Tetrady
not as good as all the hype
CrawlerChunky
In truth, there is barely enough story here to make a film.
Dirtylogy
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Kaydan Christian
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Richard Dominguez
Paula Parkins is the teenage daughter of wealthy parents whom don't seem to make time for her, so she looks for thrills as the leader of her all girl gang who steal, rob, and rape a young man ...From The Mind Of The Great Movie Maker Ed Wood (Writer Of This Movie, This Time He Was Not The Director) Comes The Story Of "Girls Gone Wild" (No Not That Girls Gone Wild) ... I Don't Imagine That The Movie Is That Far Off The Truth About How These Things Happen ... The Movie Does A Good Job Of Presenting The Violence And The Tragedy Of Being "In The Life" ... The Acting Is About As Good As Any Association With An Ed Wood Movie Can Be Expected To Be ...
Lechuguilla
In what is yet another bad juvenile delinquent movie from the moralistic 1950s, four "teenage" girls rob a gas station, erase a classroom chalkboard, and do other vile things. The four females are all miscast. They're too old to be teenagers. The main "girl", Paula, is 18 years old. But the role is given to an "actress" who looks more like she's in her thirties.The film's sets are cheap looking. Dialogue is horrible. There's no subtext at all. Characters say exactly what they're thinking, which renders a production reminiscent of a high school play. Overall acting is amateurish. None of these people have any talent. They mouth the words without conviction or credibility. B&W lighting is conventional but tolerable.With speech after speech about right and wrong, the worst element of the film is the ending, as a judge hits us over the head with a moralistic sledgehammer. He starts out by blasting a teenager: "...this thrill seeking became the one great thing in your life, piling one thrill on another until, with ever increasing intensity, you became much like the drug addict, with his continual increases of dosage ..." As the actor playing the judge continually looks down at a paper, which is probably the film's script, he slogs on: "... to kill for the love of killing, to kill for a thrill". The judge's sermon to the teenager goes on for several more minutes.But the judge isn't through yet. Later, he gives another sermon, this time to the parents: "No child is inherently bad. He's made what he is by his upbringing and his surrounding. Adults create the world children live in". (I didn't know that! hehehehe) "And in this process, parents play the key role. When children grow up among adults who refuse to recognize anything that is fine and good or worthy of respect, it's no wonder that ..." Yawn! The film "credits" show that the infamous Ed Wood, Jr. was the scriptwriter. No wonder the script is horrible.There are unintentionally funnier films out there than "The Violent Years". But the film still provides a good lesson for young filmmakers about what to do, and especially what not to do, when making a cheap movie.
knucklebreather
The 1950s were awash with movies warning about the dangers of spoiled teenagers becoming juvenile delinquents and wreaking havoc on society. Although they inherently verged on exploitation of the audience's desire to see girls being bad, they were supposedly serious and undoubtedly did reflect real concerns people had, however muddled their transition to the conventions of 1950s film-making was."The Violent Years" shows one of the worst examples of the trend. Here, we see lower-class male criminals (what people really feared) represented as upper-class females on screen, creating an absurd and utterly implausible plot. The delinquent teenager movies of the 1950s always played on the fear that one small mistake, one step away from conformity, would lock a youth into an inescapable path toward total moral ruin and life in prison. The motivation for this belief was undoubtedly fear of communism in the 1950s, with the idea being that if we veered away from being good Americans we'd lose the cold war, but "The Violent Years" makes the ludicrous connection much more blatantly than any other film I've seen. The film inadvertently shows how silly a lot of the fears of communist plots were: the viewer is asked to take seriously the idea that international communism is hiring upper class schoolgirls to break into their classrooms and destroy American flags."The Violent Years" is riddled with implausible characters and situations, broken only by a monumentally boring, laughably moralistic speech by the judge about how following the 10 Commandments will solve everything.If you want to watch a genuinely good 1950s juvenile delinquent moral panic movie, check out "Caged" (1950). If you want a laugh, try "The Violent Years", but make sure it's the MST3K version, otherwise you'll probably be bored to tears.
stormofwar
Written by Ed Wood of Plan 9 fame, this film centers on a group of girls who run around doing all sorts of criminal shenanigans. The problem is the film is just...boring. Honestly, I got more entertainment out of watching fish then this film.I supposed it was some 50's psycho-drama, but the film opens in one of the worst ways possible. Basically, a very small court room where parents are being a judge who looks oddly like Commissioner Gordon from the Batman comic franchise. From there, it recaps the whole story as one giant flashback, including one of the girls getting impregnated via raping a man (this does happen, but on the whole treated in a very "meh" fashion). Two of the gang die and no one cares, some other stuff happens, and end story.Truth is, the basic technical aspects are good, but they are drowned out by the bad acting, bad script, and bland feeling that makes it seem everyone had other things they'd rather be doing.Going forward, there are worse films from multiple stand points, but otherwise, this does just fall flat. Nothing overly glaring, no outstanding rampaging plot holes, no real issues with production. Just all in all, boring.3/10 stars. There are worse, but avoid this film unless you are drunk and like "bad girls"