This Film Is Not Yet Rated

2006 "Censorship, uncensored."
7.4| 1h38m| NR| en
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Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.

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Also starring Kimberly Peirce

Also starring Wayne Kramer

Reviews

Colibel Terrible acting, screenplay and direction.
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
ironhorse_iv I'm glad, this movie expose a lot of how the MPAA (Motion Picture Association of America) honestly works. I was always curious, on how they rate the suitability of films' themes and content for certain audiences through their G, PG, PG-13, R or NC-17 ratings. For the most part, I never really had too much of a problem with the MPAA system, because in my opinion, people will go see, their type of a movie, no matter what. Plus, it help the viewer choice what type of a movie, they want to see or not. Nevertheless, I do see, where the film rating can destroy a film's profitable. A good example of this, is when they rated a film, NC-17. I get that, theaters have the right to show, what films, they want to show. However, I don't get is why the MPAA is funded and controlled by the big film studios, when it shouldn't. It's allow more leeway, for them, to get the rated, they want, than what should be deserved. No wonder, why so many risky interdependent films are on this NC-17 list and how few studios films are. Another thing, I don't get about the NC-17 rating is how it was supposed to replace, the X rating; which by the 1970s and 1980s, became more known for films filmed by pornographers. At this point, its hold the same stigma, as the X rating. In my opinion, I see, no reason for them to even have that type of a rating any longer; since Rated R & NC-17 is nearly the same thing. Yes, I get that the NC-17, is the rating that says no children will be admitted at all, even with Parental Guidance, but it's not their job to play the parents. After all, like I said before, if they really didn't want the film to be shown in their theater. They have the right, not to show it. As a thinking American, I do find the MPAA to be a little more strict, to sexuality-charge movies than films of mindless violence to be true. It's kinda weird, how normal, explicit violence is to Americans, compare to other countries, are more against violence, that, then explicit sexuality. It definitely speaks to a cultural difference between countries. There is a huge problem in America rating system, if they consider sex to be more graphic than violence. Then, the double standard, in how sex scenes that contain male nudity is more likely to be censored compared to female nudity. Also, how homosexual love scenes can cause higher content ratings compared to heterosexual love scenes, among others. It's pretty clear, that was the film is showing here, is indeed somewhat true. Directed by Kirby Dick, this documentary explores, how the MPAA acts in a very notorious corrupt way, by pointing out the examples, I mention here, through the use of talking head interviews and film clips. Because of the film's criticize of the entertainment industry, a lot of the filmmakers interview for this film, couldn't be, too honest, about the industry, nor would the films clips had the approvable of the studios that hold it. So, this prompted the filmmakers to invoke the fair use doctrine. Because of this concept, the film clips and interviews, had to limit to a few frames. It's also kinda funny that despite all their bitching about illegal copying of their own films, the MPAA admitted making digital copies of this documentary after it had been submitted for review, against their own. It's also funny, how this film originally got NC-17 rating by the MPAA for "some graphic sexual content.", but the film had changed dramatically from the time of the NC-17 rating, the film cannot be released with an MPAA rating without the film being resubmitted for review. Talk about outsmarting the MPAA. However, it's not the MPAA is totally evil like this movie, makes it out to be. In truth, its rating system is way better than the Hayes Code of the early 20th century which really limited artistic freedoms. We, as the modern audience are expose to a lot more, different types of movies with mature content; than our forefathers, were. Like, I said before, people will see a movie, no matter, what they say. Anyways, the film really fail to mention, some of the goods that MPAA does; such as allowing films to gain access to global markets, creating jobs, helping build technology & innovation within the film industry, allowing a large research and report database to access to the public, as well, as protecting the audience from child pornography, animal abuse, and epilepsy actions, that potentially trigger seizures for people with photosensitive epilepsy. The way, they act like the MPAA is an over controlling censor board, is a bit overreaction. It's not like the MPAA is spying on the filmmakers. If anything, the way, Dick crew's use of private investigator Becky Altringer to unmask the identities of the ratings and appeals board members is a bit too disturbing and somewhat illegal. Also, the use of voice reenactment scenes like the one for Joan Graves, head of the Classification and Rating Administration for the Motion Picture Association of America seem, somewhat misleading. The movie fails to mention that MPAA also rates film trailers, print advertising, posters, and other media used to promote a film. Green, yellow, or red title cards displayed before the start of a trailer indicate the trailer's rating. Nor the film mention the controversial "R-Cards", which parents could obtain for their teenage children, under the age of 17, to see R-rated films without adult accompaniment. You would think that would be mention that. Overall: This movie was indeed very fun to watch. Very good insight in American censorship and media manipulation. A must-watch for anybody curious about how films are made.
