Protraph Lack of good storyline.

SoftInloveRox Horrible, fascist and poorly acted

Dorathen Better Late Then Never

Dana An old-fashioned movie made with new-fashioned finesse.

hackraytex During the height of the Spaghetti Western era, I was in the Navy and movies on the base were $.25. I did not have a car at the time so I watched a lot of movies and really got into spaghetti westerns. I still like them. This is one of the movies that I can watch every time it is available. Excellent casting all the way around.Robert Mitchum was at the top of his game in this one of making acting look easy and he looked like he was having fun. He once said that it beats working. However, the other character who stands out as having one of his best parts is Victor Buono as an English arms dealer who is strictly in it for the money. The device of focusing on him as he is "thinking" really makes his character stand out. At one point, they are trying to talk him into using his car for a battering ram and all he is ready to get out of town before the shooting starts. The scene focuses on on as he is thinking, "They're trying to make a hero out of me". Not to spoil it but his death scene is really a good one. This is another movie viewers should try so see. It is a winner!

Bob-45 Ralph Nelson proved himself to be a great director shooting some really great productions in black and white ("Requiem for a Heavyweight, Lilies of the Field) but his color efforts are clumsy and "TV movie-like" ("Duel at Diablo," "Embryo" and this, "The Wrath of God." Nelson captures not of the epic sweep and poignance available in this material. One could only dream of what director Sergio Leone might have accomplished, even given the awkwardly structured, exposition-laden storyline. Fortunately, Nelson had a wonderful cast (Mitchum, Buono, Hayworth and, most notably, Ken Hutchinson and John Colicos) with which to work. Only Frank Langella seems to indulge in overacting, and he arrives more than 45 minutes after the beginning of the film (my "45 minute" rule: if a two hour movie is still introducing major characters after 45 minutes, the movie is usually a dog. Fortunately, Nelson handles the humor better than the drama and there is an abundance of it, albeit irreverent.The theme of "The Wrath of God" is "redemption through sacrifice." Mitchum did this better in "Heaven Knows, Mr. Allison". Sam Peckinpah did it better with "The Wild Bunch". Richard Brooks did it better with "The Professionals". Heck, even Anthony Quin did it better in "Guns for San Sebastian," the movie this one most nearly resembles thematically. Still, there is much to enjoy in "The Wrath of God" to dismiss it entirely, even with the flat, disappointing ending. I give "The Wrath of God" a "5".

som1950 To some extent Ralph Nelson's "The Wrath of God" spoofs westerns, but like Nelson's "Lilies of the Field," under the comedy is, I think, a deeply felt belief in divine grace. Both movies focus on unlikely human materials having a vocation they fail to recognize and consciously resist. Herein, Robert Mitchum plays a con man masquerading as a priest and a Catholic martyr in the tradition of Thomas à Becket or Thomas More mistaken by many as a hedonist.In her last screen performance Rita Hayworth has preternaturally red hair (fire-engine red, not a color of any natural human hair), few lines, and is required to look devout (which she manages to do). As her flamboyantly traumatized and traumatizing son, Frank Langella gets to chew up the scenery, which he does with great relish (before "Dracula," after his memorable film debut in "Diary of a Mad Housewife" and Mel Brooks's adaptation of "The Twelve Chairs"). Ken Hutchinson does fine as the token normal guy who is embroiled in others' plots, including the romantic subplot that involves him with a mute Indian maiden (Paula Pritchett). In a Sidney Greenstreet-kind of role as a corpulent and corrupt gun-runner Victor Buono is suitably droll. Still, it is Mitchum's movie, and he is as compelling when he takes his priestly role seriously as when he plays the usual disengaged but competent existentialist who expects nothin' from nobody. <bt><br> A motley gang of foreign mercenaries getting involved in the confusions of the long-running Mexican revolution and taking a side against their financial interest recurred in a number of late-1960s and early-70s movies, including "The Wild Bunch", "The Professionals", and "A Fistful of Dynamite." The latter two use considerable humor within the genre of expatriates taking sides (which in Mexican settings of different eras includes "Vera Cruz", "Old Gringo", and "Bring Me the Head, of Alfredo García").

jtchance1 What a splendid mix this film has. It uses Robert Mitchum in some ways better than any of his later vehicles ever attempted to. He plays "Father" Van Horne who on the surface is a Catholic missionary but in actuality is an accomplished bank robber cutting a swath through Central America with a prayer book in one hand and a Thompson machine gun in the other. He encounters Victor Buono as an English gun runner named Jenning and Ken Hutchinson as an IRA assassin named Emmett Keogh. Together the 3 men comprise Col Santilla Unholy Trinity charged with the liquidation of his nemesis, one Tomas De Laplata(Frank Langella) who has a murderous antipathy toward any and all clergy. With a setup like this you go along for the ride. Believe me you won't be bored.