Stevecorp Don't listen to the negative reviews

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

Allissa .Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

chrismartonuk-1 By the time this belated TV spin-off appeared, Captain Scarlet had come and gone and Thunderbirds was yesterday's news. Such was the shallow fickle values of us kids back in the 60's. I was very surprised to see this announced for production in TV TORNADO. I recall the vast amount of hype the original film received and assumed for years it had been a box-office success. However, the whole Anderson supermarionation empire was in its decline as fashions changed by the late 60's. Joe 90 was to appear to a less-than-rapturous reception and The Secret Service was virtually stillborn. At least Joe got his own comic and a Big Rat toy. All I recall of The Secret Service was a clip on Magpie and a Sweet cigarette picture card of the Rev Unwin. This might not have mattered so much if the Anderson's had learnt the lesson of the previous film. How many producers get the opportunity to make a sequel to a film that flopped? While the plot against the Tracey's by Black Phantom (is it really a suddenly vain toupeed Hood?) is a more satisfyingly personal drama as opposed to the Zero X launch, the whole plot is, again, a bog-standard TV episode dragged out with whimsical foreign interludes that exercised the model makers ingenuity but fatally kill any sense of pace. The finale of the Skyship delicately balanced on the aerial wrenches up the tension but is too little too late - and it drops onto a missile base for added pyrotechnic value. I recall some publicity being raised on national TV news by the live-action shots of the bi-plane roaring over an unfinished motorway. I suspect Anderson was more interested in these as a calling card to show he could handle live-action as opposed to puppetry so - like The Secret Service - this serves as a transitional film to the human-based melodramatics of the 70's with UFO and Space 1999. While Anderson could handle full-sized action, endowing his non-marionette figures with any breath of humanity often proved beyond him.

bob the moo Having just completed on working as an expert contractor on the production of "Airship One" – a revolutionary new airship – with a private airline company, Brains is tasked with performing his day job. Despite the thunderbirds generally able to cope with the problems facing them, and no other siblings to drive the bloody thing, Jeff Tracy decides he needs a new ship – Thunderbird 6. While Brains tries to design something without Tracy giving him even a hint of a spec to work from, Lady Penelope, Alan, Tin Tin and Parker are guests of honour on the maiden voyage of Airship One.I could criticise it on the basis of plot but that would be akin to clubbing a baby seal because, despite howlers in logic and such the story pretty much does what it is required to do in setting up various adventures for the Thunderbirds to get into. It has elements of bigger themes but seems happy just to stick to the basics and doesn't do anything that interesting and lacks any real excitement or tension. Of course this has something to do with the delivery which is, obviously, quite wooden. To fans though this is all part of the appeal and those that enjoy the series will find more of the same here and will enjoy it as such. Casual viewers will be distracted by it for its novelty value but (like me) may struggle to care enough to stick with it.The puppets are just what you expect and the models are good for their period – we're not talking Star Wars here but it has an unique feel that is unmistakably Gerry Anderson. Again it is not really fair to criticise it simply for being what I knew it would be so it did look good for what it was. The voice cast are solid enough but Finn (Tin-Tin) is the weakest of the lot, making her young woman sounds like some old woman in the post office.Overall though, you know what you are getting when you start this. It is a solid and dated affair which won't win over too many children nowadays but fans will enjoy it because it does just what the series did – if you liked that then you should like this.

StuOz The second Thunderbirds movie.The only way to watch this movie is with the commentary! Sylvia Anderson gives Gerry Anderson fans so many trivia bits about the puppet shows and live action shows of later years. But more importantly, she gives the thumbs up about a visit she made to Australia some time in the 1980s or 1990s.We get these showbiz types appearing around the world and I often suspect that they are just here for the money. End of story. Wrong. In the DVD Sylvia explains how she enjoyed Sydney and Perth and meeting the fans. She explains that she went on TV and radio in Oz (where was I? I missed it?) and she even remembers that Thunderbirds was in constant re-run in Oz at 6am. And she mentions Oz voice artists.As for the movie itself...just okay.

Michael Daly Thunderbirds had made a major impact in British TV, leading to the 1966 theatrical release Thunderbirds Are Go, but disappointing box office returns and lack of interest from major US networks (the show was syndicated in the US instead of picked up by one of the three big broadcasters) caused cancellation of the series. Despite this, one more theatrical film was prepared, and the resulting film has proven to be a highlight of the Thunderbirds epic despite once again suffering from disappointing box office returns.Thunderbird Six is a vast improvement over Thunderbirds Are Go thanks to a more coherent plot and more plausible action scenes; also adding to the film's quality was the decision to tone down the action scenes in favor of more character interplay.Most of the cast returned for this final go at the Thunderbirds epic; notably missing aside from David Holliday (replaced by Jeremy Wilken after the first season of the show wrapped up) was Ray Barrett; added to the voice cast was Geoffrey Keen, later to win fame as HM's Defence Minister Sir Frederick Grey in the James Bond series."Brains" Hackenbacker (David Graham) has been brought to New World Aircraft, his identity hidden, to make a proposal for a new machine of flight to the company's board of directors. Brains' proposal is to go back to the future - to the era of the passenger dirigible. Brains' idea is laughed out of the company, but they turn around and build it anyway - Sky Ship One. NWA has invited members of International Rescue for an exclusive round-the-world maiden voyage before the ship enters full commerical service, but Brains is put in charge of creating a Thunderbird Six for Jeff Tracy - an assignment that begins to stress his relationship with the Tracy family.Much of the film makes use of a reallife Tiger biplane in flight, the Tiger being a special retro project created by Alan and TinTin. With very heavy security, the four IR members invited to the flight of Sky Ship One - Lady Penelope, Parker, Alan, and TinTin - are escorted to NWA's flight base and board the ship.But unknown to the members of IR as well as to NWA, the crew of the fully-automated jet-powered dirigible have been assassinated and replaced by a band of killers led by a man named Foster, working for a kingpin known as Black Phantom - in reality The Hood wearing a bad hairpiece. The film then follows the voyage of Sky Ship One as the killers work to position a perfect trap for their passengers as well as International Rescue itself. Along the way Penny, Parker, Alan, and TinTin overfly and visit numerous locations visited by IR in previous rescues - the Atlantic Ocean, New York City, the Grand Canyon, Africa, the pyramids of Egypt, and the Swiss Alps. Here we for once get to see the members of IR able to relax and enjoy each other's company, unaware of any danger to their safety - or are they?The visits to varied international locales add nicely to the film's atmosphere and allow the buildup not only of suspence but also allow appreciation of the interplay between the characters; this makes the inevitable action scenes and rescue mission all the more gripping and suspenseful as disaster strikes and Scott and Virgil Tracy launch into action.Without question this is a zenith in the International rescue epic and ends its initial run on a high note.