Interesteg What makes it different from others?

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Cody One of the best movies of the year! Incredible from the beginning to the end.

Rainey Dawn Another middle of the road film: not good, not bad. It's just more or less the viewing or peering into a few days of a life of a sad, half crazy little old lady. She sees things and likes to fantasize about being rich. And yes she discovers lots of money her son stole, now believing her fantasy's will come true.It does have some great scenes of her and sometimes really good cinematography but that's really about it. It's a story with no real focus, no real direction - it just is. Seems to be a bit of an artsy piece and that's about it.Minus all the money she find, I think this is me in a few more years... a sad, lonely, half-crazy, poor little old lady living alone. Maybe that is the point of the film - don't end up this way, instead find lots of money to be happy at least(?)! lol.5/10

brainfood-1 There are many goo reasons to watch this gritty, incredibly depressing and yet rewarding film, but the biggest thrill for me was the unexpected cameo by Leonard Rossiter. As someone who watched "The Fall and Rise of Reginald Perrin" as a young teen (which had a huge impact on me) and who thinks Leonard was a one-of-a-kind actor, one of those rare performers who is so unique he cannot be imitated or duplicated, any glimpse of him performing different kinds of roles is always a treat to come across. It's great to see him playing a bit part here, completely convincing (as always) and without a hint of humor, again showing he was just an incredible actor first, who later became known for being a truly exceptional comedic performer with such characters as Rigsby the landlord in Rising Damp. If you are a fan, it's great to get a glimpse of him from 1967.

Martin Bradley This may be the bleakest of all the 'kitchen sink' movies, (it is unremittingly gloomy) and Bryan Forbes' picture of the British Welfare State in the 1960's has an almost Dickensian feel to it. But then Forbes always seemed to work better with subjects which didn't lend themselves to levity.It's the story of Mrs Ross, a pensioner living on her own and beset by the voices one hears when one is so lonely and in the part Edith Evans is quite magnificent. If you think Evans too patrician for the part of an old woman living in a working class district of an industrial, mostly derelict and rain-sodden city, she does point out that 'she married beneath her' and since she is hardly ever off the screen this is a real tour-de-force, (and she was nominated for the Oscar for it as well as winning a whole slew of other awards). There are also first-rate supporting performances from the wonderful Avis Bunnage and the always consistently reliable Gerald Sim and Eric Portman, terrific as her errand husband). Unfortunately the film's sub-plots involving stolen money and some gangsters seems superfluous and gives the film a somewhat melodramatic air and its down-beat mood meant it was never a popular success and it is hardly ever revived. But seek it out, all the same; it is certainly worth seeing.

eunicem Dame Edith Evans, one of the British theater's greatest actresses of the first half of the twentieth century, gives a brilliant performance as a lonely old lady existing in seedy rented rooms in a grimy industrial town while scraping by on National Assistance. This film should be shown to everyone on their first day of work, before they fill out their tax deferred pension withholdings. If ever there was a good lesson for putting something away for one's old age, it is this film. It is a horror story of "This is what's going to happen to you if you don't start putting something aside for your old age."Mrs. Ross lives alone in poverty despite a family of sorts, a work-shy husband who deserted her and a son who only comes by to hide stolen loot while pretending to visit. Her rooms are a disorderly clutter of books, old newspapers, glass bottles and anything she doesn't want to throw away. Her endless days are filled with visits to the local library reading room, to keep warm; the local mission church; the police station, to complain about the neighbors; and the social security office, to beg for more public assistance; which is doled out a few shillings at a time. To escape this grim reality Mrs. Ross builds a fantasy world not unlike Luis in "Kiss of the Spider Woman". She exists in her fantasy of a privileged upbringing as the daughter of a Bishop, living in a palace, and watching the white gloved dancers at a ball. She awaits the settling of her fantasy father's estate and the fortune from the family cattle business. When she finds stolen money hidden by her shiftless son during a quick visit, she believes that her ship has finally come home and her fantasies are reality. It is not long before the vulnerable old lady is "befriended" and robbed by a steely eyed con woman, and dumped in an alley near her home. Although the welfare people do all they can to get her back on her feet and her husband to take care of her, by the film's end she has come full circle and has resumed her daily routine and her fantasy world.Dame Edith, who was the original "St. Joan" on stage in the 1920's, and for whom Shaw wrote "The Millionairess" is rarely off the screen and gives a faultless performance in what could otherwise be a very depressing film about poverty and loneliness. Where at first you sympathise with the old lady who has come down in the world and is now living in genteel poverty, you come to understand that she never went up in the first place, the only genteel world she ever inhabited was in her mind, and that is where she now resides.As for an acting tour de force, just watching the way Dame Edith conveys the lowly origins of Mrs. Ross without words, as in the way she eats - out of tins - lifting large slices of bread to her mouth (where they fall apart) rather than cutting the slice to small manageable portions, licking her fingers, reading at the table - all the things considered to be bad manners. The way she conveys old tired poverty, by slipping off her shoes in the library to warm her feet on the hot pipes, is a lesson in technique that all aspiring actors should take note of. You know as you watch her slowly make her way down the cobbled streets carrying her large tote bag that this pathetic old lady is a prime target for a mugging, or a slip and fall. I would recommend this film to anyone who wants to study great acting and to those who are concerned with the plight of the elderly.