ReaderKenka Let's be realistic.

Dorathen Better Late Then Never

Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Yazmin Close shines in drama with strong language, adult themes.

ma-cortes Daniel Calparsoro's last one (2016) results to be ¨100 Años De Perdón¨ with all-star-cast as Luis Tosar , Jose Coronado , Raul Arevalo and his wife Patricia Vico . A Spanish crime film called To Steal from a Thief (originally Cien Años De Perdón in Spain) about six armed men in disguise try to steal a bank , but they're really after the contents of safety deposit box 314 , which actually doesn't contain what they think it does . Moving heist thriller filled with intense set-pieces , nail-biting action and swiftly paced . This exciting movie contains thrills , noisy action , intrigue and spectacular final . In Valencia takes place a bank robbing , it is carried out by a bunch of cunning delinquents led by three thieves called El Uruguayo (Rodrigo Serna) , Gallego (Luis Tosar) and Loco (Furrier) , all of them stalk a bank in a metropolis city , Valencia , to rob as many safety boxes as possible and later flee through a dug tunnel that communicates the building with an abandoned subway station . The takers must scramble a lot of twisted incidents , risks , dangers and violence . However, the press officer of the Prime Minister discovers what the thieves are actually after : they want to get their hands on box 314 that has dark secrets . The safe box contains an information that it would to be shake a country . At the same time , the CNI agents attempt to take the information before the robbers escape with it . The bad's schemes begin to go awry , plus to discover that the box really doesn't have documents , but an external hard drive full of data about important names in all levels of the Spanish politicians . They try to rise above their circumstances by any means available to them . Not only that, but the government wants to stop them and the rainwater floods their getaway route .This is a thrilling narration of an exciting bank assault with exceptionally fine camera work , attractive sequences , moving escapes and ending crashes . The title of the movie is a reference about a popular Spanish proverb: ¨Those who steals a thief, will have a hundred years of pardon¨. The picture mingles action-packed , drama , exciting underwater scenes , suspense , and spectacular sequences though won't mean much on little screen TV . This is a tricky little thriller about a coordinated bank robbery that gets worse when the tunnel is flooded by heavy rain , leaving them with no fleeing . This hold-up film is covered by political incidents as well as corruption , as the safe box results to be ownership of Gonzalo Soriano , a previous member of the government who slipped into a coma after a severe accident and left documents with compromising information . Stirring movie results to be a nice yarn well set in a rainy big city , Valencia . In fact , filmmaker Daniel Calparsoro dedicated this movie to ¨Valencia¨ . Pulse-quickening thriller movie but plenty of clichés and lots of violence , including punches , slaps , heavy blows , kick-asses and bloody shooting . The peculiar as well as tight-knit trio , Luis Tosar , Rodrigo De la Serna and Raúl Arévalo are the real stars of this movie . Other chief excitements about the picture , will be in the intervention of a good plethora of Spanish/Argentinean actors who realize professionally competent interpretations such as : Patricia Vico , Joaquín Furriel , Marian Álvarez , Luis Callejo , Miquel Fernández , Joaquin Climent , María Molins and Alfredo Villa , Calparsoro's fetish actor. Special mention for José Coronado as a fixer of the government receives the mission to assume the control of the negotiations, looking for recover at any cost the box .Colorful and appropriate cinematography by Joseph M. Civit , being well set on a rainy morning in Valencia , and shot in Canary Islands , Buenos Aires , Valencia by cameraman Josep M. Civit who is one of the best Spanish cameramen , as he has demonstrated in "The Hidden Face" , ¨Shiver¨, ¨Warriors¨ , ¨The Absent" ,¨Anguish¨ and many others . Stimulating as well as pulsating musical score by Nacho Mastretta and Najwajean-Najwa Nimri . This is another superbly powerful thriller movie being compellingly directed Daniel Calparsoro , the filmmaking is competent though the story eventually run out of gas . It was well realized by Calparsoro in similar vein to his precedent film as ¨Invasor¨ , a splendid thriller mostly set in Irak war . His best film was ¨Warriors¨ or ¨Guerreros¨ , another warlike film brilliantly made by Daniel and dealing with ¨Kosovo¨ war . Daniel was raised in Donostia , that's why most films are set in Basque country . Daniel uses to work with his spouses , as his first wife , Najawa Nimri composes his scores and played in ¨Salto a Vacio¨ , ¨Pasajes¨ , ¨Asfalto¨ , ¨A Ciegas¨ ; and his second one , Patricia Vico , performed in ¨La Ira¨ and this one . Calparsoro is an expert on action and violent dramas , such as : 2013 ¨Combustion¨ starred by Alex Gonzalez and Alberto Amman , 2012 ¨Invasor¨ also starred by Albert Ammann , 2005 ¨Ausentes¨ , 2000 ¨Asfalto¨ , 1997 ¨A Ciegas¨ , 1996 ¨Pasajes¨ , 1995 ¨Salto a Vacío¨ . Furthermore , he has realized TV series and episodes , such as ¨Inocentes¨, ¨Apaches¨ , ¨La Ira¨, ¨El Castigo¨. This flick ¨100 Años De Perdon¨ will appeal to adrenaline lovers and those young people looking for strong emotions . This is the kind of film in which the thriller enthusiasts will enjoy immensely , it's a must see .

