LastingAware The greatest movie ever!

Mjeteconer Just perfect...

GetPapa Far from Perfect, Far from Terrible

Nicolas Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

RanchoTuVu A western about a cowboy who rises up the social ladder to become a respected rancher and later a Montana politician, who seems to become more of a hypocrite with each step up. Don Murray, who plays the lead role, dumps Lee Remick as a saloon girl for Patricia Owens who plays the wholesome daughter of one of the town's prominent leaders. Dumping Remick for Owens seems to signify Murray's embrace of and acceptance into the town's Christian and social establishment, and his abandonment of his cowboy social outcast pal played by Stuart Whitman. Richard Egan occupies the film's bad guy role as Remick's abusive ex-boyfriend, and unscrupulous rancher. A classic example of a 1950s western with modern themes set amongst the beauty of the old West.

inspectors71 On the cheesy, moralistic front, there's Richard Fleischer's These Thousand Hills, an almost-grown up oater with Don Murray, Lee Remick, Richard Egan, and Stuart Whitman. Murray is a young cowpuncher who wants to hit it big ranching in Montana. Unfortunately he's too damned handsome and Wonder Bready for my tastes and he gets started growing awfully big for his britches, especially after he borrows stake money from the only prostitute in town who doesn't look like a 50s movie tramp (that's the always luminescent Remick we're talking about here). Murray proceeds to torque off or become a political pawn to just about everyone in town.Except the reptilian Egan, an actor I love to watch because he oozes a sort of John Huston in Chinatown vibe. I guess he doesn't like Murray because he sees a shred of good in him.Anyway, you'll notice just how nearly raunchy the plot is. Murray and Remick have s-x, and it's really obvious because he looks happy, gazing off at the wallpaper and she brushes her hair, staring off at how many brushes she's up to. There's talk of tramps, political chicanery, somebody getting a bullet through his face, and after Murray grows a pair but before he settles a score with Egan, we dopes in the audience are reminded--using reverse-psychology--that the establishment's morality is pretty-well fubar. Almost, almost edgy stuff there. Remember, 1959 wasn't that long before the end of the Production Code, and Hoary-wood was experimenting with heroes that weren't squeaky-clean. It was interesting watching how immoral our hero becomes before he pulls his head out. I can just see Joe and Jane Suburbia, going with the kiddies to the movies, and walking out in a kerfluff over how dirty These Thousand Hills was. I personally thought it was quaint, cheesy, and morality-wins-uber-alles, which, believe it or not, made this reject from the Lifetime Movie Network actually satisfying.Plus, the scenery was pretty and Remick, with a split lip and blackened eyes (guess who did that to her, folks!) is still breathtaking.

dougdoepke A TCF western means it's well produced on a bigger budget than most oaters. On the whole, it's a good movie, a little slow and talky, but then the story's a strong one. I like the way we follow Lat's (Murray) climb up the economic and social ladder. He's a 19th century entrepreneur, starting out with very little but with some good moneymaking ideas for becoming a rancher. Still, he needs start-up money, which he gets from dance hall girl Callie (Remick), who he romances. With money in hand, he embarks on becoming a success, along with buddy Tom (Whitman). The trouble is that success causes him to lose some perspective, and he starts looking down his nose at Callie and Tom, and romancing society girl Joyce (Owens). Thus his challenge is not only in confronting bad guy Jehu (Egan), but in recognizing the moral debts he owes to those folks who helped him along the way. Thus, the story is more rewardingly complex than with most westerns.Murray's boyish charm reminds me of a young Jimmy Stewart, and wisely the script doesn't require him to be the toughest guy in town. The movie also looks like an effort at promoting him into a studio star since he gets a lot of screen time on top of a strong supporting cast that ranges from a poignant Remick to the always commanding Dekker. There's also some of the most compelling scenery this side of the Happy Hunting Grounds (too bad IMDb doesn't credit the locations!). On the whole, it's a good western if you don't mind a lot of talk along with some good action, especially the dramatic lynching scene.

bkoganbing These Thousand Hills casts Don Murray as a young cowboy who arrives in Montana broke but with an idea. Rather than have cattle feed on the open range in winter left to the elements, he wants to grow and store hay for winter feed. In order to do this he romances two women, banker's niece Patricia Owens and saloon girl Lee Remick. Murray's both a hard worker and a fast worker.This film highlights a growing trend in the Fifties toward adult westerns. They wouldn't yet show it on television, but that Lee Remick is a prostitute is not left to any imagination. In fact even though Remick gave Murray the seed money for his ranch, Murray then objects to pal Stuart Whitman marrying one in Remick's friend Jean Willes.And Murray's attentions to Remick among other things have made him a bad enemy in saloon owner Richard Egan. Basically you have all the ingredients of the story of These Thousand Hills.The film really belongs to both Murray and Lee Remick who gives quite a portrayal of a battered woman, again most unusual for any picture in the Fifties let alone a western.As entertainment the film still holds up well today, but I'd keep it from the littlest ones.