BoardChiri Bad Acting and worse Bad Screenplay

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

binapiraeus This unusual Film Noir (the only one ever to be made into a whole series of films) certainly catches the sinister atmosphere of its genre, both visually with very well done shadow effects and the adequate 'cheap' harbor surroundings of a B movie, and thematically, using a lot of psychology which doesn't fail to have its effects, neither on the protagonists nor on the audience - but just a little bit of an overdose of the belief in 'destiny'...Whose destiny is it to live or to die? Who has a 'right' to live or to die? Questions like these are maybe somehow out of place in a Film Noir - because they've got too much to do with morality. The Noir world (at least that of the 40s) is usually quite immoral (see "The Maltese Falcon", "The Shanghai Gesture", "Gilda"); and it's not always the good ones who get away - that's the cynical Noir philosophy...But anyway, "The Whistler" still remains an enormously suspenseful film with a very capable cast and direction; and a 'must' for every fan of classic crime.

gridoon2018 The first entry in the little-known today "Whistler" series is an atmospheric and intriguing little thriller that keeps you watching because you never know what will happen next. However, I think it missed an opportunity of being even better by not keeping the killer's face hidden from the audience for a longer time: the scene where Dix mistakes a phone repairman for his executioner creates a terrific feeling of paranoia that, after the killer goes from a voice and a shadow to a visible face, the film cannot quite recapture. Also, the striking Joan Woodbury's role is far too small. And a trivia note: if IMDb is correct, the guy doing the (hypnotic) voice and, well, whistling of the Whistler is still alive and almost 111 years old!!! **1/2 out of 4.

whpratt1 This film is another very mysterious story dealing with the Whistler Series and Richard Dix plays the role as Earl C. Conrad who is very upset about the death of his wife in a Japanese Concentration Camp during WW II and decides to end his life by hiring someone to kill him. Earl goes through different people in order to get his own hit man and pays five-thousands dollars to have this carried out. Earl has a secretary named Alice Walker, (Gloria Stuart) who really loves Earl but he does not seem to realize this and she helps him to feel better about himself. However, Earl finds out that his wife is not really dead and is coming back to the United States. The hit man or killer is J. Carrol Naish who is determined to accomplish his killing of Earl and there are many events which seem to keep changing until the very end of the film. There is a scene in this picture which shows Earl Conrad going into a flop house and getting a bed for 25 cents and how he almost gets rolled over by the bums. This is a very entertaining film and great to look at a film produced in 1944, with classic actors.

MartinHafer The "Whistler" was very odd for a B-movie series and so much unlike its contemporaries (such as Charlie Chan or The Falcon). Richard Dix starred in 8 of the 9 films. though he played a totally different character in each--sometimes a good guy and other times a bad one. In many ways, this is reminiscent of Universal's INNER SANCTUM series in that the same actor often played different roles in each film AND the series was NOT the standard detective film but an anthology series--much like TV's TWILIGHT ZONE. The "Whistler" in the titles of most of the films is an unseen guy in the shadows that narrates the film and occasionally makes comments during the film. This format was apparently created for the radio version of "The Whistler".In this first of the series, Dix plays a depressed man who, instead of suicide, pays an unknown assassin to kill him!! While the whole idea is ridiculous and contrived, it is pretty entertaining--especially when Dix changes his mind and truly wants to live but he isn't sure who is coming to kill him or how to stop the contract! The biggest negative, other than the silliness of the story, was the narration by The Whistler. This narrator talks too much--sometimes making comments or saying things that were obvious to the viewer. I haven't seen the rest of the series, but surely hope this was corrected.