Protraph Lack of good storyline.

MoPoshy Absolutely brilliant

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

morrison-dylan-fan Taking a look at a Shout Factory boxset that a family friend had picked up,I was happy to spot a title with Claudia Jennings,which led to me getting set to put on his skates and catch a glimpse of Jennings for the first time.The plot:Leaving her job behind, Karen Walker goes to join a roller-derby team.Displaying a dazzling charisma from her debut match,the manager decides to make Walker the star player.Due to roller-derby being a pre-determined sport,Walker is told that she must talk to her fellow teammates and the rival players about all the moves that she has planned.Enjoying the attention that she is getting from the fans,Walker begins improvising moves and attacks on the track,which leads to the team starting to roll away from Walker.View on the film:Rolling across the screen,the gorgeous Claudia Jennings gives a very good performance as Walker,who Jennings crosses a mix of sexy frolics (which gives her the chance to appear naked)with a joyfully rebellious streak,as a wide smile is cast across Jennings face every time she ignores her teammates wishes.Offering Martin Scorsese an early credit as a supervising editor,co-writer/(along with Howard R. Cohen) director Vernon Zimmerman & cinematographer Michael Shea push the viewer into the middle of the matches,as first person tracking shots allow the viewer to feel every roll and shove on the track,as Walker reveals herself to be an unholy roller.

sonya90028 Unholy Rollers is an action-packed drama, spotlighting the sport of Roller Derby. When this film was released in 1972, Roller Derby was at the zenith of it's popularity with the public. Be forewarned, this definitely doesn't qualify as a P.C. movie, by any means. Like most B movies from the 70s, it's chocked full of stereotypical characters; lecherous male chauvinist pigs, dumb blond women, a lust-crazed lesbian, negligent store clerks, etc.The film has B movie queen Claudia Jennings in the starring role, as Karen Walker. Karen is a gorgeous, buxom young woman, working at a dull job in a cat food cannery. For fun, Karen loves going to see her favorite local Roller Derby team, the LA Avengers. Meanwhile, Karen gets tired of fending-off the unwanted sexual harassment, of her sleazy supervisor. Fed-up, she throws a can of cat food in his face, then quits in disgust. Without any other job prospects lined-up, Karen decides to try out for the LA Avengers team. Karen makes the team, then reports to the team doctor, for her physical. The doctor turns-out to be mainly interested in ogling Karen's bod, after she strips-down to her undies for the physical. The doc gives Karen a clean bill-of-health. She then gets her Avenger uniform, and reports to the rink for her first game.Karen gets off to a rip-roaring start, during her first game as an Avenger. She displays lots of colorful showmanship. The team Owner, Mr. Stern, likes Karen's skating style. In the locker room after the game though, Karen's teammates caution her to skate according to the team rules. The Avenger's star skater, Mickey Martinez, gleefully teases Karen about her skirt that she wears. Mickey eggs-on the others, including the team's coach, to join in. Karen takes offense. But she's told by another teammate, Jennifer, not to take it seriously. Jennifer then invites Karen to join the rest of the team, for drinks at a local seedy bar. Wanting to be accepted by the others, Karen goes along. Once at the bar, Karen is approached by Mickey again. Mickey is the lesbian character, and she makes amorous advances towards Karen. Karen gets belligerent with Mickey, telling Mickey to get lost. Feeling insulted, Mickey wants to 'teach Karen a lesson'. So, Mickey and some of the other Avengers, pin Karen to a pool table, tearing off all of her clothes. Naked and furious, Karen gives them all a brutal tongue-lashing. Especially Mickey, who she vows to get even with. With vengeance, and a thirst for fame driving her, Karen quickly rises to the top of the Avengers team roster. Karen even beats Mickey's scoring record, eclipsing Mickey to become the Avenger's new number one skater. But fame and glory go to Karen's head. She refuses to be a team player, or follow orders by the team's Owner. Soon, Karen is headed for a fall. And she learns the hard way that, star or not, she's as expendable as any other skater in the league.This film is jam-packed with lots of flashy skating footage, ribald humor, violent fights on the track, and an overall sense of raunchy debauchery. The bitter rivalry between Karen and Mickey, is the meatiest plot-line in the film. There's just not much else about the movie, that holds the viewer's interest.Claudia Jennings performance as Karen Walker, is brilliant. Claudia had a wholesome, all-American cheerleader kind of beauty. Yet she manages to make the violent, ruffian qualities of Karen Walker completely believable.Betty Anne Rees, was the perfect choice to play Karen's nemesis, Mickey Martinez. Betty was born with the face of a villain. It has lots of severe, razor-sharp angles, and looks like an abscessed tooth feels-painfully evil.Unholy rollers is wild roller-coaster ride, through the rough-and-tumble world of 70s Roller Derby. It's destined to go down in history, as one of the biggest cult B movies, of all time. It's a must-see, for any 70s B movie fan.

