Three-Cornered Moon

1933 "There are five kinds of saps on the Remplegar family tree and every branch grows a nut!"
6.4| 1h17m| en
Details

Elizabeth Rimplegar inhabits a household populated by virtual lunatics. Her mother, Nellie, mishandled the family fortune, and, alas, the stock market crash has depleted their worth. Elizabeth's goofy brothers cannot easily adjust to the life of the average worker. Meanwhile, the family doctor has his eye on Elizabeth, but he will have to compete with her suitor, an ill-informed writer.

AD
AD

Watch Free for 30 Days

All Prime Video Movies and TV Shows. Cancel anytime. Watch Now

Trailers & Clips

Reviews

LastingAware The greatest movie ever!
Laikals The greatest movie ever made..!
Manthast Absolutely amazing
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
SimonJack This is one of those movies when one wonders, after watching it, what the title had to do with the film. In this case, it is mentioned once – as the name of a mine that Mrs. Rimplegar (played superbly by Mary Boland) had poured a lot of money into – to the point of bankrupting her family. But, in afterthought, the title could be construed to describe the wacky family and household of the Rimplegars.This isn't quite screwball comedy, but it comes close in places. The script for 'Three-Cornered Moon" isn't very tightly written and organized. But the collection of characters, with their individual pursuits and traits add up to some good laughs. Claudette Colbert here has the look yet of a young starlet. The movie came out before she turned 30. Within the year, she would lose the very youthful look and become the more mature young woman in appearance for which most moviegoers remember her. Her role in this film is more subdued. Richard Arlen is the lead actor, but his role is less than that of most of the young men of the Rimplegar clan. They were played well by Wallace Ford, Tome Brown and William Bakewell. The rest of the supporting case were all quite good. This comedy of frenzy has a nice theme – of the once rich and selfish learning how to work and share for the good of all. That theme should have played very well in 1933. It was right in the middle of the depression and Dust Bowl. America had its highest unemployment ever. Many families were suffering and wanting. Hollywood did a lot to help lift the spirits of America during this time with its many wonderful comedy films and inspirational stories. At least one reviewer noted that there were many movies of this type during that time. True, but this is one of the early ones, and a good warm-up for some much better films that followed. With a little more work on the script and some better direction, "Three-Cornered Moon" could have been a much better film. As it is, it's a fun movie with several good laughs that most viewers should enjoy.
Al Westerfield I've come to despise kooky families that teach serious persons to loosen up. You Can't Take It With You is my example of a perfectly dreadful film. So I wasn't expecting much when I started watching Three Cornered Moon. But I was pleasantly surprised when reality struck and the family responded in a responsible way. The Depression was tough; my parents lived through it. Life was tough - it still is. If we can adapt to it while still remaining cheerful we've got it made. That's what this film shows in a warm, silly way.I've never thought of Claudette Colbert as beautiful but here she really glows. I'm a particular fan of Wallace Ford. He rarely gets a chance to let go; this exception allows him to cover all the acting bases. Unfortunately, Richard Arlen shows little personality. There's no magic when he and Colbert get together at the end. Mary Boland was a little too over the top yet not silly enough for me. Lyda Roberti was fun but I just couldn't get past her role as "the woman no man can resist" in Million Dollar Legs. Overall, I'll watch the film again - in about five years.
bkoganbing If it weren't for the fact that there are no dead bodies buried in the cellar, the set of the house where 90% of the film takes place looks like the Brewster home from Arsenic And Old Lace. Like the Brewsters the Rimplegars are old Brooklyn money.Head of the clan Mary Boland could easily have been a third Brewster sister. Boland took a patent out on empty headed grand dame roles and what she didn't play Billie Burke and Spring Byington did. Some stock broker sharpie wheedled the family fortune out of her and the 1929 crash did the rest. She and her spoiled children which consist of Claudette Colbert, Wallace Ford, William Bakewell, and Tom Brown all have to make their own way in the world.As does Hardie Albright who was courting Colbert, he figured on a life of ease, but is reevaluating his situation with Joan Marsh. The only person around with any real sense is Richard Arlen who plays a doctor who likes the family and rents a room with them. They get his rent and free medical service, can't beat that during the Depression years.Three Cornered Moon ran for only 57 performances on Broadway in 1933 and playing Claudette's role was Ruth Gordon. Such movie cast names as Brian Donlevy, Elisha Cook, Jr., and John Eldredge were all in the Broadway cast. Though the play has a few laughs you don't really get involved with the Rimplegar family as such. Claudette Colbert had much better comedy roles in her future.
sobaok This stagy adaptation of the Broadway play tends to drag. If director Nugent and editor Loring had sped things along it might have worked. In spite of such stellar talents as Colbert (in a role originated by Ruth Gordan) and Mary Boland, Three-Cornered Moon is only passable entertainment. The story, about the irresponsible off-spring of a wealthy-widow-now-broke (Boland), has its charm and enough funny moments to make it worthwhile for die-hard Colbert fans. However, it is difficult as to why it was selected to be part of TCM's Claudette Colbert Collection. The rowdy antics of Colbert's on-screen brothers chasing each other around the house border on the ridiculous. Wallace Ford was 35 years-old, William Bakewell 25, but only 20 year-old Tom Brown fits the bill for these kind of shenanigans. And poor Lyda Roberti isn't given much to do -- what a waste. Her part fell flat and should have been re-written for the screen adaptation.