned by film academia. For almost 20 years horror genre lovers were left out in the cold by the movie industry and the genre has finally been given the place it deserves (at the top of the list for ratings, box office, artistry and innovation). With such a resurgence comes the ability for first time movie makers and those working to small budgets the opportunity to delve into the genre's murky waters and get their feet wet. These small budget horrors should receive plaudits not just because the work is of interest but because the struggle from concept to screen is extraordinary and arduous. The Unfolding is one of those movies. You can tell from the very opening sequence to its very dying breath that this movie was a labour of love. It brought together a cast of unknowns (in every field) and created a piece of work that stands up against its multi-million dollar counterparts and in some instances outshines them. As with all good horror movies the score is everything and The Unfolding's score is magnificent and becomes a character in its own right. The imagery, performances and direction are also to be commended and as an initial foray into the genre Eugene McGing should be especially applauded. I don't scare very easily but there were moments during this movie that were genuinely chilling.