rcarter-21952 Cien años de perdón, a film directed by Spanish film director, Daniel Calparsoro, is a feature film that was released on the third of March, 2016. The film stars' famous actors and actresses such as Luis Tosar, Rodrigo De La Serna, Raúl Arévalo, José Coronado, and Patricia Vico. Calparsoro's work received high praise after its release date in the form of receiving nominations for various awards, including the Goya awards, and winning best actor and best director at the Mestre Mateo Awards. Falling under the genre of action/adventure, Cien años de perdón, features thrilling scenes of suspense, violence, and narrow escapes.The entire film is centered around a bank heist, that takes place in the city of Valencia, Spain. Bank robbers, "El Gallego" and "El Uruguayo", along with accomplices, try their luck at robbing millions of dollars from deposit boxes from one of Valencia's largest banks. When their escape plan does not go as planned it is up to them to figure out a way to freedom. However, only once inside the bank would they realize that in one special box there was much, much more than money could ever equal. The film is set in modern times, during Spain's great recessional era. Many people of Spain were very discontent with the current government and economic regulations that they had put in place. No one without a job could obtain one, and the people who were fortunate enough to have consistent work were still barely making any money. These harsh economic times are what forced people to abandon their sense of right and wrong, and commit actions that they felt were absolutely necessary in order to survive. Looking at the technical side of the production, the entire screening is meant to promote action and suspense. The music is always either very dark and ominous, or very fast paced and exhilarating. The actual cinematography and development of the plot line is just the same. A perfect example would be in the beginning of the film. As the camera pans across crowded streets, rain pours down and intense music plays in the background. In the corners of the shops and alleys there is only darkness, leaving it unknown what all is out there. The actors portray serious characters who clearly have led lives of crime for the entirety of their adulthood. They are well versed in being efficient, to the point, and conveying the feeling of that they are not people to be messed with. Judging the films acting, production, plot line, and more, I believe that this movie was very well made, and deserves all the credit where it is due. The film is suspenseful and demands the attention of the audience, leaving them on the edge of their seats throughout the entirety of the motion picture. I would recommend this movie to all audiences that can handle a PG-13 level production, and I say this due to its incorporation of inappropriate language and violence. In Cien años de perdón, brilliant filmography, excellent acting, and a very well developed plot line are what makes this movie a wonderful experience, and a story you won't forget, and that is why it continues to receive national and international recognition every day.

adonis98-743-186503 A group of thieves led by a man called El Uruguayo stalk a bank in Valencia to steal as many safety boxes as possible and later flee through a dug tunnel that communicates the building with an abandoned subway station. However, the press officer of the Prime Minister discovers what the thieves are actually after: they want to get their hands on box 314, property of Gonzalo Soriano, a former member of the government who slipped into a coma after a severe accident, left documents with compromising information. The problem with Cien años de perdón is that it brings nothing new to the bank heist genre and it has the same problems like every single previous movie with the same plot and although Luis Tosar was really good i can't find anything better about the film i mean it's very slow paced and there's some action here and there it's not exactly an awful film but it's not a great one either i'll give it a 6.3/10.

cornesnaish I was excited to see the film because of Tosar in one of the main roles. Wasn't disappointed. Even when he isn't the main pivot point of the story (in this case, it was Rodrigo De la Serna), he manages to give an outstanding performance.Onto the film though: I thought it was a solid, fast-paced drama flick with a hint of action and some occasional comedic touches, but don't get me wrong - it's thrilling right to the very end. My criticism with it is that I can divide the film into three sections: fast, slow, and fast. The middle part felt a little out of place, with excessive dialogue.Nonetheless, the acting was superb from the main characters, the photography and color schemes were on point, the dialogue was quick and snappy, without clichés, and the lead roles are very well thought and portrayed. Magnificent acting by Rodrigo De la Serna and Luis Tosar. Solid 7.5 out of 10.