Theatre of Death

1967 "Where acting can be murder"
5.7| 1h31m| en
Details

The Theatre of Death in Paris specialises in horror presentations. A police surgeon finds himself becoming involved in the place through his attraction to one of the performers. When bloodless bodies start showing up all over town he realises there could be links with the theatre.

Director

Producted By

Pennea Productions Ltd.

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Reviews

Harockerce What a beautiful movie!
Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.
Jerrie It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
gridoon2018 "Theatre of Death"'s biggest mystery is whether Christopher Lee's presence is a red herring or not; I will not spoil the answer, of course, but I will tell you that he doesn't have as many scenes as you might think. The film has its tedious moments, but it mostly keeps you guessing, and leads to a nifty climax featuring poetic justice and a feverish, nearly-nude voodoo dance. Solid, understated acting by the four principals also helps what turns out to be a good little horror story. **1/2 out of 4.
Leofwine_draca This little thriller plays more like an Italian giallo than your typical British horror film along the lines of Hammer, Amicus and the rest. Gone are the atmospheric locations and supernatural overtones; instead, we have a black-gloved killer murdering girls with a spring-loaded knife and a dedicated police surgeon hunting him down. Much of the film takes place in the theatre of the title, which, as Michele Soavi found twenty years later in his STAGE FRIGHT, makes for an unsettling, atmospheric location.The film benefits from some excellent sets, the design is really artistic. There is also some great camera-work and the colours flow off the screen. The film is thus very arty and nice to look at, and the murder-mystery type plot keeps you guessing until the very end. There are also some good set pieces, with the witch burning being the most arresting, while at the end a half-naked woman indulges in some voodoo dancing.The acting is uniformly good, with Julian Glover a strong, if not likable, hero type, and with extra attention being paid to the female characters in the film, which is unusual and pleasingly different (frankly I'm fed up of the girls being just the victims or the romantic interests). However, as you might have guessed, it's Christopher Lee who deserves the acting honours here, although he only appears in roughly half of the film before disappearing. His arrogant, patronising, self-obsessed director is typical of the actor's roles and one of the best that he's played. If not likable, he is totally believable and invokes a sense of awe when he appears on screen. The film is not particularly gory, with a few splashes of blood here and there to liven things up, but then again it doesn't need to be. It's a pleasing, intelligent horror thriller which retains the interest throughout. There are better films and there are worse, but this is at least nicely crafted.
Paul Andrews Theatre of Death is set in present day Paris where the Theatre du Mort, which translates into English as the Theatre of Death, is open for business in the seedy backstreet's & specialises in gruesome plays that feature torture & death. Forensic doctor Charles Marquis (Julian Glover) visits his actress girlfriend Dani Gireaux (Leila Goldoni) who has a staring role in the Theatre du Mort's latest production, at a party held by the Theatre's own Philippe Darvas (Christopher Lee) he hypnotises another actress named Nicole Chapelle (Jenny Till) who then almost murders Dani in a trance before Charles stops her. Charles is asked by Inspector Micheaud (Ivor Dean) to help investigate several strange murders, murders where the victims all display the same neck wounds. Charles comes to the conclusion that the killer think of themselves as some sort of Vampire & suspects Darvas but when he to is found dead Charles has to rethink...Originally released in the US under the alternative title of Blood Fiend this English production was directed by Samuel Gallu & was one of several similar sounding films that took some mundane establishment & added some sort of sensationalistic word to make a cool sounding title like Horrors of the Black Museum (1959), Circus of Horrors (1960) & Theatre of Blood (1973) which is not to be confused with Theatre of Death as one stars Vincent Price & is a class while the other features Christopher Lee is is a bland & forgettable mix of ideas. The script can't quite decide what it wants to be, it's part murder mystery, part thriller, part stage musical, part Vampire horror film & part detective drama as none of it really gels together that well. While it's competent & fairly well paced it never grabbed me, I never had any real interest in anything that was happening & the story never drew me in. At 90 odd minutes it does feel quite long at times too. The twist ending is alright, it has no great impact other than it being unexpected & a bit bizarre but at least this is one aspect where Theatre of Death is mildly effective. A rather lethargic & bland film overall I would find it hard to recommend Theatre of Death of anyone, watch the infinitely better Theatre of Blood again instead.The killings are spliced into the film almost at random, none of the victims have any connection to anyone else in the film until the end & there's little build-up to them & we never see that much anyway. There's no real gore, there's a few dead bodies & a bit of brightly coloured blood but nothing else of note. Shot in full 2:35:1 widescreen Theatre of Death looks quite nice with bold & bright colours which look almost garish at times. The opening titles feature skulls & eyeballs are cool but unfortunately the film thereafter goes downhill. The setting of the film is obviously based on the infamous real life Theatre du Grand Guignol which staged similarly gruesome plays in Paris between 1897 & 1962.Although filmed entirely at Elstree Studios in Hertfordshire here in England the film is set entirely in Paris. The production values are good but it's shame the film is so forgettable & doesn't deliver on it's promise or it's lurid title. The acting is alright, Christopher Lee gets top billing but only features in the first half of the film.Theatre of Death is a bit of a bore really, I can't say I liked it that much although it looks nice enough & while the twist ending is abrupt & out of context with anything that has gone before it's different & unexpected I suppose. Not one of British horror's finer moments I'm afraid.
Space_Mafune Christopher Lee is given top billing in this film but is in it less than one expects from that billing. Regardless this is a very good murder mystery which keeps one on one's toes and guessing right up till the end. Julian Glover is the real star of this film as former police surgeon Charles Marquis who has taken it upon himself to investigate the mysterious murders which involved victims being stabbed in the neck and drained of all their blood? A modern vampire perhaps? or perhaps the explanation is something else entirely?This one kept me entranced to it until the end and while the conclusion does disappoint slightly, I still would recommend this one to fans of murder mystery and horror.

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