Karry Best movie of this year hands down!

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

TheLittleSongbird Anthony Trollope's 'The Way We Live Now' is a masterful, though long, book, with many richly drawn complex characters, the stories of the characters fully developed and fascinating, delicious satire and having much to say on various topical matters.Taking this mini-series as an adaptation, it is not hard to see why it would disappoint. It's very condensed and also exaggerated, and it's also not as rich with not quite enough of the topical matters of the time explored in depth. The characters are still interesting (characters driven by greed preparing for a heavy hall which happens) and entertaining and the story fully absorbing with the subplots nicely fleshed out, just that it pales in comparison to the book.In all honesty however, because of being so heavy and rich in detail and for its length, the book is very difficult to adapt (almost as difficult to adapt as Stephen King, Fyodor Dostoevsky and Leo Tolstoy) and, regardless of how disappointing it is in comparison, the 'The Way We Live Now' mini-series does laudably and is a solid and even very good to great mini-series on its own.Of course there are things that stop it from living up to its even stronger potential, and forgive me if the flaws that have been covered in previous reviews are repeated (or shall we say somewhat parroted). Those flaws are the ending and two miscasts, while the many strengths far outweigh them they are big and jarring enough to not ignore. The ending is rushed and doesn't feel that well rounded off.Cillian Murphy has shown considerable talent over the years, but here he's too delicate-looking, too young and rather effeminate and earnest. He doesn't convince as an engineer and doesn't fit the period either. Miranda Otto is strange and not in a good way. She plays her already pretty dumbed down character as a broad and annoying caricature and even more painfully attempts a Southern accent (and badly doesn't describe it, it's one of the all-time worst attempts at an accent to me) that sounds so overdone and so obviously fake with a bored-sounding drawl to match.Luckily the rest of the cast more than make up for them. David Suchet dominates, playing a loathsome yet still fascinating character to gleeful perfection, a contender for his best non-Poirot performance. Shirley Henderson plays her emotional-roller-coaster-filled character very passionately and movingly, and Matthew MacFadyen is clearly enjoying himself as a cad but brings enough charm to make one believe how easy he is to fall for.Douglas Hodge gives his very conflicted role a real humanity and Paloma Baeza has a slightly underwritten character but plays her with plenty of fire and intensity. Anne Marie Duff allows one to sympathise with her while also reminding us of how she is no much better than those who have shunned her, while Jim Carter brings much joy in a wonderful performance that has gone under-appreciated. Allan Corduner is spirited though a little more wit wouldn't go amiss and Cheryl Campbell is her usual dependable self.'The Way We Live Now' looks fantastic, with evocative scenery, interiors, buildings and costumes that are striking on the eyes all captured perfectly by photography that is both atmospheric and luminous. The music score could not have been a better fit and also a fine score on its own, while there are some delicious bits of humour in the script with the satirical elements sharp and gleefully exaggerated at times and leaving enough room for insight. The storytelling is absorbing and compelling throughout the length, everything being easy to follow without being simplistic or over-complicated, and the characters are intriguing and enjoyable if with more meat to them in the source material.Overall, very good mini-series that had the potential of being even stronger. 8/10 Bethany Cox

selffamily I fell across the DVD of this purely accidentally when I was perusing the shelves in our little country library. What a masterpiece! Love Trollope, but haven't read this one yet, so that is a joy in store. I was glued to this - hardly found the energy to go to my day job - and was very rude to anyone who tried to interrupt me. David Suchet is a wonderful actor, as are many of the cast. So nice to see so many of the quality British actors who don't appear in every UK movie to emerge. The mangled accent of Mrs Hertle have been abused enough, let's just say she didn't quite make it. And the Miller won his lass! It was fascinating to see the issues and prejudices of the era handled and brought out into the open, and the ravings of the desperate Melmutte at the end could almost make you sorry for the monster that he was. Ably executed, horribly addictive, and a total pleasure.Since this review, I have read the book. What a disappointment the DVD is by comparison - obviously the book is nearly 800 pages, so one was expecting cuts, less characters etc, but why was Paul Montague sent to Mexico when he never went in the book, and Ruby Ruggles!! She never did THAT in the book either - and was living with her grandfather, not her father. I understand certain changes, but my argument with major changes is why use the book at all if you wish to write your own story? A great pity, because this is an excellent production which must have been aimed that those who would never read Trollope.

John Oliver The first rate sets, costumes and acting provide a lovely context for this complex web of love stories. Here are several love triangles that intersect and overlap.The plot lines took twists and turns like many great novels.From these hours a fascinating drama the various facets of human love were explored and exposed. Is it any wonder that romance can never fit nicely in any box? To marry for love or money and to marry with or without the blessing of parents are old themes that are explored effectively.Power, sex and romance are as powerful today as they have been anytime in history. And that makes the title of this movie all the more important.

hshowe Not as boring as the James adaptations, first rate performances with the usual aristos pretending money isn't everything, and the promise of America shimmering on the horizon. Cillian Murphy and Miranda Otto both have their stardoms explained by these roles, as does Matthew Mcfadyen posing as a "waster". Shirley Henderson does a great job gluing you to the screen, what will she do, the daughter of a wealthy Jew one day, the disgraced orphan the next. This movie does a really fantastic job showing what Historical London of the period must have been like. The "Jewish problem" is worked on a little bit, and also the promise of the great tycoon fortunes to be made in America. Don't miss the big dinner seen- wow everything is actually laid out on the table.