Woodyanders The late, great, sorely missed Claudia Jennings, the one and only breath-takingly beauteous blonde goddess of deliciously down'n'dirty 70's drive-in cinema, is in typically perky, savvy, sexy and splendidly resilient form as Karen Walker, a feisty, recalcitrant former factory worker who becomes an especially tough, ruthless, fearsome and hugely popular roller derby star, greatly adored by fans and vehemently despised by her fellow roller derby players (said players include members of her own team!). Alas, Karen's time in the spotlight proves to be fleeting, due equally to her soon out-of-control over-sized ego and the loutish blue collar audience's unreliably fickle taste for flash-in-the-pan heroines.An authentically grubby'n'grungy grind-house slice-of-rowdy-lowlife character study centering on a terrifically trashy sports phenomenon that was immensely faddish in the early 70's, "Unholy Rollers" sure hits the righteously roughhouse dirtball spot, thanks to Claudia's raw charisma, commanding screen presence and undeniable smoking hot pulchritude. Vernon Zimmerman's fast, spiffy direction, working from a funny, nicely eventful and suitably lowbrow script by veteran schlock movie scribe Howard Cohen (who also wrote such choice cheese as "Deathstalker" and "Space Raiders" for Roger Corman), keeps the picture hopping along at a quick, breezy clip, capturing the funky working class milieu in affectionately vivid detail while still delivering satisfyingly ample amounts of sex, nudity, violence (the dynamic roller derby sequences seriously smoke, going all out with dirty body checks, illegal kicks and punches, volatile umpire and manager brawls, and a truly wild'n'raucous anything-goes gut-busting riot ending -- y'know, the whole gnarly nine yards, baby), and raunchy humor. The top-rate B-movie cast includes luscious blonde 70's exploitation flick perennial Roberta Collins as nasty rival Jennifer, the adorable Candice Roman of "The Big Bird Cage" as Claudia's endearingly ditsy stripper best friend Donna, "Macon County Line" 's Alan Vint as Donna's dim-bulb beau Greg, Jerry Lewis film regular Kathleen Freeman as Claudia's gruff, hard-nosed trailer park white-trash mother, and tough guy character actor Vic Argo in a really amusing bit as Vinnie the trainer. Executive produced by Roger Corman, with sharp, fluid editing by Martin Scorsese and a nifty, jazzy, junky score by Bobby Hart, "Unholy Rollers" makes the grade with flying gaudy colors as a simply super serving of wonderfully wacky'n'tacky 70's exploitation sleaze at its most sensationally snappy and exuberant.

Nick Zbu ..as in 'bad fashions,' 'bad hairdos,' and just plain old tackiness.The movie isn't really interesting. A woman who is being harassed by her employer (even through she's annoying as hell) and goes into the rollerderby. Despite the fact that all her teammates hate her, she somehow succeeds by her viciousness alone and spends the latter half of the movie beating down her opposition and getting beaten in return. At the end, she just goes around beating the hell out of people, shows her tattoo for some reason, and all this nonsense ends.It was basically the last half of a drive-in triple feature and it shows. Nudity is sparse, violence is all around, and the movie tries to be gritty but only succeeds in being extremely goofy and annoying. There is no real plot and nobody will care at the end. I have a feeling this was designed to GET people out of the theater or to give teens in the '70s extra time to makeout or get their clothes on before the drive-in closed.Be warned. It's a long ride to nowhere.