Bardlerx Strictly average movie

DipitySkillful an ambitious but ultimately ineffective debut endeavor.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

croat-hr This is one of the best films ever made. But it is underrated, how come "No mans land" was so successful in the world (it even got an Oscar), and this one is not? It is very realistic and tragic film, with a little dose of humor. But this humor is not funny if you know how it was and still is there.The last lines of Pinki, when there is no more picture, only darkness left, and he dies when he said: "A sve mi se nesto cini, da sam prosao bolje od vas" or in translation: "I still have a weird feeling, that I came through better then you." - one of the best movie endings ever. Except maybe Fight club.

yessrrr The Serbian version of Scarface. The translation is accurate most of the time, however understanding the language definitely makes for a more live presentation. In my opinion it suffers somewhat from a low budget yet still manages to impress with screenplay and the gruesome reality it shows. Ulike Scarface many stories such as this one unfolded amongst Serbian youth. Even today the sings of war haven't vanished. Present is the poverty driven human mind on the look out for a better tomorrow. The same state of mind that influenced this picture is still visible on our streets. As time passes by the situation improves but our youth still grow up in ghettos, wanting out of the trap. Simply put it is a masterpiece.

Paul Srdjan Dragojevic dedicates his film 'The Wounds' to "post-Tito generations," and it can be seen as of a piece with his previous film 'Pretty Village, Pretty Flame,' an allegory concerning the Bosnian conflict that was one of the angriest, most jarring anti-war films I've seen. 'The Wounds' is an even more aggressive film, told in non-linear fashion, like 'Pretty Village,' beginning in 1996, coiling five years back in time, and progressing to its starting point, so that the events that follow from thereon have an even greater immediacy. The storyteller is a young man named Pinki, born on the day of Marshal Tito's death, named such because his father was arrested after naming him "Tito" -- in honor of the fallen leader, but interpreted by authorities as an insult.Pinki and his pal Kraut idolize a gangster known as Dickie, who lives in the same housing project. Dickie, an impulsive sociopath who carries a gun at all times and fires it into his television set at random, takes them under his wing and grooms them to become violent criminals. The film, by this point, may begin to remind a viewer of 'GoodFellas,' or the more current 'City of God,' from Brazil. But while those films were stylistically bold, this film is stylistically outrageous. Srdjan Dragojevic slings acid in the face of the viewer, forever surprising his audience with uncompromising nastiness. One does not grow inured to the shocks, however, because the shocks have poetry and relevance, and the movie is tremendously entertaining. This is very exciting filmmaking, the likes of which dwarfs recent work from American filmmakers like Scorsese and Tarantino. Furthermore, it's probably better than anything else from the arguably competitive recent spate of films from the former Yugoslavia, all of which yield a collective cry of anger in the face of the Bosnian civil war, the social conditions of that region, and the region's recent history.Like other Yugoslav films, 'The Wounds' employs a burlesque tone in its depiction of sexuality, violence, social revolt, and family strife, and yet it does so with such conviction that the movie becomes hypnotic. It would be satire, except its anger is so palpable. It would be allegory, except its writing is so vivid. Whatever it is, it's not easily forgotten.

Exiled_Archangel How easy is it for desperate youngsters to become dangerous gangsters in a decaying society washed all over by the blood of war? Fairly easy indeed. Rane shows incidents, probably somewhat facts, that took place in Serbia of the war era. Things similar to what you see on this film could happen virtually everywhere, but this film gives a very Yugoslavian feeling to everything. Yugo style mafia, Yugo style murder, and all that. Revolting politicians and their greed are to blame, not only the desperate young men who lose their reasoning while trying to be someone. The film and the casting is overall successful, and it's so very Serbian. I recommend it to anyone who.. well anyone who likes a good film. But don't expect anything American style on this one, as I say it's Yugo to the bone. 9/10.