Seth Landers I've never been so amazed by a documentary that was so informative yet so consistently entertaining. This is must-see for filmmakers who want to get their film rated someday. The film has no boundaries, it expresses the brutal truth about the MPAA and their unconstitutional hypocrisy with the way they regulate their sometimes confusing rules.So many flawed inconsistencies with this system when it comes down to violence vs. sexual content and the fact that the ratings board is completely anonymous. If your movie has a bunch of deaths without the presence of blood & gore, it gets a PG-13. Yet if there is harsh profanity with some nudity and/or even the slightest implied sexual material, it gets an R. It also points out the issues of independence vs. studios. For example, if you're an independent filmmaker and you get a rating that you're unhappy with like NC-17 (a.k.a. box office poison), they don't tell you what to cut out. However, if you're backed by a studio and you run into the same situation, they'll give you notes on what to re-edit. Matt Stone was right, the MPAA makes most of their money from the six major studios who keep them in business and pay their bills.In conclusion, if you are interested in learning more information about the Motion Picture Association of America and have 90 minutes to spare, give it a watch and see the pros & cons behind one of Hollywood's biggest secrets.
imdb-643-244869 I watched this movie in a film class, and found it to be juvenile and biased. "Outing" the reviewers who work for the MPAA, filming one of them surreptitiously while she was eating a sandwich, and going through one of the reviewer's garbage was an appalling invasion of privacy. The movie attempted, with some success, to label this issue as one of free speech, censorship, religious nuts trying to tell me what I can see, secrecy and studio power. This attempted label is nonsense. The true issue is how do we protect our children from the purveyors of smut who would show our children anything in order to make a buck. The movie seems to say that the current rating system does a lousy job of protecting our children from scenes of violence, so the solution is to allow them to see explicit images of all types of depraved sexual activity. Adults should, and do, watch anything they wish to. The rating system has nothing to do with an adult's freedom to see what he or she wishes. Nor does the current system tell anyone what kind of movies to make. Those who own movie theaters are well within their rights if they elect not to show movies containing graphic details of sexual activity, just as parents are free not to allow their children to go to multi- plexes showing films with graphic sexual content - as many would. If anything, our current rating system is far too lax in not sufficiently warning parents about movies containing profanity, sexual acts, degrading acts against women, and acts of violence. In closing, this self-indulgent and self-serving film offered no adult discussion of the harm or lack thereof on children from their observing explicit images of sexual acts or violence or any reasonable alternatives to our current voluntary system of rating films.
kylehaines96 This Film starts off with an interview with Kimberly Pierce talking about how her film Boys Don't Cry(1999) was slapped with an NC-17 Rating instead of an R Rating. There are 3 reasons why this happened and all of them for sexual content.We Then Get interviews from John Waters and Kevin Smith saying how there films got slapped with either an R or NC-17 Rating. John Waters talks about how his comedy A Dirty Shame(2004) got slapped with an NC-17 For the overall sexual tone. Kevin Smith talks about how his film Jersey Girl(2004) Got Slapped with an R Rating instead of a PG-13 Rating for get this a conversation that Ben Affleck and Liv Tyler have in a restaurant.The film is also about the films Director Kirby Dick hiring a private investigator to see who the secret board of MPAA Members are.The film also has interviews with Matt Stone who says that his films South Park(1999) and Team America(2004) were rated NC-17. South Park for Language and Team America for sexual content.This is one of the best films I have ever seen and was very interesting seeing how Sex is the main problem in film and not Violence like every parent says. The Interviews are great and the film has some guts for trying to access secret information definitely give it a watch.Originally Rated NC-17 For Graphic Sexual Content Later Toned Down To An R for Sexual Content then finally Unrated.1hr 38min/98min.31 uses of the F-word.****/****